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ถุงนอน AI Art & Prompts

Explore the most liked 48 ถุงนอน artworks

AI artwork
余
character: shimamura_uzuki sleeping, deeply asleep, eyes closed, 1girl, solo, full body, whole body visible head to feet, eight heads tall proportions, tall slender figure, inside navy sleeping bag, mummy-style sleeping bag, hood up around head, drawcord at collar cinched fully tight, cinched hood opening, only face and a little hair exposed, tiny face window, long brown hair, a few strands of brown hair spilling from the hood opening, brown eyes closed, peaceful sleeping face, relaxed brow, faint parted lips, slow breathing, rope around neck, many coils of rope wrapped around the neck, rope wound many times around the entire body over the sleeping bag, ropes binding the sleeping bag shut, horizontal coils stacked from shoulders to ankles, thick twisted hemp rope, standing upright suspended, vertical hanging, arms pinned inside the bag along the body, legs pressed together inside the bag, toes pointed down inside the fabric, from below, low angle, worm's-eye view, dramatic foreshortening, seamless dark studio ground, soft single key light from upper left, moody shadows, muted navy and warm hemp palette, quiet dread The camera looks up from near floor level: a tall slender body hangs upright in a navy mummy sleeping bag, the whole figure from the crown of the hood to the pointed tips of the toes inside the fabric within frame, the low angle lengthening the bag into a tapering column that reads as eight heads tall. The hood is drawn over the head, its drawcord pulled all the way tight so the opening puckers into a small dark-rimmed oval; inside that oval only the face shows — both eyes shut, brows slack, lips barely parted in a slow exhale — with a few brown strands of long hair escaping the cinched rim and lying against the cheek and the nylon. Nothing else of her is exposed: the bag's fabric is taut across her shoulders, chest, hips and knees, shaping the body underneath, her arms pressed straight down along her sides inside it, both feet pushed into the bottom corner so the fabric tents into a point. Hemp rope comes in at the throat first, several turns wound around the neck above the collar, and from there runs down the whole length of the bag in stacked horizontal coils, layer crossing layer, cinching the nylon into soft folds between each pass and pulling the bag narrower at the waist and ankles; the tightest coils press dimples into the fabric, and the rope's fibers catch a faint sheen where the key light grazes their upper curves. A single soft key light falls from the upper left, modeling the left side of the hood and face and the top arc of every rope turn, while the right side of the bag sinks into shadow; beneath the hanging toes a small pool of darkness spreads on the seamless ground with no visible cast shadow, since the light is diffuse and the body hangs clear of any surface. The palette holds to deep navy cloth, pale warm skin in the face window, and the dull straw tone of the rope, nothing else. The only motion is the infinitesimal sway of the suspended bag and the slow rise and fall of breath at the cinched collar. Peaceful, unsettling.
余命一万一日
#กำลังนอน#อุซึกิ ชิมามุระ#ถุงนอน
AI artwork
余
character: shimamura_uzuki sleeping, deeply asleep, eyes closed, 1girl, solo, full body, whole body visible head to feet, eight heads tall proportions, tall slender figure, inside navy sleeping bag, mummy-style sleeping bag, hood up around head, drawcord at collar cinched fully tight, cinched hood opening, only face and a little hair exposed, tiny face window, long brown hair, a few strands of brown hair spilling from the hood opening, brown eyes closed, peaceful sleeping face, relaxed brow, faint parted lips, slow breathing, rope around neck, many coils of rope wrapped around the neck, rope wound many times around the entire body over the sleeping bag, ropes binding the sleeping bag shut, horizontal coils stacked from shoulders to ankles, thick twisted hemp rope, standing upright suspended, vertical hanging, arms pinned inside the bag along the body, legs pressed together inside the bag, toes pointed down inside the fabric, from below, low angle, worm's-eye view, dramatic foreshortening, seamless dark studio ground, soft single key light from upper left, moody shadows, muted navy and warm hemp palette, quiet dread The camera looks up from near floor level: a tall slender body hangs upright in a navy mummy sleeping bag, the whole figure from the crown of the hood to the pointed tips of the toes inside the fabric within frame, the low angle lengthening the bag into a tapering column that reads as eight heads tall. The hood is drawn over the head, its drawcord pulled all the way tight so the opening puckers into a small dark-rimmed oval; inside that oval only the face shows — both eyes shut, brows slack, lips barely parted in a slow exhale — with a few brown strands of long hair escaping the cinched rim and lying against the cheek and the nylon. Nothing else of her is exposed: the bag's fabric is taut across her shoulders, chest, hips and knees, shaping the body underneath, her arms pressed straight down along her sides inside it, both feet pushed into the bottom corner so the fabric tents into a point. Hemp rope comes in at the throat first, several turns wound around the neck above the collar, and from there runs down the whole length of the bag in stacked horizontal coils, layer crossing layer, cinching the nylon into soft folds between each pass and pulling the bag narrower at the waist and ankles; the tightest coils press dimples into the fabric, and the rope's fibers catch a faint sheen where the key light grazes their upper curves. A single soft key light falls from the upper left, modeling the left side of the hood and face and the top arc of every rope turn, while the right side of the bag sinks into shadow; beneath the hanging toes a small pool of darkness spreads on the seamless ground with no visible cast shadow, since the light is diffuse and the body hangs clear of any surface. The palette holds to deep navy cloth, pale warm skin in the face window, and the dull straw tone of the rope, nothing else. The only motion is the infinitesimal sway of the suspended bag and the slow rise and fall of breath at the cinched collar. Peaceful, unsettling.
