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Parametreleri Göster
- Orijinal Prompt
- black blindfold、たくさんの手にくすぐられてる、ミニスカート、拘束されている、靴を履いていない、笑っている、crying,official style,anime screencap,beautiful eyes,yuzu hiiragi,short twintails,hair ornament,blue hairclips,bracelet,pink necktie,blue shirt,white shirt,collared shirt,sleeveless shirt,red skirt,pleated skirt,black thighhighs,pink shoes,musical note,eighthnote,He is laid on a stretcher and restrained by a tight belt on his hands, "Mechanical Restraint", Both hands and feet are bound to the stretcher by leather restraints,tickling
- Boyut
- 1023 x 722
- Örnekleme Adımları
- 28
- Örnekleme Yöntemi
- Euler a
- CFG Ölçeği
- 5
- Negatif
- nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands
Kullanılan Model ve LoRA
Benzer Görseller
Daha fazla göster力m
Cure Yell
力GE-MAN
純斗
character: cure_prism
1girl, solo, cure_prism, pink_hair, long_hair, braid, hair_ribbon, white_ribbon, pink_bow, white_bow, bow, green_eyes, white_dress, dress, frills, elbow_gloves, white_gloves, aqua_ribbon, ascot, earrings, spread_arms, spread_legs, arms_up, dai-no-ji pose, bound_to_wall, restrained, bound_arms, bound_legs, bound_torso, bound_neck, neck_restraint, many_thin_restraints, semi-rectangular_strips, wall, from_below, dutch_angle, foreshortening, head_tilt, clenched_teeth, half-closed_eyes, sweat, trembling, strained_expression, arched_back, toes_curled, looking_up, barefoot, stone_wall, dim_lighting, blue_palette, heroine_in_peril, tense, captive,
Seen from a low dutch angle, the camera close to the floor and tilted so the vertical joints of the stone wall lean off-axis, a lone young woman in a white frilled dress hangs spread-eagle on the wall. Her body forms a wide X: both arms flung up and out to the corners, white-gloved elbows straight, bare hands open with fingers splayed flat against the cold stone; both legs spread wide, bare feet pressed sole-first to the wall, heels lifted and toes curling as they strain for purchase. Long pink braid swings forward over her left shoulder, sliding free of the wall, its white and pink ribbon bows jolting with every small tremor; loose strands of pink hair stick to her damp cheek. Green eyes roll upward toward the ceiling and the unseen points where the bands disappear overhead, eyelids heavy and half-lowered; her mouth is pulled into a hard clenched-toothed grimace, one brow drawn down.
Dozens of thin half-rectangular straps — narrow ribbons of pale metal, each punched with a small slot pattern — pin her in place: three raw bands crossing each forearm and wrist, two wrapped across each thigh and shin, a fan of five strapped over her ribs and waist and skirt, and a tight collar of slim bands circling her neck and pressing her chin up. Each strip bites into white fabric, the dress's frills crushed under the metal and springing out between every gap; small crescents of shadow sit beneath each band where it lifts the cloth away from her skin. The lowest bands drag the hem of the dress slightly sideways, exposing the pale underside of one bare calf.
Light comes from a single low source at frame left, raking across the wall so the restraint slots throw slanted shadows upward and her body casts a long kneeling shadow across the stone; the right side of the frame falls into deep cold shadow. Palette: cold grey-blue stone, the warm pink of her hair and ribbons, the clean white of her dress as the one bright plane. A faint patch of dust and shaken grit glitters in the air where her heels scrapped the wall. Claustrophobic, desperate.
純斗
純斗
character: cure_prism
prone, face down, full body, 1girl, solo, magical girl, long pink hair, pink hair spread across the floor, hair ribbon, white ribbon, pink bow, braided sidelocks, green eyes, white dress, frilled dress, elbow gloves, white gloves, ascot, aqua ribbon at the collar, bare earlobes visible, both arms at her sides, arms pinned against her body, hands at stomach level, palms facing toward her feet, both legs flat and apart on the floor, chin on the ground, torso flat against the floor, cheek against the ground, pinched expression, distressed, grimacing, clenched teeth, squeezed-shut eyes, trembling, sweat on her brow, black-orange honey, sticky honey covering her whole body, honey dripping, wet clothes clinging, black-orange electric aura, crackling sparks, electricity, paralysis, unable to move, stinger piercing her back, insect stinger in her back, venom injection, from above, high angle, wide shot, dutch angle, full body visible, dark floor, foreground blur, spoken_heart, half-closed eyes, heavy_breathing
The camera looks down from a high three-quarter overhead angle, tilted slightly on a dutch angle so the floor runs diagonally under her, and the whole of her body stays inside the frame from the crown of her head to both flat soles. She lies face down and spreadeagled flat on a dark polished stone floor, prone along the diagonal of the frame: her chin and jaw are pressed to the stone with her cheek flattened against it, her torso lies flush along the floor so the white dress and its frills are squashed and rucked under her weight, and both long legs are stretched out flat behind her, the thighs, knees and shins all touching the ground, the toes of both feet splayed out. Both arms are pinned along her sides, pressed between her ribcage and the floor, the white elbow gloves wrinkled where they bunch at the crook of each arm; both hands are drawn in level with her stomach, and her gloved palms are turned flat and open toward her own feet. Behind the small of her back both hands are welded together by a thick wad of set honey, a gluey amber-black-orange lump locking wrist to wrist, and the fingers are stiff inside it.
