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はる

はる

0Takip Edilenler0Takipçi13Alınan Beğeniler
EserlerKoleksiyonlar
AI artwork
はる
character: arsene_(persona_5), amamiya_ren, copyright: persona_5 2boys, amamiya_ren, arsene_(persona_5), black hair, short hair, messy hair, hair between eyes, red eyes, glasses removed, bare face, no eyewear, both eyes fully visible, calm intense expression, closed mouth, black jacket, long sleeves, high collar, black pants, red gloves, one hand raised, holding mask, black domino mask, mask half-dissolving, mask crumbling into blue light, glowing mask shards, blue light particles, from side, three-quarter view, from below, low angle, looking at mask, arsene behind him, tall figure, black wings spread, black coat, red gloves, red eyes, glowing eyes, blue flames, blue fire enveloping, blue flame aura, materializing, solidifying form, translucent-to-solid, blue rim light, dark background, night, floating embers, dramatic, single light source The view is a low angle three-quarter shot from Ren's right side, tilting up so the night sky fills the top of the frame behind him. Ren stands in the foreground left of center, his weight shifted onto his right leg, torso turned a quarter toward the viewer while his head tips a little down and to his left — his red eyes fixed on the black domino mask in his raised right hand, not on the camera. Ren's bare face is unobstructed: black messy hair falls loose with strands between his brows, dark-rimmed glasses absent, both red eyes fully visible and narrowed in concentration, mouth a flat tense line. His black high-collared jacket sleeves are long, gloves red on both hands; the left hand is clenched at his side, fingers curled, wrist stiff. The mask hangs in his right hand between his fingertips and thumb, roughly a third of it already gone — the missing edge not torn but dissolving, its fragments lifted off the surface as bright blue motes drifting upward and to the right. From the mask's remaining rim a cold blue glow spills: it lights the inner curve of his fingers, the red glove's stitching, and the undersides of his jaw and cheekbone, leaving a small hard shadow under his chin. A thin curl of blue vapor trails off the dissolving edge like heat off a wick. Behind him and slightly to his right, Arsene towers into the frame: a lean tall figure in a long black coat, wide black wings spread and filling the upper right of the composition, red gloves catching the glow. He is caught halfway between vapor and flesh — the wingtips and the trailing coattails still thin and translucent, blue flame licking through them and small flames shedding off in strips that drift upward, while his torso, chest and mask-like face are already dense and opaque and solid. His face is the brightest thing in the image: a hard blue-white glare inside the eyes and behind the mask's white-line shapes, blue fire outlining his jaw and horns, so the flame reads as coming from within and wrapping outward. The pairing of the two bodies puts Ren's shoulder and raised mask in front of Arsene's left wing, the wing tip rising above and past Ren's head. Arsene's gaze drops toward Ren and the mask in his hand; Ren does not look back, absorbed in the dissolving object — the interaction carries through Arsene's downward stare and the glow spilling onto Ren's face. Light: one source, the blue summoning fire behind him. It rims Ren's hair, left shoulder and collar in cold blue and leaves his front in near-darkness; the mask adds a second small pool of blue on his fingers and throat. The environment is a featureless dark night void, no horizon, no ground details, only faint drifting blue embers and a scatter of falling ash-lit sparks; the sky is unlit deep blue-black so the flames are the only illumination and everything beyond their reach stays black. Palette held to black, deep blue-black and cold blue firelight, red only in Ren's eyes and both pairs of gloves. Clean cel-shaded anime rendering with crisp lineart, cool blue highlights, no grain. Ominous, charged.
Nov 2, 2026 10:39 PM
#Persona#Persona 5#Ren Amamiya
AI artwork
はる
character: arsene_(persona_5), amamiya_ren, copyright: persona_5 2boys, amamiya_ren, arsene_(persona_5), black hair, short hair, messy hair, hair between eyes, red eyes, glasses removed, bare face, no eyewear, both eyes fully visible, calm intense expression, closed mouth, black jacket, long sleeves, high collar, black pants, red gloves, one hand raised, holding mask, black domino mask, mask half-dissolving, mask crumbling into blue light, glowing mask shards, blue light particles, from side, three-quarter view, from below, low angle, looking at mask, arsene behind him, tall figure, black wings spread, black coat, red gloves, red eyes, glowing eyes, blue flames, blue fire enveloping, blue flame aura, materializing, solidifying form, translucent-to-solid, blue rim light, dark background, night, floating embers, dramatic, single light source The view is a low angle three-quarter shot from Ren's right side, tilting up so the night sky fills the top of the frame behind him. Ren stands in the foreground left of center, his weight shifted onto his right leg, torso turned a quarter toward the viewer while his head tips a little down and to his left — his red eyes fixed on the black domino mask in his raised right hand, not on the camera. Ren's bare face is unobstructed: black messy hair falls loose with strands between his brows, dark-rimmed glasses absent, both red eyes fully visible and narrowed in concentration, mouth a flat tense line. His black high-collared jacket sleeves are long, gloves red on both hands; the left hand is clenched at his side, fingers curled, wrist stiff. The mask hangs in his right hand between his fingertips and thumb, roughly a third of it already gone — the missing edge not torn but dissolving, its fragments lifted off the surface as bright blue motes drifting upward and to the right. From the mask's remaining rim a cold blue glow spills: it lights the inner curve of his fingers, the red glove's stitching, and the undersides of his jaw and cheekbone, leaving a small hard shadow under his chin. A thin curl of blue vapor trails off the dissolving edge like heat off a wick. Behind him and slightly to his right, Arsene towers into the frame: a lean tall figure in a long black coat, wide black wings spread and filling the upper right of the composition, red gloves catching the glow. He is caught halfway between vapor and flesh — the wingtips and the trailing coattails still thin and translucent, blue flame licking through them and small flames shedding off in strips that drift upward, while his torso, chest and mask-like face are already dense and opaque and solid. His face is the brightest thing in the image: a hard blue-white glare inside the eyes and behind the mask's white-line shapes, blue fire outlining his jaw and horns, so the flame reads as coming from within and wrapping outward. The pairing of the two bodies puts Ren's shoulder and raised mask in front of Arsene's left wing, the wing tip rising above and past Ren's head. Arsene's gaze drops toward Ren and the mask in his hand; Ren does not look back, absorbed in the dissolving object — the interaction carries through Arsene's downward stare and the glow spilling onto Ren's face. Light: one source, the blue summoning fire behind him. It rims Ren's hair, left shoulder and collar in cold blue and leaves his front in near-darkness; the mask adds a second small pool of blue on his fingers and throat. The environment is a featureless dark night void, no horizon, no ground details, only faint drifting blue embers and a scatter of falling ash-lit sparks; the sky is unlit deep blue-black so the flames are the only illumination and everything beyond their reach stays black. Palette held to black, deep blue-black and cold blue firelight, red only in Ren's eyes and both pairs of gloves. Clean cel-shaded anime rendering with crisp lineart, cool blue highlights, no grain. Ominous, charged.
