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1420 peng
ภาพ AI โดย 1420 peng บน PixAI สร้างด้วย Tsubaki.3 Flash
ดูพารามิเตอร์
- พรอมต์ต้นฉบับ
- A humorous photorealistic scene. In the foreground at the bottom of the frame (6 o'clock position), only the lower body of a prankster is visible, wearing casual pants, in a low squatting position. The prankster's buttocks and squatting legs enter the frame from the immediate bottom foreground, facing away from the camera. In the midground, another person is deeply asleep, upside down on a chair, with their head resting at the bottom of the seat (6 o'clock position), right underneath the prankster's buttocks. Cinematic lighting, low angle shot, funny atmosphere, highly detailed, 8k resolution. --ar 3:4
- โหมด
- flash
- ขนาด
- 1824 x 1104
ตัวช่วยพรอมต์
โมเดลและ LoRA ที่ใช้
รูปภาพคล้ายกัน
ดูเพิ่มเติม
1p
2 people, prankster, sleeping person, photorealistic, casual pants, low squat, squatting, from behind, facing away, buttocks, only lower body visible, cropped at mid-back, bottom foreground, low angle shot, from below, upside-down, sleeping, deep sleep, on chair, head at bottom of seat, head under prankster's buttocks, midground, pants, sneakers, relaxed hand, closed eyes, slack mouth, indoor room, cinematic lighting, warm key light, long shadows, funny atmosphere, comedic staging, high detail, 8k,
Photorealistic photograph, low angle shot from below, vertical 3:4 frame. The view is from behind and beneath, looking up: at 6 o'clock, filling the bottom foreground, only the lower body of a prankster enters the frame — the back of a pair of loose grey casual chino pants and the backs of both thighs as the person squats low, facing away from the camera, so the hips and buttocks occupy the very bottom edge of the picture, thighs folded, heels planted on dark wooden floorboards, one sneaker's rubber sole edge catching the light. Above the waist the frame cuts them off entirely at mid-back; no head, no face, no upper torso is in shot. The camera tilts up past the squatting legs to the midground: a lightweight wooden chair stands there and a second person is asleep on it upside down, slumped so that their head hangs off the front edge of the seat, resting at the bottom of the seat at 6 o'clock in the frame, directly underneath the prankster's buttocks. The sleeper's face is turned slightly toward the camera, eyes fully closed, mouth fallen loosely open, cheek pressed flat into the chair's front lip, one slack hand dangling toward the floor with the wrist bent, the other draped across their chest; their body extends upward along the chair back with legs hooked over the top rail. A soft warm key light comes from a lamp out of frame to the right, raking across the floorboards and throwing a long shadow from the squatting legs to the left; the sleeper's face is half lit, half in warm shadow, and the darkness beyond the lamp's reach is deep. The staging is pure deadpan comedy — nobody moving, everything still, the sleeper oblivious — with the low camera making the squatting figure loom. Palette of warm amber, grey chinos, worn wood browns and deep shadow, photographic lens depth with the foreground legs sharp and the sleeping face softly focused. Quietly absurd.
1420 peng
1p
2 people, prankster, sleeping person, photorealistic, casual pants, low squat, squatting, from behind, facing away, buttocks, only lower body visible, cropped at mid-back, bottom foreground, low angle shot, from below, upside-down, sleeping, deep sleep, on chair, head at bottom of seat, head under prankster's buttocks, midground, pants, sneakers, relaxed hand, closed eyes, slack mouth, indoor room, cinematic lighting, warm key light, long shadows, funny atmosphere, comedic staging, high detail, 8k,
Photorealistic photograph, low angle shot from below, vertical 3:4 frame. The view is from behind and beneath, looking up: at 6 o'clock, filling the bottom foreground, only the lower body of a prankster enters the frame — the back of a pair of loose grey casual chino pants and the backs of both thighs as the person squats low, facing away from the camera, so the hips and buttocks occupy the very bottom edge of the picture, thighs folded, heels planted on dark wooden floorboards, one sneaker's rubber sole edge catching the light. Above the waist the frame cuts them off entirely at mid-back; no head, no face, no upper torso is in shot. The camera tilts up past the squatting legs to the midground: a lightweight wooden chair stands there and a second person is asleep on it upside down, slumped so that their head hangs off the front edge of the seat, resting at the bottom of the seat at 6 o'clock in the frame, directly underneath the prankster's buttocks. The sleeper's face is turned slightly toward the camera, eyes fully closed, mouth fallen loosely open, cheek pressed flat into the chair's front lip, one slack hand dangling toward the floor with the wrist bent, the other draped across their chest; their body extends upward along the chair back with legs hooked over the top rail. A soft warm key light comes from a lamp out of frame to the right, raking across the floorboards and throwing a long shadow from the squatting legs to the left; the sleeper's face is half lit, half in warm shadow, and the darkness beyond the lamp's reach is deep. The staging is pure deadpan comedy — nobody moving, everything still, the sleeper oblivious — with the low camera making the squatting figure loom. Palette of warm amber, grey chinos, worn wood browns and deep shadow, photographic lens depth with the foreground legs sharp and the sleeping face softly focused. Quietly absurd.
