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AI art "Two young men in a cozy room" featuring #กับดัก, #เน้นผู้ชาย, #แอนโดรจีนัส and #ผู้ชาย 2 คน
สร้างฟรี

Two young men in a cozy room

ภาพ AI "Two young men in a cozy room" โดย OverNoob บน PixAI แท็ก: แอนโดรจีนัส, ผู้ชาย 2 คน สร้างด้วย Tsubaki.3

#กับดัก#เน้นผู้ชาย#แอนโดรจีนัส#ผู้ชาย 2 คน
ดูเพิ่มเติม

คอมเมนต์

2boys, male focus, femboy, two young men, exactly two people, full-length, full body, sitting on floor, sitting on sofa, head between thighs, head wedged between another's thighs, thighs pressing against cheeks, thigh squeeze, face against thigh, crotch bulge, distinct crotch bulge on both, visible bulge, tanned skin, dark tan, silky hair, shoulder-length hair, medium hair, glossy hair, tank top, shorts, cotton fingerless gloves, fingerless gloves, choker, cotton stockings, thighhighs, blue clothing, shades of blue, red and black striped clothing, striped clothes, horizontal stripes, cozy room, modern room, living room, indoors, reading book, holding book, holding phone, taking selfie, selfie, phone in hand, looking at phone, from above, high angle, slightly from above, sitting, crossed legs, leaning back, head tilt, light smile, open mouth, one eye closed, blush, looking down at another, looking at phone, arm support, depth of field, warm interior lighting, two-tone palette discipline. From a slightly elevated high angle, the full length of a cozy modern living room opens out, and exactly two tanned young men occupy it -- no one else anywhere in the frame. On the right, a wide low sofa in soft oatmeal upholstery against a white wall; on the left, warm oak plank flooring with a thin cream rug. The first young man sits squarely on the sofa cushion, his back settled into the armrest corner, one bare knee cocked up and the other leg dropped down so his thighs frame a tight V. His silky shoulder-length black hair falls in a glossy curtain along his jaw, and he wears the red-and-black look: a fitted black tank top with thin red horizontal stripes, short black shorts, black-and-red striped cotton stockings pulled to mid-thigh with a soft ribbed cuff, black cotton fingerless gloves, and a slim black choker at his throat. His shorts show a distinct, well-defined bulge, the fabric drawn taut over it. He leans his shoulders back and holds his phone up at arm's length, angled toward the two of them, chin tipped down, one eye pinched shut in a wink, tongue just at the corner of his grin -- he is looking into the phone's lens, not at the viewer. Between his thighs, on the floor, the second young man sits with his back to the sofa base, knees drawn up and splayed, his head pushed back and firmly wedged between the first man's thighs. The inner thighs press tight against both of his cheeks, squashing them slightly so the corners of his closed-lipped smile push out; his eyes are half-lidded and lifted, glancing up along the first man's chest toward his face. His silky shoulder-length hair is a warm dark brown, tucked behind one ear, a few strands pushed up by the thigh contact on the left side. He is in shades of blue: a light dusty-blue ribbed tank top, short slate-blue shorts with a plainly visible, well-defined bulge pressing the seam forward, navy cotton stockings with pale blue cuffs, blue cotton fingerless gloves, and a thin navy choker. Both gloved hands hold a small paperback open against his drawn-up knees, thumbs in the gutter, pages splayed; his bare upper arms rest lightly against the outside of the sofa's front skirt. Contact is explicit and load-bearing: the first man's thighs compress against the second's cheeks and ears; the second's shoulder blades and the back of his head touch the sofa's front edge; his stockinged heels rest flat on the rug, toes turned out; the first man's bare heel hooks over the sofa's front edge. Light comes from a single warm floor lamp just out of frame at the upper left plus soft window spill from behind the sofa, laying a warm highlight across the first man's collarbone and the top of his thigh, a cooler edge along the second man's cheekbone, and dropping the sofa's underside and the space beneath the floor sitter's knees into deep shadow. The phone screen throws a faint cool glow up onto the first man's chin and throat. Palette holds firm: warm oak, cream, oatmeal, one figure in red and black, the other in blues, skin tones the warmest saturated note. Cozy, easy, faintly mischievous.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
Two guys, two femboys. One of them is sitting on the floor; his head is firmly wedged between the thighs of the other femboy, who is sitting on a sofa—with the latter’s thighs pressing tightly against his cheeks. Both have distinct, well-defined bulges in their crotch areas. Both have silky, shoulder-length hair and tanned skin; they are dressed in tank tops, cotton fingerless gloves, chokers, shorts, and cotton stockings. One is dressed in shades of blue, while the other wears red-and-black striped clothing. They are in a cozy, modern room. Both are shown full-length: one is reading a book, while the other is taking a selfie with a phone. Just 2 guys: one on the sofa, the other on the floor between the thighs.
โหมด
pro
ขนาด
1408 x 1408
วิธีการสุ่มตัวอย่าง
Euler
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์

