Sign up for free and get 10,000 credits instantly

Starter credits for new creators, added to your account on the day you sign up.

Server Maintenance Complete — Server maintenance is now complete, and generation speeds for SDXL and Tsubaki.1 tasks are back to normal. Tasks that we…

View details
Avatar image of orcafort#0

orcafort#0

15Takip Edilenler596Takipçi47.53kAlınan Beğeniler
EserlerKoleksiyonlar
AI artwork
Avatar image of orcafort#0
A womam sitting on a marble throne, throne room, column lineup, close up, foreshortening, mejiro ramonu (umamusume), animal ears, horse ears, horse girl, multicolored hair, black hair, streaked hair, purple eyes, long hair, white hair, mole, mole under eye, hair bun, ear ornament, hair between eyes, two-tone hair, hair ornament, blue eyes, jewelry, (umamusume), ancient greek clothes, laurel crown, from above, head tilt, hand on own chin, chin,marble floor, , fruit, crossed legs, barefoot,anklet, berry, berries,golden apple, red apple,green grapes,blue sky, cloud, ocean,
Nov 4, 2026 1:41 PM
AI artwork
Avatar image of orcafort#0
A womam sitting on a marble throne, throne room, column lineup, close up, foreshortening, mejiro ramonu (umamusume), animal ears, horse ears, horse girl, multicolored hair, black hair, streaked hair, purple eyes, long hair, white hair, mole, mole under eye, hair bun, ear ornament, hair between eyes, two-tone hair, hair ornament, blue eyes, jewelry, (umamusume), ancient greek clothes, laurel crown, from above, peacock feathers, lily (flower), head tilt, hand on own chin, chin,reflective floor, fountain, fruit,
Nov 4, 2026 1:25 PM
AI artwork
Avatar image of orcafort#0
character: shinomiya_kaguya 1girl, solo, shinomiya_kaguya, black hair, short hair, parted bangs, sidelocks, folded ponytail, hair ribbon, red ribbon, red eyes, miko, white kimono, red hakama, barefoot, soles, foot sole, bare feet, standing, holding, red lightsaber, glowing blade, facing away, from behind, from below, looking up, standing on pier, wooden pier planks, kraken, giant squid monster, slimy monster, slimy tentacles, wet slime, tentacle, night, dark water, horror, dutch angle, foreshortening, cinematic lighting, masterpiece, highres Seen from behind and from below, the camera set at the near edge of the pier and tilted up so the boards rush away toward the horizon in long converging lines: a single young woman stands at the far end of the pier with her back to the lens, feet planted wide apart and bare on the wet planks, and the low angle throws her heels and the arched soles of both feet into the foreground, the near sole lifted slightly as she rocks onto the ball of her right foot. Her short black hair is gathered into a folded ponytail at the back of her head, tied with a red ribbon whose two tails stream out sideways; parted bangs and long sidelocks frame a head she has not turned. She wears a white kimono with its collar squared at the nape and a red hakama whose pleats hang straight to her ankles, the cords crossing her lower back. Her right arm is raised across her body, and the red lightsaber in her hand throws a hard crimson blade up and out to her upper left, the hilt gripped tight with white knuckles; the blade's red glow rims her sleeve and the underside of her jaw and lays a long red smear along the wet boards under her feet. Beyond her, filling the upper half of the frame, the kraken rears out of black water: a huge soft body glistening with slime, one thick tentacle slapping down onto the pier's edge so the planks bounce and water sheets off it, a second tentacle curling up behind her head. She faces it squarely, chin up, her whole weight forward, and the crimson edge light catches the slime running down the tentacle nearest her. Only the lightsaber and the faint cold sheen of the moon on wet slime and wet wood light the scene; everything past the pier's end falls into absolute black. Palette of deep black water and sky, wet near-black timber, the white of the kimono and the saturated red of hakama, ribbon and blade, with the kraken's slick purplish-grey flesh reading only as reflected highlights. Wet wood grain, beaded slime, and the tension of a standoff -- quiet dread.
