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Avatar image of Kylee Violette (Kiy Chan)

Kylee Violette (Kiy Chan)

Deaf Natives, Gamer Discord: Moonlight_gamer93 for roleplay

USA
73Takip Edilenler90Takipçi2.96kAlınan Beğeniler
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AI artwork
Avatar image of Kylee Violette (Kiy Chan)
2girls, 1boy, male and female, muscular male, light brown hair, short hair, wavy hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, princess carry, carrying, holding another, long hair, curly hair, red hair, red eyes, arms around neck, hugging, white t-shirt, short pants, beautiful woman, hetero, cowboy shot, from side, profile, dutch angle, looking at another, eye contact, light smile, closed mouth, parted lips, outdoors, stone terrace, sunset, backlight, rim light, depth of field, atmospheric A dramatic three-quarter side view shot from a dutch angle, framed at cowboy shot, holds the two figures on a narrow stone terrace in the late afternoon. The man — tall, broad-shouldered, built with heavy muscle through the arms and chest — stands with his weight settled into his back heel and his hips angled away from the camera, the woman cradled across his forearms. His short, wavy light-brown hair lifts slightly at the temple in the breeze, and one lock falls across a heavy brow. His green eyes are narrowed, the vertical slit pupils contracting against the low sun as his gaze drops to her face; the corner of his mouth pulls into a small, closed-lipped smile. The white button-up shirt strains at the shoulder seam and pulls across his chest, every button done except the top, and the brown vest sits open, its hem riding up where his forearm supports her. The black pants crease at the hip from the weight shift, and his boots are planted wide on the uneven flagstones, the front foot braced just inside a seam. His arms are bent and locked beneath her — one forearm under her shoulder blades, the other under the backs of her knees, his fingers spread to take the load, the knuckles pale where they press into the fabric of her clothes. She is turned three-quarters toward him, her long, curling red hair spilling over the crook of his supporting arm and down past his hip, the ends of it catching the low sun so the curls read amber at the edges. Her arms are wound around his shoulder and behind his neck, her forearms crossed over the back of his collar, one hand resting against the fabric of his shirt. Her red eyes are open and fixed on his, a bright smile just parting her lips, her chin tipped up. The plain white T-shirt stretches across her chest where his arm takes her weight, and the short pants ride up slightly at the thigh, her knees folded and her ankles relaxed. The two are pressed close, his shoulder against her ribs, her shoulder tucked under his chin. Behind them a low stone parapet and a run of dark cypress trees fall out of focus; the terrace is empty of other people. The setting sun sits low and behind the pair, so the light comes from over the man's right shoulder — a strong warm rim raking the edge of his jaw, the top of his wavy hair, the curve of her red curls, and the top of her forearm, while the front of both faces is filled by a soft bounce off the pale stone, so their features stay readable. Their shadows stretch away toward the camera's left, long and hard-edged across the flagstones. The palette is warm stone and skin against the deep green of his eyes, the deep red of her hair and eyes, the brown of the vest and the white of the shirts — nothing else admitted. The breeze moves her curls and the loose tail of his shirt, and a single strand of her hair rests across his collar. Intimate, golden.
Nov 5, 2026 2:09 AM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
2girls, 1boy, male and female, princess carry, carrying, bridal carry, muscular male, short hair, wavy hair, light brown hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, beautiful woman, long hair, very long hair, curly hair, red hair, red eyes, t-shirt, short pants, arms around neck, arms around shoulders, looking at each other, from side, cowboy shot, profile, dutch angle, warm interior, window light, soft rim light A low three-quarter side view framed as a cowboy shot, tilted a few degrees into a slight dutch angle, catches the man mid-lift as he swings the woman up into a princess carry. He stands with his weight sunk into his back leg, front knee bent, torso leaning back a touch to counterbalance her; his right forearm runs under her shoulder blades and his left hand cups the backs of her knees, fingers spread across the fabric of her short pants, her calves hanging over his forearm with her ankles loosely crossed. His white button shirt is open at the collar, sleeves rolled to the elbow over thick forearms, the brown vest pulled taut across his chest and the seams straining at the shoulder where her arm presses down; the black pants crease sharply at the hips from the stance. Short wavy light-brown hair falls over his forehead and lifts slightly at the temples from the motion, and his green eyes with narrow vertical slit pupils flick to her face, one brow arched in a small satisfied line, a lopsided closed-lip smirk just forming. The woman is gathered against his chest, her back curved into the crook of his arm, both arms wrapped over his shoulders and hands clasped loosely behind his neck, her chin near his jaw. Her very long curly red hair spills over his forearm and off the far side of his shoulder in a heavy coil, ends hanging almost to his hip; she wears a plain T-shirt rucked up over her waist and short pants, one leg swinging free. Her red eyes are turned toward him from under half-lowered lashes, a faint closed-mouth smile, warm and a little smug, while his gaze meets hers; her right shoulder is close to his neck and her hand rests flat against his upper back. Behind them a plain warm interior: a pale plaster wall, a tall window at frame left with daylight raking in low and cool, catching the edge of his jaw, the length of her hair and the flare of her skirt hem while the side of the room away from the window falls into deep brown shadow. The palette holds to white, black, brown and red against the pale wall, nothing else admitted. Light from the window produces a soft cast shadow of both figures smeared across the boards and wall in a doubled silhouette, her curls breaking the shadow's edge into a scalloped outline. Quiet, tender.
