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秋の風を感じるユキノビジン

『ウマ娘』のユキノビジンが、紅葉舞う秋の景色の中でとても穏やかで素敵な表情をしていたので思わず投稿しました。彼女の健気で一生懸命な姿が本当に愛おしくて、見ていると私も心が温まります。気に入ってもらえたら嬉しいな。いいねとフォロー、そしてコメントでたくさんお話ししましょう！

เผยแพร่เมื่อ Nov 10, 2026

白水優馬

ดูเพิ่มเติม

character: yukino_bijin_(umamusume), copyright: umamusume 1girl, solo, horse girl, horse ears, brown horse ears uncovered, both ears bare and unadorned, short brown hair, brown eyes, smile, closed mouth, eyes closed, praying, hands clasped together, looking at viewer, head tilted up slightly, official alternate costume, white kimono, miniskirt dress, layered dress, multicolored dress, bare shoulders, detached sleeves, wide sleeves, long sleeves, green obi sash, pink obi-age sash at back, gold trim, sleeves with pink gradient and sheer green fabric, bell on back sash, logo on outfit, autumn maple leaves falling, dance theater stage, enbujou, wooden stage, from below, cowboy shot, dutch angle, dynamic composition, warm autumn palette The camera sits low on the polished wooden stage, tilted a few degrees off level, looking up at her from near knee height so the broad sleeves and the flared hem open toward the lens and the stage boards run away in perspective behind her. She stands centered but turned a shallow three-quarters to the left, weight settled onto her back right foot, front left foot advanced with the toe pointed and the heel just off the boards, caught in the last beat of a turn: the white miniskirt kimono still swinging outward, the pink-and-sheer-green sleeves drifting a moment behind her shoulders. Both hands are clasped palm to palm at chest height, fingers laced, wrists slightly away from the body, the forearms held level. Her chin is lifted, her eyes are closed and her mouth is closed in a small, calm smile, her face angled up and toward the viewer as though the prayer is being offered to whoever stands at the lens. The kimono is white throughout, cut as a layered dress: a close white bodice with a wide open neckline and a bare-shouldered yoke across the collarbones, gold piping following every edge of the collar, the armholes and the hem, over a shorter white skirt layer and a longer one beneath that lets a sliver of green lining show at the bottom edge. Her shoulders and upper arms are bare and the skin catches the stage light; the sleeves are detached, worn as separate wide tubes slipping from just below the shoulder, vast and open at the cuff, each one graded from deep pink at the top through pale rose to a translucent green at the opening where the sheer fabric lets the stage behind show through in a faint tint. The green obi wraps her waist in a broad flat band with a gold-edged upper border, and behind her, at the small of her back, a pink obi-age sash is knotted and spread wide, with a small round brass bell hung at the center of the bow so it swings against the silk; nothing rings audibly, but the bell hangs at an angle in her still moment. A small embroidered circular logo sits on the left breast of the bodice, worked in gold thread. Brown hair, cut short, is parted and combed so the longer strands at the sides fall beside her cheeks and the crown is smoothly laid with a simple braid running back over the top; both natural horse ears rise uncovered from the hair, brown and upright and turned slightly apart, catching the warm light along their inner edges with not a cover or ornament on either one. Fall maple leaves drift across the stage in a slow diagonal, red and orange and one deep ochre, some caught mid-fall at the level of her sleeves, some already settled flat on the boards; a thin strip of loose leaves gathers along the seam of a floorboard near her front foot. The stage is a wooden dance platform, deep reddish-brown planks polished to a low sheen, a rail of dark timber and a flat painted backdrop of dull vermilion panels behind her, both softened out of focus by the low upward lens; a row of paper lanterns hangs beyond the frame edge on the upper left and throws a warm amber wash from that side. She is lit from the lantern side and slightly behind, so the light rims her right shoulder and ear, glows through the sheer green cuff nearest that side, and lays a long soft shadow of her sleeve across the boards toward the viewer; the front of her body is quieter and cooler, lit only by the pale bounce off the polished wood, and her closed eyelids and the lobe of her raised face catch the warm edge. Palette constrained to the white kimono, its green obi and green sheer, the pink-to-green sleeve gradation, gold piping, warm brown wood, and autumn red-orange leaves; nothing else admitted. Serene, ceremonial.

秋の風を感じるユキノビジン

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