Nov 2, 2026 10:39 PM
#Persona#Persona 5#Ren Amamiya
AI artwork
はる
character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, blue eyes, green skirt, white shirt, green vest, long hair, pink hair, pink eyes, mob cap, blue kimono, wide sleeves, triangular headpiece, from behind, over-shoulder composition, looking back, upper body, head tilt, light smile, half-closed eyes, indoors, wooden veranda, shoji screens, spring, petals, wind, backlight, warm palette Seen from behind and slightly off to one side, the two of them sit close together on the edge of a polished wooden veranda, and only their turned heads and shoulders are caught. The shorter one sits nearest the camera on the left: silver hair cropped short to the nape, a black hairband tied snug across the back of her head, the loose ends of a black ribbon lifting in the breeze, a green skirt folded under her knees, the white shirt and green vest pulled straight across her shoulders by the twist of her torso. She has swung her upper body back toward the frame, chin tipped up and turned over her right shoulder, one blue eye visible past the edge of her cheek, the corner of her mouth just barely lifted, one brow a fraction higher than the other; her gaze goes past the viewer, out over the garden behind the camera, as though answering a sound from off-frame. Her right hand rests flat on the veranda boards behind her hip, the heel of the palm taking her weight, fingertips slightly spread, the grain of the wood pressing a faint line into the skin. Her left hand hangs loose by the hem of her skirt, knuckles half closed. Beside her on the right, the taller one in the wide-sleeved blue kimono sits with her back to the camera and her shoulders angled a little away, so that only the far edge of her profile shows: a sliver of cheek, one pink eye only just visible past the swell of her hair, the triangular headpiece rising above the blue mob cap that sits a touch off centre. Her long pink hair falls in one unbroken sheet down the draped back of the kimono, a few strands lifted and carried sideways by the same moving air, the wide sleeve cuff on the far side flaring away from her arm. She has not turned; her chin is lifted, and the visible eye is looking up and off at something above the garden, with a mild, unhurried, faintly amused half-closed cast to it. Her hands are folded out of sight within the far sleeve, and one knee rests against the other's hip in a light, familiar contact. The camera sits low and close, at seated height, so their shoulders crowd the top of the frame while the veranda boards and the hanging hem of the kimono drop away beneath them; a few pale pink petals lie scattered on the wood in the foreground, sharp, and further out the garden falls soft. The light comes from behind them, low and warm: it rims the silver hair with a thin gold edge, threads the loose pink strands until they glow, and throws their long shadows forward onto the floorboards toward the lens, so that their faces sit in soft shade broken only by bounce from the polished wood. On every upward-facing surface — the hairband's knot, the flat top of the headpiece, the petal-holding boards, the curve of one shoulder — a fallen petal or a bright line of light has settled, and nowhere else. The palette is the honey of the wood, warm backlight, spring pink and the clean green-and-white of the nearer figure; nothing else is admitted. Quiet, companionable, sun-warmed.