Nov 5, 2026 2:09 AM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
2girls, 1boy, male and female, princess carry, carrying, bridal carry, muscular male, short hair, wavy hair, light brown hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, beautiful woman, long hair, very long hair, curly hair, red hair, red eyes, t-shirt, short pants, arms around neck, arms around shoulders, looking at each other, from side, cowboy shot, profile, dutch angle, warm interior, window light, soft rim light A low three-quarter side view framed as a cowboy shot, tilted a few degrees into a slight dutch angle, catches the man mid-lift as he swings the woman up into a princess carry. He stands with his weight sunk into his back leg, front knee bent, torso leaning back a touch to counterbalance her; his right forearm runs under her shoulder blades and his left hand cups the backs of her knees, fingers spread across the fabric of her short pants, her calves hanging over his forearm with her ankles loosely crossed. His white button shirt is open at the collar, sleeves rolled to the elbow over thick forearms, the brown vest pulled taut across his chest and the seams straining at the shoulder where her arm presses down; the black pants crease sharply at the hips from the stance. Short wavy light-brown hair falls over his forehead and lifts slightly at the temples from the motion, and his green eyes with narrow vertical slit pupils flick to her face, one brow arched in a small satisfied line, a lopsided closed-lip smirk just forming. The woman is gathered against his chest, her back curved into the crook of his arm, both arms wrapped over his shoulders and hands clasped loosely behind his neck, her chin near his jaw. Her very long curly red hair spills over his forearm and off the far side of his shoulder in a heavy coil, ends hanging almost to his hip; she wears a plain T-shirt rucked up over her waist and short pants, one leg swinging free. Her red eyes are turned toward him from under half-lowered lashes, a faint closed-mouth smile, warm and a little smug, while his gaze meets hers; her right shoulder is close to his neck and her hand rests flat against his upper back. Behind them a plain warm interior: a pale plaster wall, a tall window at frame left with daylight raking in low and cool, catching the edge of his jaw, the length of her hair and the flare of her skirt hem while the side of the room away from the window falls into deep brown shadow. The palette holds to white, black, brown and red against the pale wall, nothing else admitted. Light from the window produces a soft cast shadow of both figures smeared across the boards and wall in a doubled silhouette, her curls breaking the shadow's edge into a scalloped outline. Quiet, tender.
Nov 5, 2026 2:09 AM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
2girls, 1boy, male and female, princess carry, carrying, bridal carry, muscular male, short hair, wavy hair, light brown hair, green eyes, vertical slit pupils, slit pupils, black pants, white shirt, button-up shirt, brown vest, beautiful woman, long hair, very long hair, curly hair, red hair, red eyes, t-shirt, short pants, arms around neck, arms around shoulders, looking at each other, from side, cowboy shot, profile, dutch angle, warm interior, window light, soft rim light A low three-quarter side view framed as a cowboy shot, tilted a few degrees into a slight dutch angle, catches the man mid-lift as he swings the woman up into a princess carry. He stands with his weight sunk into his back leg, front knee bent, torso leaning back a touch to counterbalance her; his right forearm runs under her shoulder blades and his left hand cups the backs of her knees, fingers spread across the fabric of her short pants, her calves hanging over his forearm with her ankles loosely crossed. His white button shirt is open at the collar, sleeves rolled to the elbow over thick forearms, the brown vest pulled taut across his chest and the seams straining at the shoulder where her arm presses down; the black pants crease sharply at the hips from the stance. Short wavy light-brown hair falls over his forehead and lifts slightly at the temples from the motion, and his green eyes with narrow vertical slit pupils flick to her face, one brow arched in a small satisfied line, a lopsided closed-lip smirk just forming. The woman is gathered against his chest, her back curved into the crook of his arm, both arms wrapped over his shoulders and hands clasped loosely behind his neck, her chin near his jaw. Her very long curly red hair spills over his forearm and off the far side of his shoulder in a heavy coil, ends hanging almost to his hip; she wears a plain T-shirt rucked up over her waist and short pants, one leg swinging free. Her red eyes are turned toward him from under half-lowered lashes, a faint closed-mouth smile, warm and a little smug, while his gaze meets hers; her right shoulder is close to his neck and her hand rests flat against his upper back. Behind them a plain warm interior: a pale plaster wall, a tall window at frame left with daylight raking in low and cool, catching the edge of his jaw, the length of her hair and the flare of her skirt hem while the side of the room away from the window falls into deep brown shadow. The palette holds to white, black, brown and red against the pale wall, nothing else admitted. Light from the window produces a soft cast shadow of both figures smeared across the boards and wall in a doubled silhouette, her curls breaking the shadow's edge into a scalloped outline. Quiet, tender.