Nov 4, 2026 1:24 PM
AI artwork
Avatar image of orcafort#0
A womam sitting on a marble throne, throne room, column lineup, close up, foreshortening, mejiro ramonu (umamusume), animal ears, horse ears, horse girl, multicolored hair, black hair, streaked hair, purple eyes, long hair, white hair, mole, mole under eye, hair bun, ear ornament, hair between eyes, two-tone hair, hair ornament, blue eyes, jewelry, (umamusume), ancient greek clothes, laurel crown, from above, head tilt, hand on own chin, chin,748cmstyle,((Anime illustration)) ((Incarnate detail)) ((Masterpiece)) ((Highest quality)),ancient greek clothes, greco-roman clothes, laurel crown, armlet, gold choker,,marble floor, , fruit, crossed legs, barefoot,anklet, berry, berries,golden apple, red apple,green grapes,blue sky, cloud,
Nov 4, 2026 8:59 AM
AI artwork
Avatar image of orcafort#0
character: mejiro_ramonu_(umamusume), copyright: umamusume 1girl, mejiro ramonu (umamusume), solo, horse ears, multicolored hair, black hair, white hair, hair bun, purple eyes, horse tail, laurel crown, ancient greek clothes, white chiton, himation, gold laurel wreath, sitting on marble throne, throne room, column lineup, marble columns, close-up, foreshortening, from below, looking down at viewer, leaning back, armrest, regal, calm, slight smirk, half-closed eyes, looking at viewer, cinematic lighting, cool blue palette, A close-up from a low worm's-eye angle tipped into strong foreshortening: the lens sits low beside the throne's front armrest and looks steeply up across the woman's drawn-up knee toward her face, so her thigh and knee loom large in the near foreground and her torso recedes and tapers above them. Mejiro Ramonu sits deep in the marble throne, hips pushed back against the seat, weight carried on her left hip, left forearm laid along the flat of the left armrest, fingers slack over its scroll end, right hand resting on her raised right knee gripping the pale cloth of her chiton. Her head is tipped down toward the viewer, chin lowered, half-lidded purple eyes meeting the lens straight on, one brow faintly lifted, the corner of her mouth pulled into a small closed-lip smirk. Her multicoloured hair -- black with white streaks -- is gathered into a bun high at the back of her head, a few loose strands falling past her cheek and drifting with the slight turn of her head; her horse ears stand up through the hair with the gold ear ornament, and her laurel crown of gold leaves sits low across her brow, a few leaves pushed slightly askew. The horse tail is tucked and hidden behind the throne's back, out of the crop. The white chiton falls in soft pleated folds over her shoulders and breast, gathered at the waist, the heavier himation draped diagonally over her left shoulder and across her lap; creases fold and bunch where her knee and forearm press the cloth. Bare arms and bare hands -- the hands wrapped clean around the fabric and armrest, nothing on them. Behind her, the throne room opens out: two receding rows of tall fluted marble columns march away in perspective on either side of the frame, their capitals foreshortened and tipped by the upward camera, and a long pale marble floor extends between them to a far wall lost in cool haze. Light falls from tall windows high on the left of frame, cold blue daylight raking across the columns and throwing a long band of brightness down the aisle behind the throne; the light catches the near edge of her knee, the gold of the laurel leaves, and the high planes of her face, while the underside of her jaw and the deep fold of the himation sit in soft shadow, and a faint warm bounce off the pinkish marble warms the shadowed side. The palette is cold and monumental: pale blue-white marble and pale blue atmosphere dominant, cool slate greens in the shadowed column recesses, deep charcoal in the darkest crevices and under the throne, and warm off-white and pale grey sharing the figure's drapery and skin, nothing more saturated than the thin gold of the crown. Soft raking light on the marble makes a single crisp specular point on the polished armrest where the window band strikes it, and the throne casts a hard-edged shadow that falls forward toward the lens. Monumental, quietly commanding.
