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Notice: About Recent Slower Generation Speeds and Limited Computing Resources — Dear PixAI Community, Thank you for your continued love and support for PixAI. Recently, generation speeds on PixAI have…

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AI artwork
สร้างฟรี

tkiya9143#0

ดูเพิ่มเติม

คอมเมนต์

character: ellen_joe upper body close-up, 1girl, solo, ellen_joe \(zenless zone zero\), black hair, short hair, multicolored hair, red inner hair, colored inner hair, red eyes, maid headdress, hair ornament, fish tail, black dress, short sleeves, black pantyhose, holding paintbrush, brush in other's hand, posing, standing, contrapposto, head tilt, looking at viewer, half-closed eyes, light smile, one eyebrow raised, art room, easel, canvas, necktie on canvas, paint stains on skin, paint splatter, palette held by a paint-smeared arm, from below, medium close-up, shallow depth of field, The camera sits low, tilted up at her, so the easel's frame cuts diagonally across the left of the shot and she occupies the right two-thirds, cropped at the waist. This is a bright art room: tall studio windows behind her at frame left spill cool north light across the back of her shoulder and the easel's edge, while the key comes from a low clamp lamp at frame right, warm and close, laying a hot rim along her jaw, her paint-streaked forearm and the taut white canvas. Her black dress and short sleeves are speckled with dried pigment; the black pantyhose disappears below the crop. Her short black hair falls forward over one cheek, the red inner layer flashing where the lamp catches it, and the maid headdress sits slightly askew because she has been holding this pose a while. She stands in a loose contrapposto, weight on her left leg, right hip dropped, right shoulder lifted, and she holds an upright paintbrush loosely pinched between two fingers of her raised right hand, elbow bent, wrist slack — not painting, just posing with it. Her left arm is held out from her body and a paint-smeared forearm belonging to someone off-frame crosses under her wrist: her forearm is the palette, the skin along its inner curve loaded with wet daubs of red, ochre, ultramarine and teal that catch the lamp in tiny glossy beads, one drop about to run toward her elbow. Her chin tips down and her eyes come up under her half-lowered lids to meet the viewer with a lazy, faintly amused smile, one brow lifted. Behind her at frame right the canvas stands on the easel, and stretched flat across its wet white ground lies a black necktie, pressed into the paint so its silk weave prints and the fabric buckles slightly along its length — the shape the brush is circling around. Paint is everything: the floor, the rag on the easel's ledge, the hem of her sleeve. Quietly mischievous.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
エレン・ジョー、美術室、人間パレット、ポーズ、上半身アップ、キャンパスの👔
โหมด
pro
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1104 x 1824
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
t9
character: ellen_joe upper body close-up, 1girl, solo, ellen_joe \(zenless zone zero\), black hair, short hair, multicolored hair, red inner hair, colored inner hair, red eyes, maid headdress, hair ornament, fish tail, black dress, short sleeves, black pantyhose, holding paintbrush, brush in other's hand, posing, standing, contrapposto, head tilt, looking at viewer, half-closed eyes, light smile, one eyebrow raised, art room, easel, canvas, necktie on canvas, paint stains on skin, paint splatter, palette held by a paint-smeared arm, from below, medium close-up, shallow depth of field, The camera sits low, tilted up at her, so the easel's frame cuts diagonally across the left of the shot and she occupies the right two-thirds, cropped at the waist. This is a bright art room: tall studio windows behind her at frame left spill cool north light across the back of her shoulder and the easel's edge, while the key comes from a low clamp lamp at frame right, warm and close, laying a hot rim along her jaw, her paint-streaked forearm and the taut white canvas. Her black dress and short sleeves are speckled with dried pigment; the black pantyhose disappears below the crop. Her short black hair falls forward over one cheek, the red inner layer flashing where the lamp catches it, and the maid headdress sits slightly askew because she has been holding this pose a while. She stands in a loose contrapposto, weight on her left leg, right hip dropped, right shoulder lifted, and she holds an upright paintbrush loosely pinched between two fingers of her raised right hand, elbow bent, wrist slack — not painting, just posing with it. Her left arm is held out from her body and a paint-smeared forearm belonging to someone off-frame crosses under her wrist: her forearm is the palette, the skin along its inner curve loaded with wet daubs of red, ochre, ultramarine and teal that catch the lamp in tiny glossy beads, one drop about to run toward her elbow. Her chin tips down and her eyes come up under her half-lowered lids to meet the viewer with a lazy, faintly amused smile, one brow lifted. Behind her at frame right the canvas stands on the easel, and stretched flat across its wet white ground lies a black necktie, pressed into the paint so its silk weave prints and the fabric buckles slightly along its length — the shape the brush is circling around. Paint is everything: the floor, the rag on the easel's ledge, the hem of her sleeve. Quietly mischievous.
