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AI artwork
สร้างฟรี

Tinatin

ภาพ AI โดย Tinatin บน PixAI สร้างด้วย Tsubaki.3 Flash

t

Tinatin

ดูเพิ่มเติม

คอมเมนต์

1bear, solo, little bear cub, animal focus, full body, standing on all fours, soft fluffy fur, cream and warm caramel fur, round fluffy ears, small round snout, large glossy dark eyes, dense plush fur, tall green trees, thick mossy trunks, soft moss ground, magical forest, dappled golden light, god rays, sunbeams, light beams through branches, floating dust motes, backlit, warm pastel colors, pastel palette, storybook illustration, whimsical fairytale aesthetic, dreamy atmosphere, peaceful, from below, low angle, wide shot, looking up, sunbeam as leading line, layered depth, no humans, no text The camera sits low to the forest floor and looks up: the little bear stands at the bottom center of the frame, all four paws planted on a thick cushion of soft moss, its small body set against trunks that rise out of the top of the picture. From this low angle the bear reads as small and round, seen in near-profile with its head tipped back and turned three-quarter toward the upper right; its ears swivel forward and the dense cream-and-caramel fur along its chest and cheeks hangs in soft clumps. One front paw rests a half-step ahead of the other on a raised moss hummock, the toes dimpling the moss so that a few fibers spring back around them, and its snout is lifted toward a shaft of light. Both glossy dark eyes catch a pinpoint of gold and look up and away from the lens, following the beam; the small mouth is closed, content, the corners relaxed. Behind and around it, tall green trees stand in three depth planes, their moss-furred trunks foreshortened by the low camera: the nearest trunk runs off the left edge of the frame as a blurred dark green mass, the midground trunks hold sharp bark fissures and pale moss patches on their upward-facing ledges, and the far trees dissolve into luminous green haze. Between them, warm golden sunlight streams down through the branch canopy from the upper left, splitting into visible tapering sunbeams that strike the moss in bright uneven pools and leave deep cool green shadow between them; the beams are visible only where dust hangs in them. Tiny floating dust particles, pale specks of pollen and mote, drift through every beam and sparkle only inside the light, none of them outside it. The moss under the bear is the brightest ground: where a beam lands directly, the moss is yellow-green, and where the bear's small body blocks it, a soft dark shadow lies flat across the hummock with a faint rim of light along its fur. The palette is warm pastel from end to end: mint and sage green foliage, butter-yellow light, pale gold and peach around the sunbeams, cream and honey fur, and lavender-grey shadow filling the dark side of the trunks, with nothing saturated beyond that. Everything is drawn in a storybook illustration hand, fine gentle linework over soft blended color, delicate bark and fur detail, no hard photographic edge. Quiet wonder.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
A cute fluffy little bear standing in a magical forest, surrounded by tall green trees and soft moss, warm golden sunlight streaming through the tree branches, beautiful sunbeams illuminating the forest, tiny floating dust particles, peaceful dreamy atmosphere, adorable expressive eyes, soft fluffy fur, charming storybook illustration, delicate details, warm pastel colors, whimsical fairytale aesthetic, beautiful lighting, highly detailed, masterpiece.
โหมด
flash
ขนาด
1152 x 864
ตัวช่วยพรอมต์