余命一万一日
#กำลังนอน#อุซึกิ ชิมามุระ#ถุงนอน
AI artwork
余
character: shimamura_uzuki sleeping, deeply asleep, eyes closed, 1girl, solo, full body, whole body visible head to feet, eight heads tall proportions, tall slender figure, inside navy sleeping bag, mummy-style sleeping bag, hood up around head, drawcord at collar cinched fully tight, cinched hood opening, only face and a little hair exposed, tiny face window, long brown hair, a few strands of brown hair spilling from the hood opening, brown eyes closed, peaceful sleeping face, relaxed brow, faint parted lips, slow breathing, rope around neck, many coils of rope wrapped around the neck, rope wound many times around the entire body over the sleeping bag, ropes binding the sleeping bag shut, horizontal coils stacked from shoulders to ankles, thick twisted hemp rope, standing upright suspended, vertical hanging, arms pinned inside the bag along the body, legs pressed together inside the bag, toes pointed down inside the fabric, from below, low angle, worm's-eye view, dramatic foreshortening, seamless dark studio ground, soft single key light from upper left, moody shadows, muted navy and warm hemp palette, quiet dread The camera looks up from near floor level: a tall slender body hangs upright in a navy mummy sleeping bag, the whole figure from the crown of the hood to the pointed tips of the toes inside the fabric within frame, the low angle lengthening the bag into a tapering column that reads as eight heads tall. The hood is drawn over the head, its drawcord pulled all the way tight so the opening puckers into a small dark-rimmed oval; inside that oval only the face shows — both eyes shut, brows slack, lips barely parted in a slow exhale — with a few brown strands of long hair escaping the cinched rim and lying against the cheek and the nylon. Nothing else of her is exposed: the bag's fabric is taut across her shoulders, chest, hips and knees, shaping the body underneath, her arms pressed straight down along her sides inside it, both feet pushed into the bottom corner so the fabric tents into a point. Hemp rope comes in at the throat first, several turns wound around the neck above the collar, and from there runs down the whole length of the bag in stacked horizontal coils, layer crossing layer, cinching the nylon into soft folds between each pass and pulling the bag narrower at the waist and ankles; the tightest coils press dimples into the fabric, and the rope's fibers catch a faint sheen where the key light grazes their upper curves. A single soft key light falls from the upper left, modeling the left side of the hood and face and the top arc of every rope turn, while the right side of the bag sinks into shadow; beneath the hanging toes a small pool of darkness spreads on the seamless ground with no visible cast shadow, since the light is diffuse and the body hangs clear of any surface. The palette holds to deep navy cloth, pale warm skin in the face window, and the dull straw tone of the rope, nothing else. The only motion is the infinitesimal sway of the suspended bag and the slow rise and fall of breath at the cinched collar. Peaceful, unsettling.