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AI artwork
w
character: ellen_joe, copyright: zenless_zone_zero 2girls? no, 1girl 1boy, ellen_joe, adult, short black hair, red inner hair, red eyes, sharp pointed shark-like teeth, black nail polish, plain white sweater, tight black pants, barefoot, bare feet, soles visible, sitting on lap, on lap, sitting on another's lap, embarrassed, blush, looking away, front view, from front, cowboy shot, indoors, on a couch, arm support, hands clasped in lap, hunched shoulders, head tilt down, disguise, hidden object, tense posture, crossed ankles, bare toes curled, mature female, young man, short dark hair, casual dark shirt, sitting, relaxed, one arm around her waist, smirk, looking at her, (no shoes, no socks, no pantyhose, no heels, no thigh highs:1.3), (no maid headdress, no maid dress, no pantyhose:1.3), simple background, warm room, soft window light A frontal, eye-level cowboy-shot view frames two people seated on a low, worn grey fabric couch inside a modest warm living room, the camera squarely in front of them so both faces and Ellen's fully bare feet read plainly. Ellen sits sideways across the man's lap: her hips rest on his right thigh, her weight tipped onto her left hip and carried into his chest, her bare legs draped down over his left knee, both bare feet hanging free above the floorboards, the near foot's toes curling inward and the far foot's sole angled slightly toward the lens -- no shoe, no sock, no stocking, skin bare from the black hem of her pants down to the tips of her black-lacquered toenails-only-if-shown; keep the toenails plain and bare, black polish only on her fingernails. Her tight, smooth black pants run unbroken from waist to ankle with a subtle sheen where the knee bends; her plain white sweater is a single flat white knit with no print, pulled snug enough that the shape of her breasts presses visibly through the fabric, and the neckline sits plain and unadorned at her throat. Both hands are jammed together in her lap, fingers laced hard, glossy black nails biting into her own knuckles as she hides something small and rectangular beneath her clasped palms against her thigh, the fabric of the sweater bunched where her forearms press it. Her shoulders hunch forward, chin tucked, one brow pinched and her mouth pulled into a small tight embarrassed line, a hot blush spread across both cheeks and the bridge of her nose; her red eyes slide sideways and down toward the floor, avoiding the man's face, though her ear-tips tilt toward him. Short black hair with a red underlayer falls forward across her temple, a few strands stuck to her warm cheek; a small hair ornament is tucked at the side of her head and her long fish-like tail curls down and back behind the couch cushion, out of the way. The man sits square beneath her, his back to the cushion, one forearm braced along the couch back and his other hand resting warm and steady at her waist, thumb against the white knit; his dark eyes look down at her face, a faint amused smirk at one corner of his mouth, his head tipped slightly toward her. The only light comes from a window at the right of frame behind the couch: cool daylight rakes across the right side of both faces, catches the sheen on her black pants at the knee, and drops a soft shadow of her dangling bare feet onto the floorboards, the left side of the room falling into quiet warm dark. Palette limited to black, white, warm skin tones and the muted grey of the couch, with red kept only in her eyes and inner hair. Tender, quietly flustered.
wwwwwwwui
AI artwork
rc
character: jane_doe_(zenless_zone_zero), copyright: zenless_zone_zero 2girls, adult, jane doe, long black hair, two-tone hair, red streaks in hair, blunt bangs, sidelocks, green eyes, mouse ears, animal ears, tight black pants, smooth black pants, plain black sweater, black nails, black fingernails, sitting on lap, lap sitting, front view, looking at viewer, indoors, cowboy shot, heterochromia-free, smug, one eye half-closed, relaxed shoulders Front view, eye level, framed at the hip as a seated two-shot: Jane Doe sits squarely across her wife's lap, the woman seated in a low-backed armchair with both feet flat on the floorboards, spine settled against the cushion. Jane's weight rests on her own