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Lovely Girl

Contest Entry

PixAI x Super Natural Dating Sim Contest#Super Natural Dating Sim

#เฟท ซีรีส์#Fate/Grand Order #หยางกุ้ยเฟย์

เผยแพร่เมื่อ Nov 11, 2026

Count of Monte Cristo

ดูเพิ่มเติม

character: yang_guifei_(fate) 1girl, solo, full body, standing, white background, simple background, purple hair, very long hair, twintails, double bun, hair bun, blunt bangs, sidelocks, blue eyes, mischievous smile, closed mouth, one eye closed, looking at viewer, head tilt, black dress, qipao, chinese clothes, detached sleeves, bare shoulders, leaf hair ornament, hair ornament, arms behind back, feet apart, from below, full body, dutch angle, A single girl stands alone against a completely blank, seamless white field — no floor line, no horizon, no props, nothing but her and the white, shot from a low three-quarter angle with a slight dutch tilt so the camera looks up along her body and her twin tails sweep out of her silhouette. Her weight rests on her back right leg, her left leg angled forward on the ball of the foot with the knee bent inward, hips cocked, and both arms tucked behind her back out of sight, so her shoulders roll back and her chest lifts toward the tilted lens. Her head tilts toward her right shoulder, contradicting the camera's tilt, and she is mid-mischief: one eye squeezed shut in a wink, the other wide and fixed straight on the viewer, brows lifted unevenly, and a closed-lip smile pulled up higher on one corner with one canine just catching her lower lip. Her purple hair is glossy and improbably long, twin tails bound at the base of two stacked buns — a small double bun at the crown with the tails falling past her knees in loose waves — blunt bangs cut straight across her forehead just above her brows, and long sidelocks framing both cheeks; a single sculpted leaf ornament in dark jade and gold is clipped at the side of the upper bun, its vein lines cut into the surface, and from the low angle the underside of the buns and the shadowed nape catch the light differently than the bangs. She wears a fitted black qipao with a high mandarin collar closed by a knotted frog button, cap sleeves cut narrow over the shoulders, a slit up the side revealing one leg, and the bodice paneled with faint tonal embroidery that only reads where the light rakes across it; her shoulders and upper arms are bare, and detached black sleeves ornamented at the cuff with silver thread float around her forearms without touching them, their inner lining showing a dull aubergine the same hue as her hair. The lighting is a single soft studio source from high and slightly camera-left: it lays a bright sheen along her forehead, nose bridge and the front of the buns, throws a soft core-less shadow down her right side and under the chin, and because the ground is pure white there is no cast shadow at her feet — she is suspended in it, and the only darkness in the frame is the black of the dress and the deep cool shadow inside the folds of her twin tails. Palette restricted to white, black, purple, and a small measure of jade green and silver at the ornament and cuffs; clean cel-shaded linework with crisp edges. Effortlessly sly.

Lovely Girl

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