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เรียวกัง AI Art & Prompts

Explore the trending 406 เรียวกัง artworks

AI artwork
s3
masterpiece, best quality, ultra-detailed, highres, absurdres, top view, from above, high angle, waist up, upper body, filling the frame, 1girl, solo, lying on back, supine, lying on futon, kimono, disheveled kimono, loose kimono, open clothes, exposed shoulders, collarbone, cleavage, covering mouth with back of hand,Thighs, shy, embarrassed, looking away, looking to the side, averting eyes, (flushed face:1.3), heavy blush, ryokan, traditional japanese room, tatami floor, futon, indoor, night, (rim lighting:1.3), (dim light:1.2), (dark shading:1.3), (muted colors:1.2), warm lighting, warm ambient lighting, flat chest, skinny, ,anterdel,shinosawa hiro, gakuen idolmaster, ,ryokan, untied hair,
subcha3
AI artwork
s3
masterpiece, best quality, ultra-detailed, highres, absurdres, top view, from above, high angle, waist up, upper body, filling the frame, 1girl, solo, lying on back, supine, lying on futon, kimono, disheveled kimono, loose kimono, open clothes, exposed shoulders, collarbone, cleavage, covering mouth with back of hand,Thighs, shy, embarrassed, looking away, looking to the side, averting eyes, (flushed face:1.3), heavy blush,biting knuckles, ryokan, traditional japanese room, tatami floor, futon, indoor, night, (rim lighting:1.3), (dim light:1.2), (dark shading:1.3), (muted colors:1.2), warm lighting, warm ambient lighting, flat chest, skinny, ,anterdel,shinosawa hiro, gakuen idolmaster, ,ryokan,
subcha3
AI artwork
Avatar image of mike neko
A digital anime illustration recreating the exact scene from image1, featuring three characters enjoying a lavish feast in a warm, dimly lit traditional Japanese inn room. All three girls wear identical light blue yukatas with geometric patterns and reddish-brown obi sashes. On the left, the first girl has dark hair styled in short twintails and blue eyes; she holds both hands near her mouth in an excited, surprised expression. In the center-left, the second girl has dark hair pulled into an updo with a hairpin, smiling joyfully with closed eyes and her hands framing her cheeks. On the right, the third girl has dark hair styled in twin braids, smiling gently with closed eyes and resting one hand on her chest. They are seated on wooden legless chairs with red cushions around a long wooden table. The table is completely filled with an extravagant spread of Japanese cuisine: a large wooden sashimi boat centerpiece featuring various sliced fish and a lobster shell, surrounded by plates of yakitori skewers, a large serving of karaage with lemon, tempura, soba noodles, bowls of rice, and a small nabe hot pot simmering over a flame. The room features tatami mat flooring, with a brown rolling suitcase standing on the left and an open built-in closet holding stacked futons on the right. In the background, open shoji sliding doors reveal an outdoor garden illuminated by a warm, golden sunset glow. The art style stays the same as the input image1.
mike neko
1
AI artwork
e
character: baji_keisuke, copyright: tokyo_revengers 1boy, solo, baji keisuke, long black hair, yellow eyes, tsurime, sharp gaze, yukata, navy blue yukata with thin white vertical pinstripes, yukata slightly open at chest, loose collar, exposed collarbone, barefoot, bare feet, lying on futon, on back, sprawled, washitsu, japanese-style room, tatami floor, folded white futon, from above, high angle, close-up, looking up, head tilted back, one arm behind head, other arm resting on tatami, half-closed eyes, light smile, evening, warm lamp light. High angle looking down from directly above the futon: he lies on his back across the white futon, body diagonal through the frame from lower left to upper right, the checker of his long black hair fanned out loose over the pillow and spilling past its edge onto the tatami, one lock falling across his forehead. His left forearm is folded behind his head, palm up against the tatami seam at the futon's edge; his right hand rests loosely on the futon beside his hip, fingers half-curled near a fold of the quilt. The navy pinstriped yukata is still belted at the waist but pulled wide at the chest, the two lapels fallen apart in a shallow V so the bare breastbone and collarbones are open to the air, the sleeves rumpled and creased across the tatami at his forearms. His bare feet lie apart at the far end of the futon, heels pressed into the quilt, soles turned slightly toward each other, toes relaxed. His chin is tipped back into the pillow and his eyes come up the camera's axis to meet the lens from below, yellow and narrow, a faint lopsided closed-lip smile with the corner of his mouth pulled a little on one side. Behind him the washitsu opens out: tatami seams running in a grid, a low table pushed to the room's edge, shoji screens with pale paper glowing in a band along the right side, and a dark wooden post and plaster wall beyond, all falling soft-focus at the frame's border. A single warm paper lamp hangs above and to the left of the frame; it is the only light, throwing a warm pool across his face, the open chest and the futon's folds, letting the edges of the room and the corners of the tatami sink into dark brown shadow, and the futon around his hips takes the shallow compression he makes in it. Palette of navy, white futon, pale straw tatami and warm amber light, nothing else admitted. Quiet bathhouse languor.
eripan
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