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AI artwork
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Kiritinho Solo

ks
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Kiritinho Solo

ดูเพิ่มเติม

คอมเมนต์

character: allen_avadonia 1boy, solo, slave boy, young boy, black hair, short messy black hair, black eyes, ahoge, single stray strand curling up from the crown, grey tunic, torn clothes, ripped tunic hem, frayed sleeve edges, sandals, leather sandals, bare legs, tied up, bound wrists, rope around wrists and ankles, gagged, cloth gag between the teeth, gag tied behind the head, prisoner, lying, lying on side, on side, body slightly curled, knees drawn up, bound wrists in front of chest, large medieval cargo wagon, wooden wagon bed, wooden planks, parked wagon, wagon wheel, adult kidnappers beside the wagon, two adult men, group, talking, conversation, defiant gaze, looking at another, glare, furrowed brow, clenched teeth around the gag, medieval city slums, alley, mud, wooden hovels, cobblestones, overcast daylight, from side, dutch angle, cowboy shot, depth of field, (((Anime))), tense, gritty The camera sits low and to one side of a huge empty cargo wagon parked at an angle across a muddy slum alley, tilted a few degrees off level, so the wagon bed sweeps in from the left of frame and the alley closes off toward the right. On the wagon's splintered plank floor, a young boy with short messy black hair and a single ahoge flicked up from his crown lies on his side, body slightly curled: knees drawn toward his chest, bound wrists tucked in front of him, ankles lashed together with coarse hemp rope whose fibres fray against his skin. He wears a grey tunic gone ragged at the hem and ripped open along one sleeve, sandals on his bare feet, and nothing else; a strip of dirty cloth is pulled tight between his teeth and knotted behind his head, pulling the corners of his mouth and denting his cheek. Half his face is pressed toward the boards, but his dark eyes have rolled up and across, fixed hard on the two adult men standing at the wagon's side rail — a bearded broad-shouldered kidnapper in an oiled leather jerkin leaning one forearm on the sideboard, and a lean scarred one beside him with a hood pushed back, the two of them turned toward each other mid-conversation, the second man's chin lifted as he talks, neither yet noticing the boy's stare. The boy's glare is level and unblinking, brow drawn down, jaw working against the gag, one shoulder braced against the wagon board behind him so he can hold his head up off the planks. Beyond them, a packed medieval slum: leaning timber hovels, laundry strung between upper windows, muddy cobbles pooled with grey water, a distant cart track running uphill into illegible signage and shuttered stalls. Overcast light falls from a high veil of cloud, flat and cool on every surface, so the wagon's shadow is soft-edged under the wheels and the deepest darkness collects inside the wagon bed, behind the sideboard and beneath the boy's curled body; the only warm note is the dull brown of the mud and the leather of the kidnappers' gear. A single dropped coin stands upright in a wheel rut, half-sunk in the wet mud, holding still. Gritty, tense.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
Boy, slave boy, allen_(hell_mode), black hair, black eyes, gray tunic, ripped clothing, sandals, ahoge, ,1boy, allen_(hell_mode), black hair, black eyes, grey tunic, torn clothes, sandals, ahoge Kidnapped boy Pirates, Tied UP gagged, prisioneir Deitado em uma carroça medieval, inconsciente Carroça GRANDE, deitado de lado, corpo levemente curvado Carroça estacionada no cenário (((Anime))), Young biy, sequestradores adultos ao lado da Caroça conversando , gramde carroça de carga, menino sequestrado olhando para os sequestradores com olhar desafiador, favelas de cidade medieval ,
โหมด
pro
แท็กคุณภาพ
﹝พรอมต์﹞
ขนาด
1104 x 1824
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์