tkiya9143#0
AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe, short black hair with red inner highlights, colored inner hair, red eyes, both eyes wide open, mouth open, sharp small fangs visible, maid headdress, hair ornament, shark tail curled behind her, black short-sleeved dress, black pantyhose, canvas-style outfit splattered and smeared with multicolored paint, face covered in paint like an artist's palette, paint daubs on cheeks forehead and chin, posing, upper body shot, cowboy shot crop, leaning forward, head tilt, one arm raised holding a loaded paintbrush, looking at viewer, art classroom, easels and canvases behind, paint jars, window light, vibrant palette, Upper-body close-up, camera slightly from below and a touch to her right, cutting her at the hips so the shark tail sweeps out behind her waist and out of the crop's lower edge. She leans forward over an easel's edge, weight on her left hip, right shoulder dropped, chin tilted up and turned a few degrees off-axis. Both red eyes are wide open, catching a hard specular highlight from the window; her mouth is open in a caught-mid-word shape, small pointed fangs showing on the lower lip, the tip of her tongue just visible. Her face is the palette: thick daubs of vermilion on the right cheekbone, ultramarine smeared across the left brow and temple, a streak of yellow ochre down the bridge of her nose, cadmium green at the jaw, white and magenta thumbprints at the chin and one dot of teal at the corner of the open mouth -- wet paint with a raised, glossy ridge where the brush last dragged, some of it cracking slightly where it has begun to dry at the temple. Her short black hair with its red inner layer is streaked at the tips with the same paints. Her short-sleeved black dress reads as a canvas: broad horizontal smears of red, blue and white across the chest and one sleeve, spatter freckling her collar and the black pantyhose at the crop's edge, drips running downward and pooling at the hem's seams. The maid headdress sits askew, one frill tipped with paint. Her right hand is raised beside her face, gripping a long-handled brush whose bristles load with wet vermilion, the handle angled toward the lens; her left hand rests flat on the easel's tray, fingers braced, one fingertip pressed into a smear of blue on the wood. Her gaze comes straight down the brush to the viewer, eyebrows lifted, daring. Behind her the art classroom recedes: two easels with half-finished canvases, a shelf of jam jars clouded with paint, brushes standing bristle-up, a smeared sink at the far wall; a tall window on the left throws cool daylight across the left side of her face and casts her shadow onto the nearest canvas, where the shape of her brush hand is legible against the linen. The room's warm ochre walls and the cold window light split the palette: her paint daubs are the only saturated notes, everything else in muted dust and shadow. Paint on the easel tray still glossy, one drip lengthening. Playful, cheeky.
tkiya9143#0
AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe, short black hair with red inner highlights, colored inner hair, red eyes, both eyes wide open, mouth open, sharp small fangs visible, maid headdress, hair ornament, shark tail curled behind her, black short-sleeved dress, black pantyhose, canvas-style outfit splattered and smeared with multicolored paint, face covered in paint like an artist's palette, paint daubs on cheeks forehead and chin, posing, upper body shot, cowboy shot crop, leaning forward, head tilt, one arm raised holding a loaded paintbrush, looking at viewer, art classroom, easels and canvases behind, paint jars, window light, vibrant palette, Upper-body close-up, camera slightly from below and a touch to her right, cutting her at the hips so the shark tail sweeps out behind her waist and out of the crop's lower edge. She leans forward over an easel's edge, weight on her left hip, right shoulder dropped, chin tilted up and turned a few degrees off-axis. Both red eyes are wide open, catching a hard specular highlight from the window; her mouth is open in a caught-mid-word shape, small pointed fangs showing on the lower lip, the tip of her tongue just visible. Her