Nov 2, 2026 10:39 PM
#Touhou Project#Yuyuko Saigyouji#Youmu Konpaku
AI artwork
はる
character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, blue eyes, green skirt, white shirt, green vest, long hair, pink hair, pink eyes, mob cap, blue kimono, wide sleeves, triangular headpiece, from behind, over-shoulder composition, looking back, upper body, head tilt, light smile, half-closed eyes, indoors, wooden veranda, shoji screens, spring, petals, wind, backlight, warm palette Seen from behind and slightly off to one side, the two of them sit close together on the edge of a polished wooden veranda, and only their turned heads and shoulders are caught. The shorter one sits nearest the camera on the left: silver hair cropped short to the nape, a black hairband tied snug across the back of her head, the loose ends of a black ribbon lifting in the breeze, a green skirt folded under her knees, the white shirt and green vest pulled straight across her shoulders by the twist of her torso. She has swung her upper body back toward the frame, chin tipped up and turned over her right shoulder, one blue eye visible past the edge of her cheek, the corner of her mouth just barely lifted, one brow a fraction higher than the other; her gaze goes past the viewer, out over the garden behind the camera, as though answering a sound from off-frame. Her right hand rests flat on the veranda boards behind her hip, the heel of the palm taking her weight, fingertips slightly spread, the grain of the wood pressing a faint line into the skin. Her left hand hangs loose by the hem of her skirt, knuckles half closed. Beside her on the right, the taller one in the wide-sleeved blue kimono sits with her back to the camera and her shoulders angled a little away, so that only the far edge of her profile shows: a sliver of cheek, one pink eye only just visible past the swell of her hair, the triangular headpiece rising above the blue mob cap that sits a touch off centre. Her long pink hair falls in one unbroken sheet down the draped back of the kimono, a few strands lifted and carried sideways by the same moving air, the wide sleeve cuff on the far side flaring away from her arm. She has not turned; her chin is lifted, and the visible eye is looking up and off at something above the garden, with a mild, unhurried, faintly amused half-closed cast to it. Her hands are folded out of sight within the far sleeve, and one knee rests against the other's hip in a light, familiar contact. The camera sits low and close, at seated height, so their shoulders crowd the top of the frame while the veranda boards and the hanging hem of the kimono drop away beneath them; a few pale pink petals lie scattered on the wood in the foreground, sharp, and further out the garden falls soft. The light comes from behind them, low and warm: it rims the silver hair with a thin gold edge, threads the loose pink strands until they glow, and throws their long shadows forward onto the floorboards toward the lens, so that their faces sit in soft shade broken only by bounce from the polished wood. On every upward-facing surface — the hairband's knot, the flat top of the headpiece, the petal-holding boards, the curve of one shoulder — a fallen petal or a bright line of light has settled, and nowhere else. The palette is the honey of the wood, warm backlight, spring pink and the clean green-and-white of the nearer figure; nothing else is admitted. Quiet, companionable, sun-warmed.
Nov 2, 2026 10:39 PM
#Touhou Project#Yuyuko Saigyouji#Youmu Konpaku
AI artwork
はる
character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, blue eyes, green skirt, white shirt, green vest, long hair, pink hair, pink eyes, mob cap, blue kimono, wide sleeves, triangular headpiece, from behind, over-shoulder composition, looking back, upper body, head tilt, light smile, half-closed eyes, indoors, wooden veranda, shoji screens, spring, petals, wind, backlight, warm palette Seen from behind and slightly off to one side, the two of them sit close together on the edge of a polished wooden veranda, and only their turned heads and shoulders are caught. The shorter one sits nearest the camera on the left: silver hair cropped short to the nape, a black hairband tied snug across the back of her head, the loose ends of a black ribbon lifting in the breeze, a green skirt folded under her knees, the white shirt and green vest pulled straight across her shoulders by the twist of her torso. She has swung her upper body back toward the frame, chin tipped up and turned over her right shoulder, one blue eye visible past the edge of her cheek, the corner of her mouth just barely lifted, one brow a fraction higher than the other; her gaze goes past the viewer, out over the garden behind the camera, as though answering a sound from off-frame. Her right hand rests flat on the veranda boards behind her hip, the heel of the palm taking her weight, fingertips slightly spread, the grain of the wood pressing a faint line into the skin. Her left hand hangs loose by the hem of her skirt, knuckles half closed. Beside her on the right, the taller one in the wide-sleeved blue kimono sits with her back to the camera and her shoulders angled a little away, so that only the far edge of her profile shows: a sliver of cheek, one pink eye only just visible past the swell of her hair, the triangular headpiece rising above the blue mob cap that sits a touch off centre. Her long pink hair falls in one unbroken sheet down the draped back of the kimono, a few strands lifted and carried sideways by the same moving air, the wide sleeve cuff on the far side flaring away from her arm. She has not turned; her chin is lifted, and the visible eye is looking up and off at something above the garden, with a mild, unhurried, faintly amused half-closed cast to it. Her hands are folded out of sight within the far sleeve, and one knee rests against the other's hip in a light, familiar contact. The camera sits low and close, at seated height, so their shoulders crowd the top of the frame while the veranda boards and the hanging hem of the kimono drop away beneath them; a few pale pink petals lie scattered on the wood in the foreground, sharp, and further out the garden falls soft. The light comes from behind them, low and warm: it rims the silver hair with a thin gold edge, threads the loose pink strands until they glow, and throws their long shadows forward onto the floorboards toward the lens, so that their faces sit in soft shade broken only by bounce from the polished wood. On every upward-facing surface — the hairband's knot, the flat top of the headpiece, the petal-holding boards, the curve of one shoulder — a fallen petal or a bright line of light has settled, and nowhere else. The palette is the honey of the wood, warm backlight, spring pink and the clean green-and-white of the nearer figure; nothing else is admitted. Quiet, companionable, sun-warmed.
