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พาย AI Art & Prompts

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AI artwork
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<LoRA:Aomori nebuta Style> Elements: traditional_aomori_nebuta_sculpture_style, japanese_traditional_paper_craft, layered_washi_paper, raised_paper_relief, overlapping_washi_layers, illuminated_washi_paper_sculpture, wireframe_shadow, structural_shadow_lines, distinct_color_zones Lines: bold_sumi_ink_outlines, variable_line_weight, dynamic_sumi_linework, dry_brush_strokes Texture: glowing_from_within, translucent_washi, diffused_internal_lighting, washi_color_layering, thick_washi_texture, vivid_traditional_colors, sculptural_depth, <LoRA:Aomori nebuta Style> Elements: traditional_aomori_nebuta_sculpture_style, japanese_traditional_paper_craft, layered_washi_paper, raised_paper_relief, overlapping_washi_layers, illuminated_washi_paper_sculpture, wireframe_shadow, structural_shadow_lines, distinct_color_zones Lines: bold_sumi_ink_outlines, variable_line_weight, dynamic_sumi_linework, dry_brush_strokes Texture: glowing_from_within, translucent_washi, diffused_internal_lighting, washi_color_layering, thick_washi_texture, vivid_traditional_colors, sculptural_depth, A werewolf eating a round chocolate pie. The pie has a white filling. The chocolate pie is smooth on the outside. The werewolf is totally dark brown and very furry with big yellow eyes and big sharp teeth. The werewolf's eyes are bulging. The werewolf has long fangs and long black claws. The werewolf's mouth is open. The werewolf is wearing a torn red sleeveless t-shirt. The werewolf is biting into the chocolate pie.
danielz
AI artwork
gm
witch, skeleton, 2girls? no—2 characters: one witch, one pumpkin-headed skeleton, smiling, open-mouth smile, looking at viewer, holding plate, holding pie, presenting food, outstretched arm, stargazy pie, traditional stargazy pie, golden-brown pastry, flaky crust, whole sardine heads, fish heads protruding from crust, fish heads gazing upward, cut slice, potato and bacon filling visible, quail eggs, rising steam, dark fantasy, halloween, jack-o'-lantern, pumpkin, halloween feast, wooden table, roasted food, roasted bird, candles, candlelight, chair, sitting, background, depth of field, from below, cowboy shot, dutch angle, warm palette, orange and amber, deep purple shadows, black, rim light, smoke, inviting, cozy menace, From a low, slightly tilted three-quarter angle, the witch leans in over the near edge of a long wooden table and holds the stargazy pie out toward the viewer in both hands, tilted so the crust faces the lens. She is a young witch with long black hair falling in loose waves over one shoulder, a wide-brimmed pointed hat whose brim tilts back off her forehead, and a high-collared dark gown in deep plum and charcoal with a laced bodice; her sleeves are pushed to the elbow, and the pie's heat fogs the air right in front of her chest. Her smile is open and a little too wide, the corners of her eyes creased, one brow lifted; she looks straight at the viewer over the rim of the pie. Both thumbs press into the pie dish's fluted edge, the dish's underside supported on the flat of her left hand while her right hand steadies the rim near the cut slice — the cut face turned slightly toward the viewer so the layers read. The pie itself sits lowest and largest in frame, occupying the front third: an oval ceramic dish with a crimped rim, the pastry a deep golden brown with blistered, flaking edges where the lamination has opened, and four whole sardine heads pushing up through slits in the crust, silver-blue, mouths open, eyes glassy and upturned, each head ringed by a little collar of browned dough. A wedge has been lifted slightly from the dish, and in the gap the pale yellow potato chunks, pinkish bacon ribbons, and two or three halved quail eggs with their grey-marbled whites and dark yolks show in a pale gravy. Steam rises in a soft column off the cut face, catching the light and smearing the background behind it. Behind the table, warm pumpkin-orange light comes from the jack-o'-lanterns clustered at the far end of the table and from tall candles in iron holders; this is the key light, raking from the right and behind, so the pie's crust glints on its upper surfaces, the witch's face is lit from the side with her near cheek and throat in warm amber and the far side of her hat in deep silhouette, and the pumpkin-headed skeleton's ribcage picks up thin highlights along each bone. On the table between them: a roasted bird on a platter, dark bread, small gourds, scattered autumn leaves, spilled candle wax, and a second pumpkin lantern with its carved grin turned toward the viewer. In the background at the far side of the table, a wooden chair with a tall carved back holds the pumpkin-headed skeleton — a hollow-eyed carved pumpkin head with a jagged grin, seated upright with its bony hands folded on the table edge, a black cloak hanging off its shoulder blades and pooling over the chair. It sits in shadow, rimmed in orange along one cheekbone and one shoulder, head tipped a few degrees toward the pie. Colours are held to warm amber and pumpkin orange against deep violet-black shadow and the pale gold of the pastry, with the fish heads' cold silver as the one discordant note. The pie's cut slice sags very slightly at its lip, gravy beading at the edge of the crust rather than running. Dark fantasy, hearth-lit, inviting with a thread of menace.
GOG & minimaw

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