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AI art "Huh... I won't look so bad. 🤔"
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Huh... I won't look so bad. 🤔

ภาพ AI "Huh... I won't look so bad. 🤔" โดย Teodor บน PixAI แท็ก: ชุดรัดรูป, ผมยาว, ผมสีน้ำตาล, มุมมองจากด้านล่าง, ยิ้ม, เท้าสะเอวข้างเดียว สร้างด้วย Tsubaki.3

Huh... I won't look so bad with my irl body type what i got after my emergency surgery beside to im a bit more skinny than this irl.

#หูสัตว์#หาง#ชุดรัดรูป#ผมยาว#เดี่ยว#ผมสีน้ำตาล#มุมมองจากด้านล่าง#ยิ้ม#เท้าสะเอวข้างเดียว#หางจิ้งจอก#ตาสีส้ม#ยิ้มเยาะ#ดวงตาเรืองแสง#มองมาที่ผู้ชม#แขนกุด#สะดือผ่านรอยเสื้อ#หูจิ้งจอก#ผมหยิก#ขาหนีบ#ขนในหูสัตว์
Avatar image of Teodor

Teodor

ดูเพิ่มเติม

คอมเมนต์1

1boy, solo, kitsune, six tails, dark brown tails, dark brown fox ears, white animal ear fluff, no human ears, animal ears only, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, red eyeshadow, lips, freckles, light skin, claws, pectorals, thighs, leotard, skinny-fat, standing, contrapposto, hand on own hip, head tilt, looking at viewer, half-closed eyes, smug, light smile, from below, cowboy shot, dutch angle, A single fox-eared young man stands alone in a bare, seamless charcoal-grey studio void, shot from a low angle tilted a few degrees off vertical, the camera looking up across his body so that his hips sit small and low in the frame and his shoulders and head swell toward the top corners. He is caught mid-weight shift: his hips are canted left, his right leg planted straight and bearing him, his left knee soft and turned slightly in, one bare heel lifted just off the implied floor. His left hand rests flat on his hip with the fingers spread and the dark, glossy claws pressing faintly into the leotard's fabric; his right arm hangs loosely forward, the claws of that hand half-curled and catching the key light. His chin is tipped down and his head tilts toward his raised shoulder, and his glowing orange eyes with their narrow vertical slit pupils look straight down the lens through half-lowered lids, one brow lifted higher than the other above a small closed-lip smirk that shows the full shape of his lips, the lower one catching a wet highlight. His dark brown hair is very long and genuinely curly, a heavy mass of tight spirals that falls past his waist, coils forward over his right shoulder and hangs in loose ringlets beside his cheek, individual curls separating against the light and springing back from his collarbone. He has no human ear shapes at all: from his dark brown hair rise two tall fox ears, each with a ruff of white fluff spilling from the inner base and tufting at the tips, and the ear on the far side is cocked at a sharper angle. The same white fluff repeats nowhere else. Behind and around his legs, six dark brown tails fan out in a slow, staggered arc, the lowest pair sweeping near the floor and the highest pair curling up past his ribs; the tail nearest the key light shows its fur parting into soft strands, the far ones sinking into shadow. His skin is light, warm-toned where the light hits and cooler in the shadows, and it is dusted with freckles across the bridge of his nose, both cheekbones and the tops of his shoulders. His eyeshadow is a broad smear of deep red swept from the lash line toward the temples, the one saturated note against the browns and greys. He wears a single tight leotard in matte black that cuts high over the hip bones and leaves his thighs bare and fully visible to the camera, the fabric pulled taut and wrinkling in short creases where his hand grips it and where it spans his chest. His build is skinny-fat: narrow shoulders and slender arms over a soft, untoned middle, with the pectorals visibly defined and pressing the leotard's knit into a smooth shelf, a small softness at the waist above the high-cut leg. The lighting is a single hard key from high on the camera's right, so the right side of his face, the white ear fluff, the near tails and the top of his chest are lit and the left half of his body, the underside of his jaw and the space behind his hips fall into deep shadow; a crisp cast shadow of his torso and one lifted tail drops across the grey floor behind him, and the glow of his orange eyes throws a faint warm bloom onto the inner rims of his eye sockets. Nothing else is in the frame: no props, no horizon, no scenery, only the grey sweep and the figure. Smouldering, quietly dangerous.
ดูพารามิเตอร์
พรอมต์ต้นฉบับ
Dark brown hair, orange eyes, very long hair, curly hair, glowing eyes, slit pupils, kitsune, claws, 1boy, freckles, dark brown tails, six tails, dark brown animal ears, fox ears **(no human ears)**, white animal ear fluff, light skin, red eyeshadow, lips, pectorals, thighs, leotard, skinny-fat,
โหมด
pro
ขนาด
1408 x 1408
ไม่ต้องการ
lowres, worst quality, low quality, bad anatomy, explicit
ตัวช่วยพรอมต์

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Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
7.69k

