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ไม้บรรทัด AI Art & Prompts

Explore the trending 268 ไม้บรรทัด artworks

AI artwork
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character: xu_fu_(fate), xu_fu(fgo) magazine cover, manga cover, full-page magazine cover, portrait orientation, 2:3 aspect ratio, solo, one girl, xu fu, glasses, white coat, wooden laboratory, several researchers, scientific diagram, technological device, complex machine, scientific instruments, mechanical devices, computers, graphs, charts, diagrams, satellites, industrial machinery, robots, abstract scientific symbols, miniature explanatory illustrations, detailed hair, detailed eyes, ligne claire, painterly, rough sketch, expressive lineart, messy brush strokes, delicate rendering, soft shading, muted colors, airy atmosphere, subtle lighting, anime illustration, harukav2 style, retro 1990s Japanese commercial illustration, retro Japanese educational magazine aesthetic, sophisticated editorial illustration, hand-drawn ink linework, cel coloring, watercolor-like color variation, slightly irregular organic linework, restrained shading, natural proportions, understated expressions, simple clothing folds, flat graphic background, limited palette, coral-red background, vermilion, dusty coral, pale cream, muted turquoise, olive green, dark brown, subdued blue, Japanese academic journal masthead, English subtitle, red issue-number panel, publisher-information strip, tiny editorial typography, vintage printed-paper texture, hand-drawn 2D illustration. Seen straight-on as a flat, full-page cover, the design opens onto a solid vermilion-coral field with a dense editorial collage at its center. Xu Fu is the only girl on the cover: short black hair falls across one eye, brown eyes behind round glasses, a small mole under one eye, and a cream-white laboratory coat with dark brown and muted green accents over a simple dark garment. She stands at a wooden laboratory bench, one hand lifting her glasses, the other resting on an open notebook, her gaze fixed on a complex machine of dials, pipes and brass fittings as she thoughtfully observes it. To her left an adult male colleague leans over a pinned scientific diagram, pencil tracing a curve; to her right a second male colleague holds up a small technological device in both hands. A rich scatter of miniature explanatory illustrations fills the surrounding space — scientific instruments, mechanical devices, computers, graphs, charts, diagrams, satellites, industrial machinery, robots and abstract scientific symbols — balanced as a hand-illustrated collage rather than a grid. The wooden laboratory interior is suggested only by the bench, shelves and clustered apparatus within the central vignette, while the outer field remains flat and graphic. Across the top, a large Japanese Mincho masthead reads '道術研究'; a small English subtitle beneath it reads 'JOURNAL OF DAOIST SCIENCES'. A red rectangular issue-number panel in the upper right reads 'Vol. 12 No. 3'. At the bottom, a narrow white publisher-information strip carries tiny editorial typography. The drawing uses ligne claire contours with expressive, slightly irregular ink linework, cel coloring varied like watercolor wash, restrained shading, soft transitions and a matte vintage printed-paper finish; the palette is limited to warm vermilion, dusty coral, pale cream, muted turquoise, olive green, dark brown and subdued blue. Painterly rough-sketch underdrawing and messy brush accents show through the ink contours, with delicate rendering in the faces and instruments. Fine hatching and tiny editorial microtext stay crisp but delicate; the overall image remains a flat two-dimensional hand-drawn illustration with a matte vintage printed-paper finish. Airy, intellectual, nostalgic.
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