Nov 2, 2026 10:39 PM
#Touhou Project#Yuyuko Saigyouji#Youmu Konpaku
AI artwork
はる
character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, blue eyes, green skirt, white shirt, green vest, long hair, pink hair, pink eyes, mob cap, blue kimono, wide sleeves, triangular headpiece, from behind, over-shoulder composition, looking back, upper body, head tilt, light smile, half-closed eyes, indoors, wooden veranda, shoji screens, spring, petals, wind, backlight, warm palette Seen from behind and slightly off to one side, the two of them sit close together on the edge of a polished wooden veranda, and only their turned heads and shoulders are caught. The shorter one sits nearest the camera on the left: silver hair cropped short to the nape, a black hairband tied snug across the back of her head, the loose ends of a black ribbon lifting in the breeze, a green skirt folded under her knees, the white shirt and green vest pulled straight across her shoulders by the twist of her torso. She has swung her upper body back toward the frame, chin tipped up and turned over her right shoulder, one blue eye visible past the edge of her cheek, the corner of her mouth just barely lifted, one brow a fraction higher than the other; her gaze goes past the viewer, out over the garden behind the camera, as though answering a sound from off-frame. Her right hand rests flat on the veranda boards behind her hip, the heel of the palm taking her weight, fingertips slightly spread, the grain of the wood pressing a faint line into the skin. Her left hand hangs loose by the hem of her skirt, knuckles half closed. Beside her on the right, the taller one in the wide-sleeved blue kimono sits with her back to the camera and her shoulders angled a little away, so that only the far edge of her profile shows: a sliver of cheek, one pink eye only just visible past the swell of her hair, the triangular headpiece rising above the blue mob cap that sits a touch off centre. Her long pink hair falls in one unbroken sheet down the draped back of the kimono, a few strands lifted and carried sideways by the same moving air, the wide sleeve cuff on the far side flaring away from her arm. She has not turned; her chin is lifted, and the visible eye is looking up and off at something above the garden, with a mild, unhurried, faintly amused half-closed cast to it. Her hands are folded out of sight within the far sleeve, and one knee rests against the other's hip in a light, familiar contact. The camera sits low and close, at seated height, so their shoulders crowd the top of the frame while the veranda boards and the hanging hem of the kimono drop away beneath them; a few pale pink petals lie scattered on the wood in the foreground, sharp, and further out the garden falls soft. The light comes from behind them, low and warm: it rims the silver hair with a thin gold edge, threads the loose pink strands until they glow, and throws their long shadows forward onto the floorboards toward the lens, so that their faces sit in soft shade broken only by bounce from the polished wood. On every upward-facing surface — the hairband's knot, the flat top of the headpiece, the petal-holding boards, the curve of one shoulder — a fallen petal or a bright line of light has settled, and nowhere else. The palette is the honey of the wood, warm backlight, spring pink and the clean green-and-white of the nearer figure; nothing else is admitted. Quiet, companionable, sun-warmed.
Nov 2, 2026 10:39 PM
#Touhou Project#Yuyuko Saigyouji#Youmu Konpaku
AI artwork
はる
character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, black ribbon, blue eyes, green eyes, white shirt, green vest, green skirt, pink hair, pink eyes, mob cap, triangular headpiece, blue kimono, wide sleeves, frills, from below, dutch angle, sitting, leaning back, head tilt, looking at another, light smile, half-closed eyes, teacup, holding cup, hand on own knee, bare earlobes, hair unadorned apart from ribbon and hairband, wooden veranda, cherry petals, spring afternoon, The camera sits low at the edge of a wooden veranda, tilted a few degrees off level, looking up at the two of them against a sky that has gone soft and pale with spring. On the right, a short young woman with silver-white hair cut to her jaw sits with her legs folded under her on the planking, her black hairband and the long black ribbon at the back of her head lifting slightly in the breeze; she wears a white shirt buttoned to the throat under a green vest, her green skirt spread in a fan around her knees, one hand braced flat on the wood behind her hip for balance while the other rests loosely on her own knee. She has turned her face up and to her left, chin lifted, one eyebrow slightly raised, her mouth pulled into a small tolerant half-smile, her blue-green eyes fixed on the woman beside her. On the left, taller even seated, a woman with short pink hair and pink eyes leans back on both hands, elbows locked, weight carried on her palms flat against the boards, her blue kimono with its wide sleeves and frilled hem pooling around her; the big blue mob cap with its triangular headpiece sits tilted back on her head, and her face is turned down toward the younger woman with her eyelids half lowered and a light, unhurried smile, her gaze landing on the other's upturned face. Both earlobes are bare, her hair unadorned except for the ribbon and hairband, the other's only ornament the cap and headpiece. Between them, near the pink-haired woman's knee, a teacup sits on the wood with a faint wisp of steam bending toward the younger woman; its surface trembles in one small ring where the veranda board gives under a shifting weight. The light comes from low behind the two of them, a warm afternoon sun through cherry branches off frame, so it rims the white hair and the blue cap with a bright edge, throws long soft shadows of both figures toward the camera along the grain of the planks, and leaves their faces in gentle reflected fill bounced up off the pale wood; cherry petals have settled only on the upward-facing surfaces -- the flat of the mob cap, the shoulders of the green vest, the rim of the cup, the boards themselves -- and none cling to vertical cloth. Petals drift across the foreground, several of them large and blurred close to the lens. The palette is held to the two of them and the wood: silver-white and black ribbon, green vest and skirt, pink hair and blue kimono, all resting on the warm honey of the veranda and the washed white-pink of the sky, nothing else admitted. Quiet, unhurried, a lazy spring afternoon.