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ดูเพิ่มเติม
AI artwork
Avatar image of Teodor
1boy, solo, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, kitsune, fox ears, dark brown fox ears, white fluffy fur inside the ears, ((no human ears)), six tails, dark brown tails, sharp fingernails, freckles, light skin, red eyeshadow, lips, from below, looking down at viewer, head tilt, one arm raised, hand near face, fingers loosely curled, upper body, medium shot, dark background The camera sits low and looks up: a single boy fills the frame from the waist up, his head tilted a few degrees off vertical so the mass of his very long curly dark brown hair spills over one shoulder and swings forward past his collarbone on the other, spirals catching the rim light along their outer edges. Only fox ears crown his head — two dark brown fox ears set high in the curls, each cupped shell lined with dense white fluffy fur, and the hairline between and below them is smooth and unbroken, ((no human ears)) anywhere on the head, the temples bare of any human ear shape. His glowing orange eyes are the only true light in the picture: narrow, luminous, each pupil a vertical slit, and because the lens is below him he looks down at the viewer along his cheekbones, lower lids slightly tensed, one brow lifted a fraction. Red eyeshadow smears soft and warm across both lids and out toward the temples, and his lips are full, parted a little, their edges catching a faint sheen. A dusting of freckles crosses the bridge of his nose and scatters over both cheeks on light skin that reads cool and pale against the dark. His right arm is raised, elbow bent, the back of the hand turned outward near his jaw, and the fingers are loosely curled so the nails read clearly: long, tapered, sharply pointed at the tips but still nail, not claw, with a clean natural sheen along each ridge. Behind his shoulders the six dark brown tails fan out and up in a slow halo, their fur matching his hair and tipped with a soft pale bloom where the backlight grazes them. The setting is a sealed dark interior: a near-black background with no visible room, no furniture and no horizon, so the figure alone carries the detail budget. One cool rim light comes from the upper left behind him, drawing a thin bright line down the left contour of his hair, ear, shoulder and raised forearm, and the warm glow of his own eyes lifts the planes of his face from underneath — the light is on his brow, the tops of his cheekbones and the ridge of his nose; the hollows of his neck, the undersides of the tails and the depth behind his curls stay in darkness. His weight rests on his left leg with the hip pushed out, so the shoulder line tilts against the head tilt and the hair hangs heavier on the lower side. A single physical tell: the white ear fluff is translucent at its outer edge where the rim light passes through it, glowing faintly brighter than the fur beneath. Palette of dark brown, warm orange and near-black, with a single soft red at the eyeshadow and the mouth. Intimate, quietly predatory.
Teodor
AI artwork
Avatar image of Teodor
1boy, solo, close-up, portrait, dark brown hair, very long hair, curly hair, orange eyes, glowing eyes, slit pupils, kitsune, fox ears, white fluffy fur inside ears, ((no human ears)), six tails, dark brown tails, dark brown color scheme, freckles, red eyeshadow, lips, sharp fingernails, light skin, looking at viewer, head tilt, from above, dutch angle A tight close-up shot from slightly above and tilted a few degrees off level, so the frame is filled edge to edge by one boy's face and the fall of his hair. His head is tipped back a little and turned a quarter toward his right shoulder, chin lifted, the whole weight of the pose running down out of frame. Very long, curly dark brown hair surrounds his face in heavy ringleted masses, coils springing loose at the temples and one long curl falling across his cheekbone to his jaw; loose curls drift outward at the frame edges. At the top of the frame, two fox ears rise out of the curls, dark brown fur outside and thick white fluffy fur inside each ear catching the light, the ear tips angled slightly apart and one ear canted lower than the other; the hairline runs unbroken beneath them — the head carries the fox ears alone, ((no human ears)), the sides of his head smooth and covered by hair and ear fur with nothing else on them. His eyes are the brightest thing in the picture: glowing orange, lit from within, a hot ember core in each iris fading to a deeper amber at the rim, with narrow vertical slit pupils black against the glow. The glow spills onto the inner corners of his eyes and the tops of his cheekbones, warming the pale skin there. Red eyeshadow is swept across both lids and winging a little past the outer corners at the temples, saturated crimson against the light skin, uneven in a way that reads as pigment rather than print. He has a boy's build in the little that shows — a narrow jaw, a lean neck. Freckles scatter across the bridge of his nose and both cheeks, a fine brown constellation, denser on the left cheek than the right. His lips are full and slightly parted, drying in the middle, a sliver of teeth showing; the lower lip catches a wet highlight on the left side. He is looking straight into the lens from under those glowing eyes, one brow slightly raised, the corner of his mouth curling on one side — not quite a smile, more like he's decided something about the viewer. In the bottom foreground his right hand rises into the frame from below, fingertips just under his chin and not touching it, and the nails are clearly tapered, sharp-pointed fingernails — long, glossy, pointed tips, natural nail surface, pale with a faint natural sheen, not claws. The hand is lit from the front by the same glow, the nail tips catching thin highlights hard along their edges. Behind his head, deeper in the frame and out of focus, the six dark brown tails are glimpsed — a thick dark mass of fur curling up behind his shoulders and beyond, edges soft, tinted dark brown, a couple of tail tips rising high on one side into the background and cut off by the frame edge. The color scheme is a discipline of dark brown, and nothing is admitted that does not come from it: dark brown in the hair, the ears, the tails, the freckles and the background; the warm ember orange of the eyes and the crimson of the eyeshadow as the only saturated accents; light cream-white only in the ear fur, the teeth and the eyes' rim-light. The light comes from one direction — low, in front, and just below his eye level — so his face is lit from the front and slightly from beneath, brightening the chin, the under-edge of the lower lip, the inner ears and the bridge of the nose, while the sockets and the far side of his jaw toward the frame edge fall into a soft dark. A short hard cast shadow drops from his chin onto his neck. The background is a seamless dark brown studio dark, nothing else in frame. Behind his head the glow of the eyes throws a faint warm haze into the hair, and beyond the shallow focus the tails are simple dark shapes. Intimate and quietly charged.
Teodor
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AI artwork
Avatar image of リオ
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
4#สาวน้อยเวทมนตร์ มาโดกะ#คานาเมะ มาโดกะ#สาวน้อยเวทมนตร์ มาโดกะ
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