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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.33k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
ks
character: allen_avadonia 1boy, solo focus, slave boy, black hair, black eyes, ahoge, grey tunic, torn clothes, ripped clothing, sandals, bound wrists, rope around arms and ankles, cloth gag in mouth, lying on side, curled body, unconscious, defiant glare, angry, looking at another, large medieval cargo cart, sacks in cart, parked cart, adult kidnappers, two adult men, talking, smiling, looking at another, medieval city slums, wooden buildings, muddy street, anime, from below, dutch angle, cowboy shot, forced perspective, bound arms, sweat, tension, dirty skin, shadow of cart, warm daylight, dust motes, ((Anime)), male focus, medium shot, depth of field, ground level A low, tilted dutch-angle shot from ground level, looking slightly up past the wheels of an enormous parked medieval cargo cart so the cart dominates the left two-thirds of the frame while the two adult kidnappers stand in the right foreground. Inside the cart's deep wooden bed, Allen lies on his side at the bottom among bulging burlap sacks, his body slightly curled—knees drawn toward his chest, shoulders hunched, one arm pinned beneath his hip. Black hair spills across the rough boards, the single ahoge sticking up stubbornly despite the sweat and dirt matting the strands; his grey tunic is torn at the shoulder and hem, exposing a scraped forearm, and the sandals on his feet scrape against the wagon floor. His black eyes are half-open and locked on the kidnappers with a hard, defiant glare, brows drawn down, jaw clenched tight around the gag tied across his mouth—the strip of cloth knotted at his cheek, pulling at the corners of his lips. A rope binds his wrists behind his back and another coils around his ankles, the fibers biting into the skin. The two adult kidnappers stand beside the cart near the right edge of the frame, one a broad-shouldered man in a mud-stained leather jerkin with a broken nose and greying stubble, the other leaner with a hooked nose and a ratty hood. Both are turned toward the cart bed, looking down at Allen with lopsided grins showing teeth, the lean one talking with one hand gesturing toward him, the other crossing his arms and nodding. Dust rises around their boots, kicked up from the rutted street. The medieval city slums stretch behind them in a shallow depth of field—crooked timber-framed houses with sagging upper floors leaning over the lane, laundry strung between windows, a dog nosing at a pile of refuse. The key light comes from the upper left, a hard afternoon sun that rakes across the cart's near wheel and falls in bright bars over Allen's face and the sacks piled behind him, while the space under the cart and beyond its far wheel sits in near-black shadow. Warm ochre and dusty brown dominate the palette, with Allen's grey tunic and black hair as the visual anchor of the lower-left foreground; the men's ruddy skin and stained leathers are cooler in tone. Fine dust motes drift through the shafts of light, and the cart's shadow falls long and crooked across the cobblestones. Tense, volatile.
Kiritinho Solo
AI artwork
ks
3girls, 1boy, male focus, young boy, teen, black hair, messy hair, blue tank top, torn clothes, tattered tank top, shorts, brown cape, ragged cape, bandaged ankles, bandages, barefoot, bound wrists, rope, tied up, gagged, cloth gag, unconscious, eyes closed, lying, on side, lying on side, curled up, large wooden cargo cart, medieval cart, parked cart, wooden wheels, adult men, pirates, two adult kidnappers, standing, talking, looking at viewer, defiant, glare, angry, serious, outdoors, dirt road, day, (((Anime))), mature anime style, glossy finish, soft lighting, warm highlights, high detail, wide shot, full body, depth of field, gritty mood A wide, slightly low camera holds the whole scene: a huge medieval cargo cart parked on a dirt road at the edge of a scrubby brown clearing, its heavy wooden bed filling the left two-thirds of the frame, iron-rimmed wheels sunk a knuckle deep into the soft earth, side planks scarred and splintered, a single tarped bundle slumped against the tailboard. On the cart bed a teenage boy lies on his side, body slightly curled — knees drawn up toward his chest, shoulders rounded, one cheek flattened against the rough board with his black hair spilling over it, eyes shut, mouth slack under a strip of dirty cloth tied around the back of his head as a gag. His wrists are lashed together in front of his chest with coarse rope, the loops biting into the thin blue tank top torn open at one shoulder, its hem frayed into loose threads; a ragged brown survivor cape of coarse wool is bunched half under and half over him, its torn edge draping off the board and hanging still. His bare legs are drawn up, shorts bunched at the hip, and both ankles are wrapped in grubby bandages that have worked loose, one end trailing across the wood; his bare feet are pressed sole-to-sole, toes curled, heels not touching anything. Beside the cart, standing on the road with their boots planted in the dirt, two adult pirates lean against the sideboard and talk to each other — the nearer one in a salt-stained leather jerkin with a cutlass at his hip, one forearm braced on the cart's rail and his other hand mid-gesture as he speaks, the farther one in a stained headscarf and open vest with his arms crossed — and both have twisted their heads around to stare straight into the lens with hard, flat, defiant glares, brows low, jaws set, the nearer one's lip pulled back off his teeth. Only the two of them look at the viewer; the boy's face stays turned down and away, sealed in sleep. Daylight falls from the upper right as a low, warm sun, striking the cart's top edge and the pirates' shoulders with glossy highlights while the trough of the cart bed and the boy's curled body lie in a soft band of shade cast by the sideboard; the shadow of the cart stretches left across the road, and the bandage end trailing from his ankle hangs motionless because the air is dead still. The palette stays in worn earth tones — brown wool, weathered wood, dust-grey road, the faded blue of the tank top as the one cool note — against grass bleached to straw. Mature anime rendering with glossy high-finish surfaces, softly blended skin gradients and warm rim highlights, smooth minimal brushwork, muted controlled color harmony. Quiet dread, sun-baked and tense.
