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yu mochi

どこがセンシティブなのか！？

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Anzu Mazaki\(yu-gi-oh!\), face distorted in pain and screaming, looking up, arched back, legs spread, tearing up, drooling, sweaty skin, by ser shock, viser des, outstretched arms, duel monster, restrained, electricity, electrocution, intensely saturated lighting effects, luminous reflections, HDR-like contrast, vibrant color palette, glowing lights, vibrant reflections, surreal lighting, HDR effect, cinematic vividness, brown hair, blue eyes, ponytail, sleeveless shirt, pleated skirt, pink skirt, black thighhighs
Nov 4, 2026 10:19 PM
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character: c.c. 1girl, solo, large open book, open book, storybook, book illustration, three scenes on one spread, left page divided into two panels, upper panel, lower panel, right page single panel, long green hair, very long hair, yellow eyes, walking, street corner, city street, tea time, cafe interior, teacup, sitting, sexy outfit, entering love hotel, love hotel entrance, from behind, back view, night, neon, title on cover, "C.C.の休日", closed mouth, light smile, relaxed, seductive smile, half-closed eyes, looking to the side, looking back, cinematic lighting A large open book fills the frame, seen from slightly above at a three-quarter angle so both pages lie open in a shallow V toward the viewer, its spread catching one warm reading-lamp key from the upper left that falls across the gutter and leaves the outer edges of both pages in soft shadow; the dark, unlit surface the book rests on is the only thing beyond it. The left page is ruled into two horizontal panels: in the upper panel a beautiful woman with very long, flowing green hair and yellow eyes strolls along a city street corner in a white shirt and dress, mid-step with one heel just touching the pavement, long sleeves swinging, her gaze cast to the side down the street rather than at the viewer, her hair lifted in a light breeze and a neat small shadow pooled under her feet; in the lower panel below she sits at a small café table with a steaming teacup held in both hands near her lips, shoulders relaxed and bare above her white shirt, eyes half-closed in quiet enjoyment as the tea's steam curls and dissolves, warm daylight from an unseen window falling across the cup and her hands. On the right page, filling it edge to cover, she steps away through the entrance of a love hotel, seen from behind: a revealing, glamorous outfit clings to her silhouette, her very long green hair spills down her back, one hand pushes the glass door and the other trails the doorway frame, her head turned slightly so only the curve of her cheek and a sliver of her eye catch the entrance's pink neon glow, which washes the wet pavement in front of her and turns her shadow long and soft. Along the top of the book's cover the title is set in elegant lettering, "C.C.の休日", curving gently with the cover's surface; fine narrative text is printed in neat panels beneath each illustration, small enough to read as a story without being individually legible. The palette moves from soft, warm café ambers and street-daylight to the cool, saturated magenta and violet neons of the night entrance, bound together by the creamy paper and the book's dark leather cover. The ink of each illustration sits slightly into the paper's tooth, and the spine's shadow falls darkest exactly in the gutter.
Oct 26, 2026 1:24 PM
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