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Hong Meiling AI Art & Prompts

Explore the trending 13,279 Hong Meiling artworks

Hong Meiling is a beloved character from the renowned bullet hell shooter series Touhou Project by Team Shanghai Alice. As the martial artist gatekeeper of the Scarlet Devil Mansion, she is easily recognized by her green cheongsam, colorful star beret, and vibrant red hair. Artwork frequently showcases her dynamic fighting stances, peaceful naps, or interactions with Sakuya Izayoi and Remilia Scarlet.

AI artwork
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character: hong_meiling 1girl, solo, hong meiling lookalike, long red hair, twin braids, hair bow, blue-green eyes, green star-decorated hat, chinese dress, cheongsam, bird embroidery on dress, embroidery of a crane on the chest panel, standing, sleeping while standing, eyes closed, head tilted down, arms folded into sleeves, leaning back against wall, from side, profile, cowboy shot, dutch angle, night, moonlight, courtyard wall, faint mist, cool blue palette with red and jade green accents, light smile, relaxed Seen from the side in a slight dutch tilt, a single young woman sleeps upright against a pale plastered courtyard wall, her weight settled onto her right hip and her right shoulder pressed flat to the masonry so the wall carries her; her left foot is planted a half-step forward, toe turned out, heel just lifting off the flagstones. Her long red hair is gathered into twin braids that hang down over her chest and one swings slightly forward past her collarbone, the small bow at the top of each braid catching the light; her green hat with its star ornament sits low, its brim shadowing her closed eyes. Her head has drifted down and to the left, chin nearly touching her shoulder, lips parted a little in a slack sleeping breath, one brow faintly drawn — the small frown of someone holding a dream at arm's length. Both arms are folded away inside the wide sleeves of her cheongsam, the fabric pulled taut across her back where it meets the wall; the dress is deep red with a jade-green piping at the collar and side slit, and across the chest panel a bird is embroidered in pale gold and blue thread — a crane in flight, wings spread, its stitches rising from the silk so the moonlight grazes each thread and the feathers seem to lift off the cloth. The cheongsam's hem falls straight to mid-calf, one fold creased where her thigh presses forward. The only light is a low moon from the upper left: it strikes the top of her hat, the outer edge of her left braid, the leading shoulder and the embroidery, and leaves her face and the wall behind her in soft blue shadow, with her cast shadow pooled tight at her feet and stretched faintly along the base of the wall. Thin mist drifts at ankle height and the flagstones are dark with damp, one shallow puddle near her left toe holding a dim, broken reflection of the moon. The palette stays cool — moonlit blue-grey plaster and stone, her red hair and red dress the warm anchor, jade green in the piping and the hat, pale gold only in the crane's thread. Her braids stir a little in a slow night breeze; nothing else moves. Quiet, drowsy.
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AI artwork
シ
character: hong_meiling 1girl, solo, hong meiling, long hair, red hair, twin braids, braid, blue eyes, green eyes, green hat, star hat ornament, china dress, cheongsam, geometric pattern embroidery, high collar, frog buttons, side slits, sleeping while standing, eyes closed, head tilted down, arms crossed, hands tucked into opposite sleeves, leaning back against wooden veranda post, from side, profile, cowboy shot, looking down, relaxed, wooden veranda, chinese garden, daylight, A profile shot, camera at chest height and slightly to her right, holding her whole figure from the thighs to the crown of her green hat against a sunlit wooden veranda. She sleeps upright: her back rests flat along a weathered red-brown post, shoulder blades and the back of her hip both in contact with the wood, one foot planted flat and bearing her weight while the other toe rests lightly behind it, knees soft and slightly crossed. Her arms are folded across her chest, each hand slid inside the wide opposite sleeve, and her chin has dropped toward her sternum so the wide green hat tips forward and shadows her closed eyes; only the pale line of her cheek and the small, slack set of her mouth show beneath the brim. Her long red hair hangs in two braids, one falling forward over her collarbone and the other slipping back behind the post, the tips stirring faintly in the breeze that also lifts the hem of her dress. The china dress is a deep emerald green satin with a high mandarin collar and knotted frog buttons down the right side, and geometric embroidery runs across the chest, the wide cuffs and the side slit in tight repeating bands of gold and crimson hexagons, diamonds and squared spirals, the stitching catching a hard metallic glint where the light rakes it. The veranda runs from the lower left toward the upper right, its floorboards lit in long warm stripes, and beyond the railing lie a clipped hedge, a stone lantern and the tiled roof of a garden wall in soft focus. Late-afternoon sun comes from frame left at a low angle, striking the front of her face, her left sleeve and the embroidered chest band, while the post, the right side of her body and the wall behind fall into shadow; a crisp cast shadow of the hat brim cuts across her cheek. One leaf has settled on the brim of her hat, resting on it, not on the shaded side. Muted greens, warm wood ochre, gold threads and a cool blue sky, still and drowsy.
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