โมเดลและ LoRA ที่ใช้

Tsubaki.3 Flash - AI Model cover image

PixAI DiT.3

Tsubaki.3 Flash
2.22k

รูปภาพคล้ายกัน

ดูเพิ่มเติม
AI artwork
t
1bear, solo, little bear cub, animal focus, full body, standing on all fours, soft fluffy fur, cream and warm caramel fur, round fluffy ears, small round snout, large glossy dark eyes, dense plush fur, tall green trees, thick mossy trunks, soft moss ground, magical forest, dappled golden light, god rays, sunbeams, light beams through branches, floating dust motes, backlit, warm pastel colors, pastel palette, storybook illustration, whimsical fairytale aesthetic, dreamy atmosphere, peaceful, from below, low angle, wide shot, looking up, sunbeam as leading line, layered depth, no humans, no text The camera sits low to the forest floor and looks up: the little bear stands at the bottom center of the frame, all four paws planted on a thick cushion of soft moss, its small body set against trunks that rise out of the top of the picture. From this low angle the bear reads as small and round, seen in near-profile with its head tipped back and turned three-quarter toward the upper right; its ears swivel forward and the dense cream-and-caramel fur along its chest and cheeks hangs in soft clumps. One front paw rests a half-step ahead of the other on a raised moss hummock, the toes dimpling the moss so that a few fibers spring back around them, and its snout is lifted toward a shaft of light. Both glossy dark eyes catch a pinpoint of gold and look up and away from the lens, following the beam; the small mouth is closed, content, the corners relaxed. Behind and around it, tall green trees stand in three depth planes, their moss-furred trunks foreshortened by the low camera: the nearest trunk runs off the left edge of the frame as a blurred dark green mass, the midground trunks hold sharp bark fissures and pale moss patches on their upward-facing ledges, and the far trees dissolve into luminous green haze. Between them, warm golden sunlight streams down through the branch canopy from the upper left, splitting into visible tapering sunbeams that strike the moss in bright uneven pools and leave deep cool green shadow between them; the beams are visible only where dust hangs in them. Tiny floating dust particles, pale specks of pollen and mote, drift through every beam and sparkle only inside the light, none of them outside it. The moss under the bear is the brightest ground: where a beam lands directly, the moss is yellow-green, and where the bear's small body blocks it, a soft dark shadow lies flat across the hummock with a faint rim of light along its fur. The palette is warm pastel from end to end: mint and sage green foliage, butter-yellow light, pale gold and peach around the sunbeams, cream and honey fur, and lavender-grey shadow filling the dark side of the trunks, with nothing saturated beyond that. Everything is drawn in a storybook illustration hand, fine gentle linework over soft blended color, delicate bark and fur detail, no hard photographic edge. Quiet wonder.
Tinatin
AI artwork
t
1bear, solo, little bear cub, animal focus, full body, standing on all fours, soft fluffy fur, cream and warm caramel fur, round fluffy ears, small round snout, large glossy dark eyes, dense plush fur, tall green trees, thick mossy trunks, soft moss ground, magical forest, dappled golden light, god rays, sunbeams, light beams through branches, floating dust motes, backlit, warm pastel colors, pastel palette, storybook illustration, whimsical fairytale aesthetic, dreamy atmosphere, peaceful, from below, low angle, wide shot, looking up, sunbeam as leading line, layered depth, no humans, no text The camera sits low to the forest floor and looks up: the little bear stands at the bottom center of the frame, all four paws planted on a thick cushion of soft moss, its small body set against trunks that rise out of the top of the picture. From this low angle the bear reads as small and round, seen in near-profile with its head tipped back and turned three-quarter toward the upper right; its ears swivel forward and the dense cream-and-caramel fur along its chest and cheeks hangs in soft clumps. One front paw rests a half-step ahead of the other on a raised moss hummock, the toes dimpling the moss so that a few fibers spring back around them, and its snout is lifted toward a shaft of light. Both glossy dark eyes catch a pinpoint of gold and look up and away from the lens, following the beam; the small mouth is closed, content, the corners relaxed. Behind and around it, tall green trees stand in three depth planes, their moss-furred trunks foreshortened by the low camera: the nearest trunk runs off the left edge of the frame as a blurred dark green mass, the midground trunks hold sharp bark fissures and pale moss patches on their upward-facing ledges, and the far trees dissolve into luminous green haze. Between them, warm golden