Nov 3, 2026 2:31 AM
AI artwork
Avatar image of orcafort#0
1girl, solo, robot girl, mecha body, segmented metallic limbs, doll joints, robot joints, visible ball-and-socket joints, barefoot, bare feet, ancient greek clothes, chiton, white linen chiton, chlamys, cream wool cape, cape, laurel crown, golden laurel wreath, holding bow, compound bow, bocek compound bow, both hands on bow, standing, full body, from below, dutch angle, quiver on ground, arrow quiver, simple background, seamless pale stone backdrop, looking to the side, jitome, light smile, windblown, head tilt, contrapposto, weight on one leg, toes gripping stone Full body, seen from a low dutch angle tilted a few degrees off level: a single robot girl stands barefoot on a seamless pale limestone sweep, no props beyond the quiver tipping over onto the stone at her right heel. Her mecha body reads as articulated machine under a human silhouette: porcelain-white armor plates over a gunmetal underframe, dark seam lines along every limb, and at each shoulder, elbow, wrist, hip and knee a distinctly metallic ball-and-socket joint, bronze-toned rings set in the white plates with a visible gap of shadowed mechanism between the spheres; her ankles are the same, thin bronze axles above slim metal feet. A white linen chiton is pinned at both shoulders and falls in stiff pleats to mid-calf; over her left shoulder a cream wool chlamys cape is thrown, the fabric heavy and coarse, its lower edge swinging out to her left as the wind catches it, its folds casting soft shadows across the chiton's pleats. A golden laurel crown rests unevenly on her head, one leaf dipping toward her brow; her hair is cut short and dark and is pushed to one side by the same wind. She stands in contrapposto, weight on her right leg, left knee slightly bent and left heel lifted so only the toes and ball of that foot press the stone, the toes curling for grip; her right foot is planted flat and her right arm hangs low, fist closed around the riser of a compound bow, the bocek-style carbon limb and its round cams and pulley cables held vertically beside her leg with the lower cam almost brushing the floor. Her left hand is lifted, palm open, fingers just parting from the bowstring she has let go slack, and her head is turned away from the lens in profile toward the empty left of the frame, chin slightly lifted, dark eye narrowed, one corner of her lips barely lifted. The light comes from a single high soft source at the upper right: it rims the laurel's gold, lays a bright band down the right side of her white cheek plate, glints on the bronze joint rings and along the bow's cable, and throws a long soft shadow of her and the bow stretching left across the pale stone, where the thrown chlamys shadow overlaps her own. Palette is white, bone, cream and dull bronze against the pale stone, gold only at the crown, with the deep charcoal of her seams as the darkest value. Wind keeps the cape and the short hair moving, the cape's hem the only soft edge in an otherwise hard-machined figure; cool, poised, quietly monumental.
Nov 3, 2026 2:31 AM
AI artwork
Avatar image of orcafort#0
character: mejiro_ramonu_(umamusume), copyright: umamusume 1girl, solo, mejiro ramonu, horse girl, multicolored hair, black hair, white streaked hair, hair bun, purple eyes, horse ears, animal ears, horse tail, laurel crown, ancient greek clothes, white draped chiton, himation, gold fibula, bare arms, seated, sitting on throne, marble throne, throne room, column lineup, greek columns, close-up, from above, foreshortening, looking up at viewer, calm regal expression, peacock feathers, lily, flower, hand resting on armrest, foreshortened legs, hand on knee, seen from a high angle looking steeply down, the camera close on her face and shoulders so her body foreshortens away beneath the frame: a horse-eared young woman with a high black-and-white streaked hair bun settles back into a great marble throne, chin lifted, purple eyes angled up past the lens with a still, regal calm. A laurel crown of pale green leaves sits low across her brow; a white draped chiton and himation wrap her shoulders, gathered at one shoulder, her dark horse tail spilling over the throne's arm. Her gloved hand rests flat on the marble armrest, the other loose on her knee, legs foreshortened short and compressed toward the bottom of the frame. A peacock-feather fan of iridescent blue-green eyes fans out beside her shoulder, and a single white lily rests against the throne's carved edge. Beyond her, a colonnade of tall pale columns recedes in deep perspective, masses of white marble and cool blue shadow stepping back along the hall. Soft cool daylight falls from high windows onto the tops of the columns and the crown of her head, leaving the lower walls and the far aisles in deep grey-blue shadow; the marble floor catches only a pale, chalky sheen. The palette is cool marble blue and pale bone with dark charcoal accents, muted sage green in the laurel and shadows, and quiet steel-blue in her dress folds. Quiet, imperious grandeur.