Nov 2, 2026 10:39 PM
#Touhou Project#Yuyuko Saigyouji#Youmu Konpaku
AI artwork
はる
character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, black ribbon, blue eyes, green eyes, white shirt, green vest, green skirt, pink hair, pink eyes, mob cap, triangular headpiece, blue kimono, wide sleeves, frills, from below, dutch angle, sitting, leaning back, head tilt, looking at another, light smile, half-closed eyes, teacup, holding cup, hand on own knee, bare earlobes, hair unadorned apart from ribbon and hairband, wooden veranda, cherry petals, spring afternoon, The camera sits low at the edge of a wooden veranda, tilted a few degrees off level, looking up at the two of them against a sky that has gone soft and pale with spring. On the right, a short young woman with silver-white hair cut to her jaw sits with her legs folded under her on the planking, her black hairband and the long black ribbon at the back of her head lifting slightly in the breeze; she wears a white shirt buttoned to the throat under a green vest, her green skirt spread in a fan around her knees, one hand braced flat on the wood behind her hip for balance while the other rests loosely on her own knee. She has turned her face up and to her left, chin lifted, one eyebrow slightly raised, her mouth pulled into a small tolerant half-smile, her blue-green eyes fixed on the woman beside her. On the left, taller even seated, a woman with short pink hair and pink eyes leans back on both hands, elbows locked, weight carried on her palms flat against the boards, her blue kimono with its wide sleeves and frilled hem pooling around her; the big blue mob cap with its triangular headpiece sits tilted back on her head, and her face is turned down toward the younger woman with her eyelids half lowered and a light, unhurried smile, her gaze landing on the other's upturned face. Both earlobes are bare, her hair unadorned except for the ribbon and hairband, the other's only ornament the cap and headpiece. Between them, near the pink-haired woman's knee, a teacup sits on the wood with a faint wisp of steam bending toward the younger woman; its surface trembles in one small ring where the veranda board gives under a shifting weight. The light comes from low behind the two of them, a warm afternoon sun through cherry branches off frame, so it rims the white hair and the blue cap with a bright edge, throws long soft shadows of both figures toward the camera along the grain of the planks, and leaves their faces in gentle reflected fill bounced up off the pale wood; cherry petals have settled only on the upward-facing surfaces -- the flat of the mob cap, the shoulders of the green vest, the rim of the cup, the boards themselves -- and none cling to vertical cloth. Petals drift across the foreground, several of them large and blurred close to the lens. The palette is held to the two of them and the wood: silver-white and black ribbon, green vest and skirt, pink hair and blue kimono, all resting on the warm honey of the veranda and the washed white-pink of the sky, nothing else admitted. Quiet, unhurried, a lazy spring afternoon.
Nov 2, 2026 10:39 PM
#Touhou Project#Yuyuko Saigyouji#Youmu Konpaku
AI artwork
はる
character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, black ribbon, blue eyes, green eyes, white shirt, green vest, green skirt, pink hair, pink eyes, mob cap, triangular headpiece, blue kimono, wide sleeves, frills, from below, dutch angle, sitting, leaning back, head tilt, looking at another, light smile, half-closed eyes, teacup, holding cup, hand on own knee, bare earlobes, hair unadorned apart from ribbon and hairband, wooden veranda, cherry petals, spring afternoon, The camera sits low at the edge of a wooden veranda, tilted a few degrees off level, looking up at the two of them against a sky that has gone soft and pale with spring. On the right, a short young woman with silver-white hair cut to her jaw sits with her legs folded under her on the planking, her black hairband and the long black ribbon at the back of her head lifting slightly in the breeze; she wears a white shirt buttoned to the throat under a green vest, her green skirt spread in a fan around her knees, one hand braced flat on the wood behind her hip for balance while the other rests loosely on her own knee. She has turned her face up and to her left, chin lifted, one eyebrow slightly raised, her mouth pulled into a small tolerant half-smile, her blue-green eyes fixed on the woman beside her. On the left, taller even seated, a woman with short pink hair and pink eyes leans back on both hands, elbows locked, weight carried on her palms flat against the boards, her blue kimono with its wide sleeves and frilled hem pooling around her; the big blue mob cap with its triangular headpiece sits tilted back on her head, and her face is turned down toward the younger woman with her eyelids half lowered and a light, unhurried smile, her gaze landing on the other's upturned face. Both earlobes are bare, her hair unadorned except for the ribbon and hairband, the other's only ornament the cap and headpiece. Between them, near the pink-haired woman's knee, a teacup sits on the wood with a faint wisp of steam bending toward the younger woman; its surface trembles in one small ring where the veranda board gives under a shifting weight. The light comes from low behind the two of them, a warm afternoon sun through cherry branches off frame, so it rims the white hair and the blue cap with a bright edge, throws long soft shadows of both figures toward the camera along the grain of the planks, and leaves their faces in gentle reflected fill bounced up off the pale wood; cherry petals have settled only on the upward-facing surfaces -- the flat of the mob cap, the shoulders of the green vest, the rim of the cup, the boards themselves -- and none cling to vertical cloth. Petals drift across the foreground, several of them large and blurred close to the lens. The palette is held to the two of them and the wood: silver-white and black ribbon, green vest and skirt, pink hair and blue kimono, all resting on the warm honey of the veranda and the washed white-pink of the sky, nothing else admitted. Quiet, unhurried, a lazy spring afternoon.