sunlight streams down through the branch canopy from the upper left, splitting into visible tapering sunbeams that strike the moss in bright uneven pools and leave deep cool green shadow between them; the beams are visible only where dust hangs in them. Tiny floating dust particles, pale specks of pollen and mote, drift through every beam and sparkle only inside the light, none of them outside it. The moss under the bear is the brightest ground: where a beam lands directly, the moss is yellow-green, and where the bear's small body blocks it, a soft dark shadow lies flat across the hummock with a faint rim of light along its fur. The palette is warm pastel from end to end: mint and sage green foliage, butter-yellow light, pale gold and peach around the sunbeams, cream and honey fur, and lavender-grey shadow filling the dark side of the trunks, with nothing saturated beyond that. Everything is drawn in a storybook illustration hand, fine gentle linework over soft blended color, delicate bark and fur detail, no hard photographic edge. Quiet wonder.
Tinatin
AI artwork
t
1bear, solo, little bear cub, animal focus, full body, standing on all fours, soft fluffy fur, cream and warm caramel fur, round fluffy ears, small round snout, large glossy dark eyes, dense plush fur, tall green trees, thick mossy trunks, soft moss ground, magical forest, dappled golden light, god rays, sunbeams, light beams through branches, floating dust motes, backlit, warm pastel colors, pastel palette, storybook illustration, whimsical fairytale aesthetic, dreamy atmosphere, peaceful, from below, low angle, wide shot, looking up, sunbeam as leading line, layered depth, no humans, no text The camera sits low to the forest floor and looks up: the little bear stands at the bottom center of the frame, all four paws planted on a thick cushion of soft moss, its small body set against trunks that rise out of the top of the picture. From this low angle the bear reads as small and round, seen in near-profile with its head tipped back and turned three-quarter toward the upper right; its ears swivel forward and the dense cream-and-caramel fur along its chest and cheeks hangs in soft clumps. One front paw rests a half-step ahead of the other on a raised moss hummock, the toes dimpling the moss so that a few fibers spring back around them, and its snout is lifted toward a shaft of light. Both glossy dark eyes catch a pinpoint of gold and look up and away from the lens, following the beam; the small mouth is closed, content, the corners relaxed. Behind and around it, tall green trees stand in three depth planes, their moss-furred trunks foreshortened by the low camera: the nearest trunk runs off the left edge of the frame as a blurred dark green mass, the midground trunks hold sharp bark fissures and pale moss patches on their upward-facing ledges, and the far trees dissolve into luminous green haze. Between them, warm golden sunlight streams down through the branch canopy from the upper left, splitting into visible tapering sunbeams that strike the moss in bright uneven pools and leave deep cool green shadow between them; the beams are visible only where dust hangs in them. Tiny floating dust particles, pale specks of pollen and mote, drift through every beam and sparkle only inside the light, none of them outside it. The moss under the bear is the brightest ground: where a beam lands directly, the moss is yellow-green, and where the bear's small body blocks it, a soft dark shadow lies flat across the hummock with a faint rim of light along its fur. The palette is warm pastel from end to end: mint and sage green foliage, butter-yellow light, pale gold and peach around the sunbeams, cream and honey fur, and lavender-grey shadow filling the dark side of the trunks, with nothing saturated beyond that. Everything is drawn in a storybook illustration hand, fine gentle linework over soft blended color, delicate bark and fur detail, no hard photographic edge. Quiet wonder.
Tinatin
AI artwork
t
A charming storybook illustration of a cute, fluffy little bear standing in a magical forest. The adorable bear has soft, highly detailed fur and expressive eyes. It is surrounded by tall green trees and soft moss. Warm golden sunlight streams through the tree branches, casting beautiful sunbeams that illuminate the forest floor, with tiny floating dust particles enhancing the peaceful, dreamy atmosphere. The whimsical fairytale aesthetic features delicate details, beautiful lighting, and warm pastel colors, combined with the heavily textured, dashed brushstrokes and swirling, dynamic painterly patterns seen in image1. The style of the image remains faithful to image1.
Tinatin

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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#สาวน้อยเวทมนตร์ มาโดกะ#คานาเมะ มาโดกะ#สาวน้อยเวทมนตร์ มาโดกะ
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