Nov 3, 2026 2:30 AM
AI artwork
Avatar image of orcafort#0
character: mejiro_ramonu_(umamusume), copyright: umamusume 1girl, solo, mejiro ramonu, horse ears, animal ears, multicolored hair, black hair with white streaks, hair bun, purple eyes, horse tail, ancient greek clothes, chiton, laurel crown, sitting, marble throne, throne room, column lineup, greek columns, peacock feathers, lily flower, looking at viewer, evil grin, grin, open mouth, teeth, from above, close-up, foreshortening, looking up, leaning forward, hand on armrest, arm support, high angle, dutch angle, dramatic lighting, blue and grey palette, high contrast, cel shading, anime style, Shot from above in a steep high-angle close-up with heavy foreshortening: the camera looks down past a wall of fluted marble columns that rake diagonally into the upper corners, their capitals cropped by the frame, and the woman fills the lower half of the composition, nearest her upturned face and the tops of her shoulders while the throne recedes away below her. She sits deep in a white marble throne, hips square to the seat, one leg drawn up and folded sideways over the other knee, her weight settled on the right hip and the left shoulder tipped back against the throne's tall backrest so her chest opens upward toward the lens. Her head is tilted back and her eyes, deep purple irises with small bright catchlights, stare straight up into the camera; her chin is raised and a wide evil grin splits her face, one corner of the mouth pulled higher than the other, upper teeth showing, brows lowered into a sharp V. Her multicoloured hair — black streaked with white — is gathered into a high bun, two horse ears standing up from it, and a laurel crown of gold-green leaves sits low across her forehead, resting over the hair and pushed slightly askew by the tilt of her head; a few loose black-and-white strands fall against her cheek. She wears ancient Greek clothes: a pale ivory pleated chiton draped over both shoulders and pinned at each shoulder, the fabric falling in soft vertical folds across her chest and pooling over her thighs, a wide sash cinched at the waist, and her bare arms and hands free of gloves. Her right hand rests flat on the throne's front armrest, fingertips curling over its edge, and her left hand lifts a fan of iridescent peacock feathers that sweeps up past her shoulder toward the camera, the eyespots catching the light; a single white lily lies across her lap in the crook of her drawn-up knee, its petals bright against the ivory cloth. Her horse tail curls out from behind the throne's side, half-hidden by the seat. The throne room opens below and behind her in a receding line of columns in cool stone grey and slate green, their bases lost in shadow, the floor far away and small. Cold light comes from high above and behind the camera, striking the top of her head, the rise of her shoulders, the laurel leaves and the upper rims of the columns, laying a hard cast shadow beneath her jaw and deep darkness under the fan of peacock feathers and inside the folds of the chiton; the background falls to a dim blue-grey. Palette held to parchment ivory skin and drapery, black hair and dark cloth shadow, steel blue light on the marble, muted slate green in the far columns, and grey stone — nothing warmer except the laurel. Regal, sinister.