Nov 2, 2026 10:39 PM
#Touhou Project#Yuyuko Saigyouji#Youmu Konpaku
AI artwork
はる
character: saigyouji_yuyuko, konpaku_youmu 2girls, konpaku_youmu, saigyouji_yuyuko, short hair, silver hair, black hairband, black ribbon, blue eyes, green eyes, white shirt, green vest, green skirt, pink hair, pink eyes, mob cap, triangular headpiece, blue kimono, wide sleeves, frills, from below, dutch angle, sitting, leaning back, head tilt, looking at another, light smile, half-closed eyes, teacup, holding cup, hand on own knee, bare earlobes, hair unadorned apart from ribbon and hairband, wooden veranda, cherry petals, spring afternoon, The camera sits low at the edge of a wooden veranda, tilted a few degrees off level, looking up at the two of them against a sky that has gone soft and pale with spring. On the right, a short young woman with silver-white hair cut to her jaw sits with her legs folded under her on the planking, her black hairband and the long black ribbon at the back of her head lifting slightly in the breeze; she wears a white shirt buttoned to the throat under a green vest, her green skirt spread in a fan around her knees, one hand braced flat on the wood behind her hip for balance while the other rests loosely on her own knee. She has turned her face up and to her left, chin lifted, one eyebrow slightly raised, her mouth pulled into a small tolerant half-smile, her blue-green eyes fixed on the woman beside her. On the left, taller even seated, a woman with short pink hair and pink eyes leans back on both hands, elbows locked, weight carried on her palms flat against the boards, her blue kimono with its wide sleeves and frilled hem pooling around her; the big blue mob cap with its triangular headpiece sits tilted back on her head, and her face is turned down toward the younger woman with her eyelids half lowered and a light, unhurried smile, her gaze landing on the other's upturned face. Both earlobes are bare, her hair unadorned except for the ribbon and hairband, the other's only ornament the cap and headpiece. Between them, near the pink-haired woman's knee, a teacup sits on the wood with a faint wisp of steam bending toward the younger woman; its surface trembles in one small ring where the veranda board gives under a shifting weight. The light comes from low behind the two of them, a warm afternoon sun through cherry branches off frame, so it rims the white hair and the blue cap with a bright edge, throws long soft shadows of both figures toward the camera along the grain of the planks, and leaves their faces in gentle reflected fill bounced up off the pale wood; cherry petals have settled only on the upward-facing surfaces -- the flat of the mob cap, the shoulders of the green vest, the rim of the cup, the boards themselves -- and none cling to vertical cloth. Petals drift across the foreground, several of them large and blurred close to the lens. The palette is held to the two of them and the wood: silver-white and black ribbon, green vest and skirt, pink hair and blue kimono, all resting on the warm honey of the veranda and the washed white-pink of the sky, nothing else admitted. Quiet, unhurried, a lazy spring afternoon.
Nov 2, 2026 10:39 PM
#Touhou Project#Yuyuko Saigyouji#Youmu Konpaku
AI artwork
はる
character: arsene_(persona_5), amamiya_ren, copyright: persona_5 2boys, amamiya_ren, arsene_(persona_5), black hair, short hair, hair between eyes, red eyes, glasses removed, bare eyes, no glasses, black jacket, long sleeves, red gloves, black pants, summoning, mask, half-dissolved mask, glowing mask, blue light, blue glow, mask fading, arsene materializing, black wings, black coat, red gloves, translucent lower body, semi-transparent legs, from below, dutch angle, dynamic pose, outstretched arm, clenched fist, wind, floating hair, coat billowing, looking at another, serious expression, gritted teeth, night, dark background, blue and red palette, high contrast, dramatic lighting, particles of light from a low dutch angle, the black-haired boy fills the left of the frame, his head thrown back and his teeth bared in the strain of the summoning; he stands with his weight on his right leg, left hip pushed forward, left arm flung out wide to the side with the red-gloved hand clenched into a fist, right hand pressed flat over where the mask meets his cheek. On his face a black phantom mask is half gone — its left half still solid tile-black around a visible eye, its right half burning away into thin blue embers that slide off his jaw and drift upward, dissolving into the air before they reach his shoulder. His red eyes are completely bare and unobstructed, no frames, no lenses, no arms across his temples, every line of the eyes and the skin around them open to the blue light spilling off the disintegrating mask. Behind him and to the right, his coat splitting into two long swallow-tailed points that flare outward, Arsene towers into the frame out of the darkness, his torso fully realized — black coat, black feathered wings spread wide and crackling with blue edge-light across the leading vanes, a red-gloved hand raised beside the boy's shoulder — while from the waist down his body thins into translucency, dark trousers and boots ghosting into the night so the pavement's wet highlights read straight through his shins and the sharp line of his hip dissolves like smoke. His red eyes look down at the boy; the boy's eyes are fixed forward and off-frame at the point the summoning is aimed. The summoning is the only light source: blue fire pouring off the vanishing half of the mask, and it strikes the boy's visible left cheek, the wet edge of his eye, the raised crests of Arsene's wings and none of the space between them, so the darkness behind the two figures is absolute and the ground below holds a single cold blue pool that fades to nothing at the frame's lower edge. A few blue embers fall faster than they rise, one of them arcing back down to die out on the asphalt. Palette holds to black, cold blue and the deep arterial red of the gloves, nothing else admitted. The moment is one caught halfway through becoming.