Kiritinho Solo
AI artwork
ks
1boy, solo, teen boy, black hair, messy black hair, short hair, teen face, barefoot, bare feet, dirty soles, shorts, tattered blue tank top, brown ragged medieval cape, bandaged ankles, ankle wraps, tied up, bound wrists, rope around arms and torso, gagged, cloth gag in mouth, lying on side, curled up, large medieval cargo cart, wooden cart, wooden plank bed of the cart, parked cart, medieval city slums background, alleyway, wooden hovels, mud street, adult men, two adult kidnappers, kidnappers standing beside cart, talking, open mouths, gesturing hands, defiant gaze, looking at another, furrowed brow, kneeling?, no, standing on ground, from above, high angle, wide shot, dutch angle, dramatic lighting, warm sunlight, dappled shadows, ((medieval fantasy)), (((Anime))), mature anime style, glossy rendering, soft lighting, warm highlights, subtle gradients, polished look, intimate mood, dark atmosphere, cinematic composition, detailed background, depth of field, dynamic perspective, gritty texture, dusty air, golden hour light, shadows on ground, wooden wheels, cart parked, slums, poverty, despair, tension, defiance, kidnapped, captive, prisoners, rope bindings, gag, bare feet, dirty, ragged clothes, uncertain, tense, dramatic, narrative, storytelling, detailed faces, expressive eyes, looking up, defiant expression, two men, one gesturing, one talking, adult figures, varied clothing, medieval peasant garb, leather boots, hooded cloaks, background buildings, wooden structures, narrow alley, cobblestone, muddy ground, overcast sky, muted colors, earthy tones, browns, blues, greys, warm skin tones, contrast, focal point on boy, foreground cart, midground kidnappers, background slums, negative space, leading lines, atmospheric perspective, dust motes, light rays, volumetric lighting, shadows, highlights, tension, drama, capture, captivity, defiance, hopelessness, hope, resilience, cinematic, storytelling, anime, detailed, high quality, masterpiece, best quality, ultra detailed, 8k, sharp focus, depth of field, bokeh, background blur, foreground sharp, dramatic angle, high angle shot, looking down, boy on cart, kidnappers standing, ground level, cart wheels, wooden beams, ropes, cloth, tattered fabric, bandages, dirt, grime, sweat, exhaustion, unconscious, closed eyes, limp body, curled position, slightly curled, lying on side, face visible, defiant gaze, looking at kidnappers, adult men talking, standing, gesturing, conversation, medieval setting, slums, poverty, wooden buildings, narrow streets, mud, dirt, overcast, muted colors, earthy palette, browns, blues, greys, warm skin tones, contrast, focal point, composition, depth, atmosphere, mood, tension, drama, narrative, cinematic, anime, detailed, high quality.
Kiritinho Solo
AI artwork
ks
1boy, solo, (((anime))), barefoot, dirty bare soles, shorts, tattered blue tank top, brown ragged medieval survivor cape, bandaged ankles, ankle wraps, black hair, teenage boy, unconscious, eyes closed, slack face, parted lips around cloth gag, gagged, cloth gag between teeth, tied up, wrists bound behind back, rope around wrists, rope around torso, prisoner, kidnapped, lying on side, curled up, fetal position, large medieval cart, wooden cart, wooden planks, cart parked, medieval village scenery, dirty ground, side view, from above, close-up, dramatic lighting, muted brown palette, half-closed eyes, sweat, restrained, limp The camera looks down from above at a steep three-quarter angle, so the whole length of the boy's curled body fits inside a large medieval wooden cart that fills the lower two thirds of the frame. The cart is parked on packed dirt in a medieval village, its two big spoked wheels planted, a shaft resting on the ground toward the left edge; behind it, out-of-focus timber walls, a stone well and low thatched roofs recede into haze. The boy lies on his right side across the cart's plank bed, knees drawn up toward his chest, his back to the near side rail, body slightly curled so his shins and bound ankles tuck under the far edge of his cape. His black hair spills loose over the rough boards, one strand stuck to his cheek. His face is slack and turned up toward the camera, eyes closed, lids smooth, lips parted around a strip of dirty cloth pulled between his teeth, the gag's ends knotted at the back of his skull. His wrists are roped together behind his back, the rope biting into the skin, a second loop of rope crossing his chest and pinning his arms. His tattered blue tank top hangs off one shoulder in frayed strips, the fabric grimed and torn at the hem; the brown ragged medieval survivor cape is dragged half over him, its frayed edge lying across his hip and trailing off the cart's side. His shorts are worn and dusty, and below them his bare legs end in bandaged ankles, coarse cloth wraps wound several times and knotted, the feet bare and smudged with dirt. One bare foot rests on the other. Everything is lit by a single low, warm sun from the upper right, raking across the boards and throwing the rope and frayed cloth into long shadows that stretch left along the planks; the cart's interior beyond that light falls into brown shadow. The palette is muted earth brown, dusty blue and dirty cream. Dust motes hang in the beam. Quiet dread.
Kiritinho Solo

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
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