Nov 3, 2026 2:30 AM
AI artwork
Avatar image of orcafort#0
character: mejiro_ramonu_(umamusume), copyright: umamusume 1girl, solo, mejiro ramonu, horse girl, horse ears, long multicolored hair, black hair with white streaks, hair bun, purple eyes, horse tail, ancient greek clothes, white chiton, laurel crown, sitting on marble throne, throne room, column lineup, row of marble columns, close-up, from above, foreshortening, head tilt, hand on own chin, peacock feathers, lilies, looking up at viewer, one eye half closed, faint lopsided smirk, bare ears, unadorned ears, The camera looks down from high above and close in: her tilted-back face fills the upper centre of the frame, foreshortened so the crown of her head and the laurel wreath sit nearest the lens while her chin, jaw and throat recede toward the throne, her single visible hand cupped under her chin with the knuckles pressed into the soft underside of the jaw and one fingertip resting against her lower lip. Her head leans over to her right; her eyes, half lidded and amethyst, roll up toward the lens from under her brows, one brow arched higher than the other, the corner of her mouth pulled into a faint knowing smirk, and a slow breath lifts her collarbone. She sits back and slightly sideways on the marble throne, weight on her left hip, one knee drawn up higher than the other beneath the pale blue-white chiton whose pleats are gathered at one shoulder by a round brooch and fall in deep vertical folds across her lap; the fabric pools and creases where her thigh presses the cold stone. Her long black hair, threaded with white streaks, is gathered into a bun high at the back of her head with loose strands escaping across her forehead and down her cheek, her horse ears standing up through it; her tail drapes over the throne's arm and hangs down out of frame behind her hip. Peacock feathers fan out from behind the throne's carved back, iridescent teal-and-violet eyes of the plumes catching the light just over her right shoulder and brushing her hair. Lilies lie across the near arm of the throne and are scattered on the marble seat, their white petals lit from above, one stem fallen onto the steps below. Behind her the throne room opens into a receding lineup of tall fluted marble columns, their capitals stepping down in size along a perspective that rushes away from the high corner of the frame; the polished floor carries a long distorted reflection of the colonnade and her own upturned face. Light comes from a single high opening to the upper right, cool and shadowless across her brow and the throne's upper edge, while the recesses between columns and the underside of her jaw fall into deep slate shadow; the feathers' iridescence is the only warm glint. The palette keeps everything inside cool powder blue and periwinkle: the chiton pale ivory-cyan, her hair near-black with white streaks, her eyes a soft violet, the marble a blue-grey veined with periwinkle, the lilies a blush-tinted white against the teal of the plumes, with one rare flash of hot pink in the peacock eye-spots echoing the brooch at her shoulder. Cute cel-shaded anime style, flat high-contrast colours, clean black outlines and simple shadow shapes, hand-drawn TV-anime frame feel. Regal, quietly teasing.
Nov 3, 2026 2:26 AM
AI artwork
Avatar image of orcafort#0
A nymph laid on beach, wave is her blanket,yokozuwari, covered with foam of waves,Masterpiece, best quality, 19th-century academic oil painting, French Academic art, Neoclassical mythology, a beautiful Nereid bathing in the ocean, a young sea nymph from Greek mythology, gracefully immersed in crystal-clear turquoise seawater, her luminous ivory skin illuminated by soft Mediterranean sunlight, delicate water droplets glistening on her shoulders and arms, long flowing hair gently drifting in the sea breeze, elegant classical contrapposto, natural and idealized anatomy, serene and contemplative expression, translucent sea foam swirling around her figure, subtle reflections of sunlight dancing across the water, distant rocky coastline, atmospheric blue horizon, exquisitely rendered skin texture, delicate sfumato, masterful chiaroscuro, rich painterly brushwork, sophisticated color harmony, flowing classical composition, poetic mythological atmosphere, highly detailed rendering of water, realistic reflections and refractions, museum-quality fine art, reminiscent of William-Adolphe Bouguereau and Alexandre Cabanel, traditional oil on canvas, timeless beauty, refined elegance, dramatic yet natural lighting,barefoot, soles, toes,748cmstyle, grey hair, jewelry, ribbon, earrings, hair ribbon, pink eyes,((Anime illustration)) ((Incarnate detail)) ((Masterpiece)) ((Highest quality)),convenient censoring,hill in the distance, shine colorful, <lora:Shine_colorful_XL_8R5C5A5B:1>, Colored Pencil, dreamy atmosphere, delicate colors, ethereal, depth blur, zoom blur, white details, pastel details, painterly details, delicate line style, clean sketch, modern anime aesthetics, clean linework, smooth outlines, refined illustration, minimalist detail, modern anime renderingsea star bra,sea star on breast,
Nov 2, 2026 1:32 PM
Öncekiİleri