Nov 1, 2026 9:18 AM
#Persona#Persona 5#Ren Amamiya
AI artwork
はる
character: arsene_(persona_5), amamiya_ren, copyright: persona_5 1boy, amamiya_ren, black hair, short hair, messy hair, hair between eyes, red eyes, black eyes, bare face, no glasses, clear unobstructed eyes, black jacket, long sleeves, shirt, pants, red gloves, one hand holding mask, mask, arsene_(persona_5), black hair, red eyes, yellow eyes, black wings, wings, wings spread, gloves, red gloves, jacket, coat, standing, close-up, from below, dutch angle, looking at viewer, serious expression, half-closed eyes, floating mask, black feathers falling, dark background, red glowing accents, The camera sits low and rolls slightly — a dutch angle tipping the horizon as the lens looks from below. A young man with messy short black hair stands in three-quarter view, his face completely bare, unframed by any spectacles, both eyes fully visible and unobstructed; his red eyes are half-lidded, fixed on the viewer with a calm, faintly challenging stare. His weight rests on his rear hip, one shoulder dropped, so the black jacket's long sleeves hang loose, and one gloved hand is raised before his chest, fingers curled around the white, dark-eyed mask he has pulled away from his face — the mask's black eye-rims tilted toward the lens, showing a hairline crack and a thumb pressed firmly on its inner edge. On the other side of the frame, rising behind his shoulder and partially occluded by it, a tall winged figure in a black coat and jacket looms: broad red-gloved hands at rest, black wings sweeping wide and up and out of crop, red eyes and a pair of yellow eyes glinting, black hair flaring. The winged one's gaze cuts across toward the mask rather than the lens, and stray black feathers drift and turn in the air between them, hanging where the rising current holds them. The lone cold key light comes from below and off the right, catching the mask's white surface, the underside of the young man's jaw and chin, and the leading edges of each feather, while the eyes and coat fall into shadow; a hard red glow from off-frame rims both silhouette edges. Palette is disciplined: black, white and skin tones with red as the sole accent, landing on the glow, the winged figure's eyes, and the mask's dark eyes. A faint shadow drops where the mask's thumb dents its paper-thin surface, sharpest down the brightest edge (single-variable physics of the mask catching the underside light). The black ground stays empty beyond the two of them. Ominous and magnetic.
Nov 1, 2026 8:54 AM
#Persona#Persona 5#Ren Amamiya
AI artwork
はる
character: arsene_(persona_5), amamiya_ren, copyright: persona_5 1boy, amamiya_ren, black hair, messy black hair, hair between eyes, short hair, red eyes, bare face, no glasses, eyes fully visible, black mask, domino mask, long black coat, high collar, black gloves, mid-summon, arm outstretched, tearing at the air, arsene_(persona_5), black wings, huge spread wings, red eyes, yellow eyes, black coat, red gloves, summoned, from below, dutch angle, foreshortening, looking up, open mouth, shouting, night, rooftop, rain, wet hair, floating feathers, blue flame aura, dramatic light, dark palette, high contrast From a low, tilted camera looking up, Ren Amamiya fills the lower right of the frame, feet braced apart on the wet rooftop, weight sunk into his back leg, right arm thrust forward and upward with the gloved hand clawed open as if ripping a seam in the air itself. His bare face is angled up and slightly to the left, both red eyes wide and fully exposed between the messy black fringe that clings in wet strands across his forehead -- no glasses, nothing over the bridge of his nose, the black domino mask sitting above his cheekbones and eyes wholly clear of it. The long black coat snaps back and to the right off his shoulders, its high collar pushed at by the updraught, hem cracking in the rain. His mouth is open mid-shout, chin lifted, jaw tight, a fine rain running down his temple. Above and behind him Arsene erupts into the upper left of the frame, wings thrown wide so the leading edge of the near wing cuts diagonally across the sky and its far wing sweeps off-frame past the top left corner, oversized in perspective from this angle. The Persona's red-gloved hands are spread and low, coat and black feathers billowing, its red-yellow eyes fixed down on the rooftop, while Ren's gaze cuts up and across to the point where the summoning tears open -- a ragged vertical seam of blue-white flame that rips at the level of his outstretched claws, its light thrown back into his face and falling off his shoulders onto the wet concrete. The environment is a bare rooftop at night: low parapet and a chain-link railing behind, distant city blocks reduced to blurred dark rectangles and scattered lit windows below the roofline, rain falling in sheeted diagonal streaks. The blue flame is the only strong light source; it rims Ren's hair, the coat's edge and the underside of Arsene's wings in cold blue-white, casts a hard shadow behind Ren's legs smeared and broken on the wet ground, and leaves the sky and the far city in near-black. Palette: black, wet charcoal, blue-white flame, and the two pairs of red -- Ren's eyes and Arsene's gloves -- as the only warm notes. Feathers torn loose from the wings drift down past the parapet, and the rain streaks visibly bend and gust outward around the opening seam. Cold, electrical, triumphant.