1420 peng
1p
2 people, prankster, sleeping person, photorealistic, casual pants, low squat, squatting, from behind, facing away, buttocks, only lower body visible, cropped at mid-back, bottom foreground, low angle shot, from below, upside-down, sleeping, deep sleep, on chair, head at bottom of seat, head under prankster's buttocks, midground, pants, sneakers, relaxed hand, closed eyes, slack mouth, indoor room, cinematic lighting, warm key light, long shadows, funny atmosphere, comedic staging, high detail, 8k,
Photorealistic photograph, low angle shot from below, vertical 3:4 frame. The view is from behind and beneath, looking up: at 6 o'clock, filling the bottom foreground, only the lower body of a prankster enters the frame — the back of a pair of loose grey casual chino pants and the backs of both thighs as the person squats low, facing away from the camera, so the hips and buttocks occupy the very bottom edge of the picture, thighs folded, heels planted on dark wooden floorboards, one sneaker's rubber sole edge catching the light. Above the waist the frame cuts them off entirely at mid-back; no head, no face, no upper torso is in shot. The camera tilts up past the squatting legs to the midground: a lightweight wooden chair stands there and a second person is asleep on it upside down, slumped so that their head hangs off the front edge of the seat, resting at the bottom of the seat at 6 o'clock in the frame, directly underneath the prankster's buttocks. The sleeper's face is turned slightly toward the camera, eyes fully closed, mouth fallen loosely open, cheek pressed flat into the chair's front lip, one slack hand dangling toward the floor with the wrist bent, the other draped across their chest; their body extends upward along the chair back with legs hooked over the top rail. A soft warm key light comes from a lamp out of frame to the right, raking across the floorboards and throwing a long shadow from the squatting legs to the left; the sleeper's face is half lit, half in warm shadow, and the darkness beyond the lamp's reach is deep. The staging is pure deadpan comedy — nobody moving, everything still, the sleeper oblivious — with the low camera making the squatting figure loom. Palette of warm amber, grey chinos, worn wood browns and deep shadow, photographic lens depth with the foreground legs sharp and the sleeping face softly focused. Quietly absurd.
1420 peng
1girl, 1boy, 2 subjects, separate rooms, divided by apartment wall, two connected bedrooms in one apartment, quiet bedroom at 3 AM, night interior, highly realistic cinematic photograph, authentic photography, 16:9 widescreen, wide shot, from above, slight dutch angle, wooden desk beside large window, smartphone lying face down on desk, simple empty chair, subtle curtains moving slightly in night breeze, soft natural moonlight through window, distant city lights barely visible, realistic interior details, muted blue-gray and warm beige palette, realistic shadows, subtle film grain, peaceful nostalgic atmosphere, understated emotional storytelling, girl lying awake under blanket, boy sitting on bed edge, looking out window, bare feet on floorboards, one arm behind head, closed-lip faint smile, half-closed eyes, closed eyes, side profile, over-shoulder composition, door left slightly ajar, warm lamp glow off-frame, no text
A wide 16:9 cinematic photograph seen from a high corner angle, tilted a few degrees, looking down across two bedrooms that share one interior wall: the wall splits the frame off-center, left room holding the girl, right room holding the boy, the wall's edges and the shallow open doorway killing the light between them so neither can see the other. On the left, a girl in her early twenties with dark messy shoulder-length hair lies on her side under a pushed-down beige duvet, one knee drawn up, her cheek pressed into the pillow, eyes half-lidded and aimed at nothing across the ceiling; her forearm rests on the mattress edge and her fingers curl loosely, the duvet creasing where her hip compresses it. To her left the wooden desk stands directly beside a large window, its grain and scuffed edge readable, the smartphone lying face down and slightly off-square on the desktop with its dark backplate catching a thin reflection, the simple empty chair pushed a hand's width away and angled out from the desk as if someone just stood up, its seat bare. The curtains hang at the window's sides, their lower hems drifting inward by a few centimetres from the night breeze, the fold shadows shifted and soft. On the right of the dividing wall, the boy sits on the edge of his bed in a worn gray t-shirt, torso turned toward his own window, one bare foot flat on the floorboards and the other heel lifted, his elbow propped on his knee and his chin resting against his knuckles, the other arm draped behind his neck; a faint closed-lip smile and lowered lashes, his gaze out past the glass at the far city. Beyond both windows, the city is reduced to a low scatter of pinpoint lights far below the roofline, dimmed by distance and haze, mostly extinguished. Moonlight comes from a single direction, from the upper left outside the girl's window, laying a hard-edged pale parallelogram across the desk and floorboards and rimming the boy's cheek and shoulder on his far side; everything outside those moonlit patches falls into cool blue-gray shadow, warmed only by a faint beige spill from an unseen lamp beyond the right doorway that touches the boy's bed frame and the threshold. The desk's shadow is cast sharply across the floor and breaks where the chair legs cross it, and the smartphone's own small shadow sits tight under its edge. Muted blue-gray in the walls, sheets and shadows, warm beige in the wood, fabric and the lamplight spill, with no other saturated colour admitted. Deep grain in the shadow areas, honest interior clutter kept minimal, an ajar door hinge and a curled corner of curtain the only wear. Quiet, tender.
Melodymagique
สำรวจเพิ่มเติม
ผู้ใช้แนะนำ
ที่คุณอาจชอบ
ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
7
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
5
...
Tofu
2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
이름
이름
2
...
Tofu
...
Tofu
3
the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
คอมเมนต์