face is the palette: thick daubs of vermilion on the right cheekbone, ultramarine smeared across the left brow and temple, a streak of yellow ochre down the bridge of her nose, cadmium green at the jaw, white and magenta thumbprints at the chin and one dot of teal at the corner of the open mouth -- wet paint with a raised, glossy ridge where the brush last dragged, some of it cracking slightly where it has begun to dry at the temple. Her short black hair with its red inner layer is streaked at the tips with the same paints. Her short-sleeved black dress reads as a canvas: broad horizontal smears of red, blue and white across the chest and one sleeve, spatter freckling her collar and the black pantyhose at the crop's edge, drips running downward and pooling at the hem's seams. The maid headdress sits askew, one frill tipped with paint. Her right hand is raised beside her face, gripping a long-handled brush whose bristles load with wet vermilion, the handle angled toward the lens; her left hand rests flat on the easel's tray, fingers braced, one fingertip pressed into a smear of blue on the wood. Her gaze comes straight down the brush to the viewer, eyebrows lifted, daring. Behind her the art classroom recedes: two easels with half-finished canvases, a shelf of jam jars clouded with paint, brushes standing bristle-up, a smeared sink at the far wall; a tall window on the left throws cool daylight across the left side of her face and casts her shadow onto the nearest canvas, where the shape of her brush hand is legible against the linen. The room's warm ochre walls and the cold window light split the palette: her paint daubs are the only saturated notes, everything else in muted dust and shadow. Paint on the easel tray still glossy, one drip lengthening. Playful, cheeky.
tkiya9143#0
AI artwork
t9
character: ellen_joe 1girl, solo, ellen_joe, short black hair with red inner highlights, colored inner hair, red eyes, both eyes wide open, mouth open, sharp small fangs visible, maid headdress, hair ornament, shark tail curled behind her, black short-sleeved dress, black pantyhose, canvas-style outfit splattered and smeared with multicolored paint, face covered in paint like an artist's palette, paint daubs on cheeks forehead and chin, posing, upper body shot, cowboy shot crop, leaning forward, head tilt, one arm raised holding a loaded paintbrush, looking at viewer, art classroom, easels and canvases behind, paint jars, window light, vibrant palette, Upper-body close-up, camera slightly from below and a touch to her right, cutting her at the hips so the shark tail sweeps out behind her waist and out of the crop's lower edge. She leans forward over an easel's edge, weight on her left hip, right shoulder dropped, chin tilted up and turned a few degrees off-axis. Both red eyes are wide open, catching a hard specular highlight from the window; her mouth is open in a caught-mid-word shape, small pointed fangs showing on the lower lip, the tip of her tongue just visible. Her face is the palette: thick daubs of vermilion on the right cheekbone, ultramarine smeared across the left brow and temple, a streak of yellow ochre down the bridge of her nose, cadmium green at the jaw, white and magenta thumbprints at the chin and one dot of teal at the corner of the open mouth -- wet paint with a raised, glossy ridge where the brush last dragged, some of it cracking slightly where it has begun to dry at the temple. Her short black hair with its red inner layer is streaked at the tips with the same paints. Her short-sleeved black dress reads as a canvas: broad horizontal smears of red, blue and white across the chest and one sleeve, spatter freckling her collar and the black pantyhose at the crop's edge, drips running downward and pooling at the hem's seams. The maid headdress sits askew, one frill tipped with paint. Her right hand is raised beside her face, gripping a long-handled brush whose bristles load with wet vermilion, the handle angled toward the lens; her left hand rests flat on the easel's tray, fingers braced, one fingertip pressed into a smear of blue on the wood. Her gaze comes straight down the brush to the viewer, eyebrows lifted, daring. Behind her the art classroom recedes: two easels with half-finished canvases, a shelf of jam jars clouded with paint, brushes standing bristle-up, a smeared sink at the far wall; a tall window on the left throws cool daylight across the left side of her face and casts her shadow onto the nearest canvas, where the shape of her brush hand is legible against the linen. The room's warm ochre walls and the cold window light split the palette: her paint daubs are the only saturated notes, everything else in muted dust and shadow. Paint on the easel tray still glossy, one drip lengthening. Playful, cheeky.
tkiya9143#0

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