right hip and the outside of her right thigh, both legs slung sideways over the woman's left thigh, knees together and ankles crossed, her left hand laid flat against the woman's sternum with her black-nailed fingertips slightly spread against the wool; her right hand hangs loose over the armrest, nails catching a thin highlight. The wife's left arm wraps Jane's waist just above the hipbone, her right hand cupped around Jane's far knee to keep the crossed legs steady; her chin rests at Jane's temple, and her eyes look down along Jane's cheek while Jane's green eyes angle up and sideways to meet them, one brow lifted, one lid lowered, the corner of her mouth pulled into a lopsided half-smile. Jane's mouse ears swivel slightly forward; a few strands of red in her black hair fall across the wife's forearm. The wife is a different woman: taller, broader-shouldered, wheat-blonde hair cut to the jaw, freckled tan skin, brown eyes, wearing a plain grey long-sleeve shirt with the sleeves pushed to the elbows, dark olive trousers, and bare feet. Nothing at Jane's throat, hair completely unadorned; no gloves on either hand, both hands bare; every garment on both women plain, unpatterned, no logos. The room is a small warm living room: a muted wool rug under the chair, a lamp on a side table behind the wife's left shoulder casting a single warm pool from upper right, its light striking the right side of Jane's face and shoulder and the top of the wife's forearm while the left side of both bodies falls into a soft brown darkness; the lamp's cast shadow of the chair and both figures stretches long across the rug toward the lower left. Jane's black sweater and black pants read as two separate materials in that light -- the sweater matte and absorbing, the pants smooth with a single taut sheen running down the crossed thigh. Palette of warm lamplight amber, black, and cool olive, nothing else admitted. The chair cushion visibly compressed under the two bodies' combined weight, the fabric gathering in a shallow crease at the edge of Jane's hip. Quiet, conspiratorial.
Ronaldinho cristiano
AI artwork
ed
character: jane_doe_(zenless_zone_zero) 2girls, jane_doe_(zenless_zone_zero), adult woman, long black hair with red two-tone streaks, blunt bangs, sidelocks, mouse ears, green eyes, white shirt, plain tight black pants, barefoot, black fingernails, sitting on lap, on lap, straddling, wife, different woman, front view, looking at viewer, head tilt, hand on another's shoulder, arm around neck, toes curled, soles visible, close-up, cowboy shot, indoor, soft window light, sleeping, closed eyes, zzz, "Zzz" floating lettering, Front view: a thirty-something woman with long black hair streaked red, blunt bangs and sidelocks, round mouse ears poking up through the hair, green eyes—she is Jane Doe, and she is asleep. She sits sideways-perched on the lap of a different woman, her wife: a broad-shouldered woman with short ash-brown hair, tan skin and a calm half-lidded gaze, wearing a plain slate-grey knit sweater. The wife sits square on a low, worn leather armchair, one arm wrapped firmly around Jane's waist, the other hand cupped under Jane's bare heel to keep her feet from sliding. Jane's weight settles on the wife's thighs and hip; her legs are drawn up and folded. She wears a loose white shirt, sleeves slightly rolled, hem untucked and bunched over the waistband, and plain tight black pants that crease and stretch across her thighs. Her feet are bare, black nails on her toes catching the light, one bare sole angled toward the camera. Her black-nailed hands rest loosely—one on the wife's shoulder, the other dangling. Jane's head tips back against the wife's collarbone, eyes shut, mouth slack in sleep. A soft trailing of small "Zzz" lettering floats just above Jane's forehead, curving with the tilt of her head. The wife looks down at Jane's face, not at the camera, her eyes half-closed and fond. Soft daylight from a window on the left falls across the wife's shoulder and the white of Jane's shirt; the shadowed side of the room is warm and dim. Palette: cream, ash-grey, black, and the faint red of Jane's hair streaks. Fabric folds bunch and flatten where bodies meet. Quiet, tender.
EDILSON DOS ANJOS SILVA

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