A glossy black-orange poisonous honey coats every part of her: it sheets over her cheek and jaw where they touch the stone, runs in slow ropes over the white dress, clings in a translucent film across the gloves, beads and drips from the hem and from the ends of her long pink hair fanned out around her head. Where the honey pools on the floor it spreads and holds the individual strands of hair fast in a wet fan. Her white ribbon and the braid beside her ear are soaked dark and flattened. Her face is turned just enough for the camera to catch it: brow crumpled, one eye squeezed shut and the other slit open and watering, teeth bared in a pinched grimace, a bead of sweat at her temple. A small hand-drawn heart floats in a tiny speech bubble beside her cheek.
Over all of it crawls a black-orange electrical discharge — thin branching arcs skittering over her shoulders, down her back, along the backs of her thighs, snapping brightest where the honey film is thinnest, and throwing a faint flickering orange glow onto the polished stone around her. From a point above and behind her, the bee witch's abdomen reaches down out of the upper frame and drives its dark segmented stinger straight into the small of her back; the chitin pierces the dress fabric at the entry point, the skin around it puckers, and a thin line of black-orange venom is welling and running down her side from the wound. Her head is locked forward, eyes pointed at the floor just past her own chin, unable to turn.
The single key light comes from the high upper right, cold and bluish, striking her back, the top of her head and the swell of the honey, and dropping the far side of her body and the floor beneath into a deep shadow; the only warm light in the frame is the crackling discharge and the gloss on the honey. Palette of white, pink and bare stone against nothing but black and orange. Heroine in peril, defeated, hopeless.
純斗
純斗
character: cure_prism
spread eagle, arms spread wide, legs spread wide, pinned to wall, immobilized, 1girl, solo, long pink hair, green eyes, hair ribbon, white ribbon, braid, pink bow, white bow, aqua ribbon, white dress, elbow gloves, white gloves, frills, ascot, earrings, staple pins, staple through wrist, staple through forearm, staple through ankle, staple through calf, staple through torso, staple through neck, staples driven through clothing into plaster, stretching upward, head tilted back, clenched teeth, pained grimace, furrowed brow, wide eyes, sweat drop, staring up at own pinned wrist, from below, full body, dutch angle, concrete wall, close-up on hands and staples, harsh single overhead light, clinical cold palette, heroine in distress, tense dread
The camera sits low and off-axis, tilted a few degrees so the concrete wall recedes in a slow diagonal and the girl's body reads as a taut X against it. Seen from below, she hangs spread-eagle and not quite symmetrical: her arms are stretched up and out from the shoulders, palms turned outward, the white elbow gloves wrinkled where each cuff bites into the wrist; her legs are pulled wide apart at hip height, toes pointed down and outward, the frilled hem of the white dress crushed flat where the fabric meets plaster. Weight sags from the shoulders and hips rather than the feet—nothing of her is bearing on the floor, and the soles hover a hand's width above it. Gray metal staple pins are driven in dense lines: across the backs of both hands and along both forearms, in bands around both calves and the ankles, in a scattered cluster over the torso that pins the dress tight to the wall, and a close-set row at the base of the neck with the chin forced up above it. The fabric puckers into tiny dents at each staple, and short shadows drop straight down from every pinhead, marking the wall as the only thing holding her. Her long pink hair has come loose from the braid and fans out against the concrete where the shoulders are pinned; a pink bow and a white ribbon hang tilted from the strained strands. She is not looking at the viewer—her green eyes are rolled up toward the staple through her left wrist, brows drawn, teeth bared in a grimace, a bead of sweat tracking down her temple, the white ascot pulled crooked at her throat. One overhead lamp is the only light: it rakes down the wall so the tops of every staple catch a silver flare, the undersides of her chin, gloves and skirt fall into hard shadow, and beyond the pale cone the corridor dissolves into black. Palette is confined to cold concrete gray, the harsh white of the dress and gloves, the warm pink of hair and bow, and the repeating pinprick silver of the staples—nothing else admitted. The mood is clinical, airless, tense dread.
純斗
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