Nov 5, 2026 2:09 AM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
character: geralt_of_rivia 1girl, 1boy, hetero, orange hair, very long hair, hair past hips, green eyes, long dress, fabric dress, cream dress, large breasts, witcher geralt, white hair, long hair, yellow eyes, beard, standing behind her, kissing her neck, arms around waist, hands on her stomach, arms around his head, hands in his hair, looking at him, looking at another, from side, close-up, profile, dutch angle, eye contact, romantic atmosphere, tender, warm interior light, dusk window light, standing, back to viewer, leaning into each other A tight three-quarter close-up seen from the side at a slight low dutch tilt, the two of them filling the frame so the woman's body sits front-and-left and the man's white head leans in from behind-right. She stands with her weight settled on her back foot, torso angled a little away from the lens so her very long orange hair — thick, loose, falling past her hips — spills down over her shoulder toward the viewer, a bright ribbon against the cream fabric of the long dress that wraps her large chest and gathers in the soft folds of the skirt. Behind her, the man is drawn up close, chest against her shoulder blades, painted armor and dark glove leather at his forearms; his long white hair is pulled back so a few strands fall beside his bearded jaw, and his yellow eyes are lowered, lids half shut, as his lips press to the slope of her throat where it rises from the dress collar. Both of his arms are wrapped around her front, forearms crossing low over her stomach, the gloves overlapping her dress with a slight compression in the cloth, her stomach drawn back against his waist. Her chin is turned sharply over her shoulder toward him, green eyes fixed on his face, one brow faintly raised and her lips half open; both of her arms are lifted and wrapped behind her, hands buried in the back of his hair, the white strands threading through her fingers. His nose brushes the underside of her jaw; her chest rises on an inhale that pulls the fabric taut across it. Light comes from a window behind and left of the camera at dusk — a low, warm orange-blue key striking the edge of her cheek, the side of her throat, and the flat planes of his shoulder, while the far side of both faces sinks into soft shadow, and his cast shadow falls across her back. The palette is held to cream, burnt orange and cool grey-white. Warm, tender, unhurried.
Nov 3, 2026 11:08 PM
AI artwork
Avatar image of Kylee Violette (Kiy Chan)
character: geralt_of_rivia 2girl, 1boy, geralt, white hair, long hair, beard, yellow eyes, tall, muscular male, woman, orange hair, very long hair, green eyes, long flowing fabric dress, floor-length dress, large breasts, man standing behind woman, from behind, over-shoulder composition, arms around waist, hands on stomach, kiss on neck, lips pressed to neck, head tilt, eyes half-closed, tender expression, looking at her, blush, romantic atmosphere, intimate, warm light, soft glow, close-up, upper body, profile, couple, embrace Over-shoulder composition from slightly above and behind the woman's right shoulder: the white-haired, bearded man stands directly behind her, his chest pressed flat to her back, chin lowered so his lips are sealed against the left side of her neck just under the jaw; his head tips down and toward the camera side, yellow eyes open and angled down along her cheek. Both his arms come forward under hers and cross low over her stomach, gloved forearms clamped flat against the dress fabric, one broad hand splayed wide over the far hip and the other hooked into the fabric at her near side so the cloth pulls taut into shallow folds between his fingers. She stands a half-step ahead of him, weight settled onto her left leg with the right knee eased forward, shoulders drawn back into his chest; her very long orange hair spills over her near shoulder and down across his forearm, a few strands caught between her neck and his mouth. Her face is turned in three-quarter profile toward the frame edge, chin lifted, eyelids low and green irises only half visible past her lashes, a faint closed-lip smile pulling one corner of her mouth, the edge of a blush high on her cheekbone. The long cream fabric dress covers her to the floor, bodice drawn tight across her large chest with the neckline dipping as his chin presses behind her jaw, sleeve fabric sleeve soft and creased at the elbow where her arm is trapped down inside his grip. Light comes from a single warm low lamp at frame-left, its pool landing on her cheekbone, the curve of her throat, the bridge of his nose and the ridges of his knuckles, while the right side of both faces falls into one continuous soft shadow that they share as they stand pressed together; no second source, the room's darkness absolute beyond a narrow falloff. Palette restricted to warm amber lamp light, cream of the dress, the copper-orange of her hair and the silver-white of his. A single revealer of the pressure between them: the dress fabric puckers into radiating wrinkles from his fingertips and the collar of her bodice bows outward where his chest presses against her back. Intimate, tender.
Nov 3, 2026 11:08 PM
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