余命一万一日
#กำลังนอน#อุซึกิ ชิมามุระ#ถุงนอน
AI artwork
余
character: shimamura_uzuki sleeping, deeply asleep, eyes closed, 1girl, solo, full body, whole body visible head to feet, eight heads tall proportions, tall slender figure, inside navy sleeping bag, mummy-style sleeping bag, hood up around head, drawcord at collar cinched fully tight, cinched hood opening, only face and a little hair exposed, tiny face window, long brown hair, a few strands of brown hair spilling from the hood opening, brown eyes closed, peaceful sleeping face, relaxed brow, faint parted lips, slow breathing, rope around neck, many coils of rope wrapped around the neck, rope wound many times around the entire body over the sleeping bag, ropes binding the sleeping bag shut, horizontal coils stacked from shoulders to ankles, thick twisted hemp rope, standing upright suspended, vertical hanging, arms pinned inside the bag along the body, legs pressed together inside the bag, toes pointed down inside the fabric, from below, low angle, worm's-eye view, dramatic foreshortening, seamless dark studio ground, soft single key light from upper left, moody shadows, muted navy and warm hemp palette, quiet dread The camera looks up from near floor level: a tall slender body hangs upright in a navy mummy sleeping bag, the whole figure from the crown of the hood to the pointed tips of the toes inside the fabric within frame, the low angle lengthening the bag into a tapering column that reads as eight heads tall. The hood is drawn over the head, its drawcord pulled all the way tight so the opening puckers into a small dark-rimmed oval; inside that oval only the face shows — both eyes shut, brows slack, lips barely parted in a slow exhale — with a few brown strands of long hair escaping the cinched rim and lying against the cheek and the nylon. Nothing else of her is exposed: the bag's fabric is taut across her shoulders, chest, hips and knees, shaping the body underneath, her arms pressed straight down along her sides inside it, both feet pushed into the bottom corner so the fabric tents into a point. Hemp rope comes in at the throat first, several turns wound around the neck above the collar, and from there runs down the whole length of the bag in stacked horizontal coils, layer crossing layer, cinching the nylon into soft folds between each pass and pulling the bag narrower at the waist and ankles; the tightest coils press dimples into the fabric, and the rope's fibers catch a faint sheen where the key light grazes their upper curves. A single soft key light falls from the upper left, modeling the left side of the hood and face and the top arc of every rope turn, while the right side of the bag sinks into shadow; beneath the hanging toes a small pool of darkness spreads on the seamless ground with no visible cast shadow, since the light is diffuse and the body hangs clear of any surface. The palette holds to deep navy cloth, pale warm skin in the face window, and the dull straw tone of the rope, nothing else. The only motion is the infinitesimal sway of the suspended bag and the slow rise and fall of breath at the cinched collar. Peaceful, unsettling.
余命一万一日
#กำลังนอน#อุซึกิ ชิมามุระ#ถุงนอน
AI artwork
余
character: shimamura_uzuki 1girl, solo, shimamura_uzuki, brown hair, long hair, brown eyes, sleeping, sleeping soundly, deep sleep, eyes closed, relaxed face, inside sleeping bag, navy blue sleeping bag, sleeping bag zipped up, drawcord pulled tight, hood cinched around face, only face and a little hair visible, full body, eight heads tall, tall proportions, long legs, lying on back, head on small pillow, from above, high angle, close-up on upper body in wide frame, vertical composition, night, dim room, faint moonlight, soft blanket texture From a high angle looking down, one girl lies asleep on her back inside a navy-blue mummy sleeping bag on a plain mattress, her whole body inside the frame from head to feet. The bag is zipped shut the entire length; the hood is drawn up and the drawcord around the collar is pulled to its limit, cinching the opening into a small oval so that only her face and a little of her brown hair escaping at the temples show. Her eyes are shut, lashes resting on her cheeks, lips slightly parted in deep, even breathing; the fabric over her chest rises and falls softly. Long legs make the sleeping bag read as a tall, slender shape, roughly eight heads tall from crown to toes, with a gentle bend at the knees under the padding. Her head rests on a small flat pillow; one arm is inside the bag along her side, the other tucked across her stomach, only the mounded fabric showing where the hands are. Faint moonlight from a window at the upper left falls across the bag, catching the taut drawcord ring and the ridge of the zipper, while the far side of the bag and the floor stay in deep shadow; the tightened cord pulls the fabric into small radiating creases around her face. Palette limited to the navy bag, her warm brown hair, pale skin and cold blue-grey moonlight; no ornaments or clothing visible, only the sleeping bag. Quiet, tender.
余命一万一日
#เดี่ยว#กำลังนอน#อุซึกิ ชิมามุระ
12
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