Nov 1, 2026 8:54 AM
#Persona#Persona 5#Ren Amamiya
AI artwork
はる
character: arsene_(persona_5), amamiya_ren, copyright: persona_5 2boys, amamiya_ren, arsene_(persona_5), black hair, short hair, hair between eyes, bare face, no glasses, bare unobstructed eyes, both eyes visible, red eyes, black jacket, long sleeves, shirt, pants, red gloves, mid-summoning, summoning, blue glowing mask, glowing mask, mask in hand, blue light fading, fading light, luminous particles, arsene materializing, wings, black wings, red eyes, yellow eyes, coat, red gloves, partially transparent, translucent body, solidifying, from below, dutch angle, foreshortening, looking at another, outstretched arm, standing, wind, night, dark background, blue and red palette, dramatic lighting, high contrast, cinematic Low-angle two-shot, camera tilted a few degrees off level and set close to the ground so both figures tower: from this angle the boy's jaw and throat catch the last of the blue glow while the winged figure behind and above him swells against an empty black sky. The boy — short black hair falling in strands between his eyes, no eyewear at all, both eyes bare and unobstructed and wide open, dark red irises catching a bright blue reflection — stands in the left foreground, weight shifted onto his back foot, torso twisted half toward the viewer's right, his right arm flung out and across his chest with the red-gloved palm open, the mask resting in that open palm at sternum height. The mask is a pale bone-white face-shaped shell, and its blue light is already going out: the glow gathers only along its lower rim and the eye slits, dims toward the crown, and sheds a stream of blue embers that drift upward and to the right, thinning into nothing before they reach the second figure. The boy's gaze is fixed up and to the right, on the thing taking shape, his brow drawn, lips parted on a breath he is still holding, jacket hem and shirt collar pulled sideways by a wind that comes from the winged figure's direction. The summoned figure occupies the right and rear of the frame, made nearly tangible and not yet finished: at his boots and the lower edges of his long black coat the body still thins into translucent smoke, that smoke dragging to the right and breaking into loose motes, while the coat's shoulders, the high collar, the red gloves and the hooked black wings above them have already resolved into hard, opaque black with a thin blue rim light along every upper contour — the transformation from mist to matter runs bottom-left to top-right across his body. His head is turned down and to the left toward the boy, red-yellow eyes lit from within and their shine the brightest thing in the coat's dark mass, and both wings are half-spread and still forming, the nearer one sweeping forward over the boy's shoulder without touching it. The mask's blue is the only light striking the boy; the winged figure supplies his own faint red underglow from the chest and eye line, so the ground beneath them holds two separate cold pools — a dying blue at the boy's feet, a red bloom under the winged figure — that overlap only where the embers cross. Nothing else is lit; behind them the background is pure black with a scatter of blue and red motes suspended in the air. Palette stays on blue, red, black and the pale bone of the mask, and the only texture worth naming is the contrast between the finished hard edges of the manifested upper body and the granular dissolve at its hems. Summoning's last instant, charged and cold.
Nov 1, 2026 8:54 AM
#Persona#Persona 5#Ren Amamiya
AI artwork
はる
A half-body digital anime illustration of the character from image1, revealing her torso while keeping her face and hairstyle unchanged. She has messy light green hair with a side braid, yellow eyes, a blush, and an open-mouth smile. She wears pink 'P' and blue 'Q' hair clips, a black studded choker, a white short-sleeved jacket with patches, a light green shirt, and a dark lanyard. Both hands are raised in peace signs, with colorful wristbands on her right wrist. The white background is festive, filled with colorful bunting, scattered confetti, and floating geometric shapes. The art style stays the same as the input image1.
Oct 27, 2026 6:01 AM
AI artwork
はる
character: velkhana, valstrax, copyright: monster_hunter_(series) two monsters, velkhana, kushala daora, four legs, quadrupedal, dragon, dragon wings, dragon tail, blue scales, white scales, sharp claws, ice aura, freezing mist, dragon energy aura, dark red-black haze, facing each other, head-on confrontation, powerful presence, imposing, from below, low angle, wide shot, landscape background, natural scenery, rocky plateau, distant mountains, overcast sky, no humans, no text A wide low-angle shot looking up from ground level across a bare rocky plateau, so both creatures tower against the sky in an opposed standoff, their bodies facing each other in profile-to-three-quarter turn. On the left, the ice dragon stands squarely on four legs, low-slung and heavy, its long neck arched forward, head thrust toward its opponent with jaw slightly parted; its white and pale-blue scales catch a rim of cold light, a pale circlet-like crest of ice sits between its horns, and a long sharp-tipped tail sweeps back behind it, its tip raised off the ground in a slow counterbalance. Sheath of freezing air clings to its whole body: frost feathers along the shoulders, a visible plume of vapour rolling off its flanks and dripping downward, thin ice crystals forming on the rock directly beneath its belly and claws, and the air behind it optically hazed by the cold. On the right, the steel-scaled dragon answers on four legs, wings half-furled and peeling away from its shoulders, neck drawn back and chin lowered, eyes fixed forward; a churning dragon-energy haze wraps its body, dark red-black currents coiling up its legs and ribs and streaming back off the wing edges, the aura dimming the ground beneath it into a hot murky shadow. Both pairs of eyes lock on each other across the gap between them; each head is turned slightly toward the opposing creature. The two auras meet in the space between them: the cold air and the dark energy curl against each other in a visible seam of condensing mist and hot shimmering distortion. The lighting is an even overcast daylight from high behind the camera, flat silver on the scales, with the auras themselves as secondary sources -- cold blue-white on the left flank of the ice dragon, dull red on the right side of the steel dragon -- and long soft shadows cast back from each creature onto the rock. Background: a natural, open alpine plateau, banded stone and sparse wind-bent grass at the creatures' feet, weathered ridges stepping back into the distance, a far treeline and misted mountain peaks under a low cloud ceiling, no structures and no figures. Palette of white-blue and frost silver against steel grey, dark teal and ember red, the rock a muted ochre-grey. Scales rendered with crisp overlapping plate edges, condensation and aura motion rendered as soft volumetric wisps. Immense, confrontational.
Oct 23, 2026 5:40 AM
#Monster Hunter#Monster Hunter: World
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