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AI art "Bathtub" for keywords A bathtub, no humans, No HUMANS,  SCENARY, Night, ,dungeon,Bedroom,naturemagic, magical energy, fantasy
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Bathtub

Görülecek Daha Fazla Şey

Yorumlar

A bathtub, no humans, No HUMANS, SCENARY, Night, ,dungeon,Bedroom,naturemagic, magical energy, fantasy
Parametreleri Göster
Boyut
768 x 512
Örnekleme Adımları
25
Örnekleme Yöntemi
Euler a
CFG Ölçeği
7
Negatif
in-touch-with-surroundings,(iris deformation, pupil deformation, semi-realistic, cgi, 3d, rendering, sketch, cartoon, painting, animation), (sketch, mutated hands and fingers: 1.4), (deformation, distortion, disfigurement: 1.3), text, cropping , out of frame, worst quality, low quality, jpeg artifacts, ugly, repetitive, sick, mutilated, extra fingers, mutated hands, poorly drawn hands, poorly drawn faces, mutation, distortion, blur , dehydration, poor anatomy, poor proportions, extra limbs, cloned faces, disfigurement, overall proportions, misshapen limbs, missing arms, missing legs, extra arms, extra legs, fused fingers, too many fingers, long neck,poorly drawn, bad anatomy, incorrect anatomy, extra limbs, missing limbs, floating limbs, severed limbs, mutation, mutation, ugly, disgusting, amputation

Kullanılan Model ve LoRA

Benzer Görseller

Daha fazla göster
AI artwork
Avatar image of V ι ƒ  . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
cinematic shot, wide shot, no humans, calm reflective pool, still reflecting pool, moving water, rippling water, concentric ripples, shallow water, stone basin, spring wellspring, water flowing from stone, wild plants, vines growing on walls, moss on stone, stained glass mosaic windows, mosaic glass tiles, cool color palette, teal, slate blue, pale cyan, muted grey stone, dull ambience, overcast diffuse light, sharp focus, deep focus, high detail, wellspring, architectural interior, vaulted stone chamber, simple aesthetic A cinematic wide shot from a low eye-level camera inside a quiet vaulted stone chamber, the frame built around a shallow circular reflecting pool set into the worn flagstone floor in the lower third; the pool is the picture's anchor, its surface alive with slow moving water — fine overlapping concentric rings spreading from the point where the spring's water enters, each ring perfectly circular and catching a thin bright rim on its outer edge, the rings widening and softening as they travel outward until they flatten against the pool's stone lip. At the pool's far edge a low stone wellspring rises out of the floor, a weathered block worn smooth and dark at the waterline, and a thin thread of water pours from its lip into the basin, the falling stream breaking into droplets that bead and slide down the wet stone face and darken a fan of damp stone beneath. Wild plants have taken the walls: moss mats the joints between blocks in soft green-grey patches that thicken toward the damp lower courses, ferns and thin-leaved creepers sprout from cracks and hang down over the mortar, and a few pale stalks lean out far enough to catch the light and throw small trembling shadows onto the stone behind them. Above and behind the pool, the chamber's tall windows are stained glass mosaics — hundreds of small glass tiles set in lead cames, in cool blues, sea-greens, pale cyans and a scatter of near-white, the mosaic panels curving with the arch of each window so the tile grid bends along the stone tracery; the light passing through them lands in soft, cool pools of blue-green on the flagstones in the midground and tints the mist hanging over the water. The light is diffuse and overcast-bright through the glass, no hard sun anywhere, the wellspring and the far wall softly modeled by that even wash while the corners and the ceiling vaults sink into quiet shadow; the only specular highlights in the frame are on the moving water and the wet stone lip of the spring. The palette is disciplined and cool — slate blue, teal, sea-green, pale cyan, damp grey stone, moss green, and a muted near-white in the brightest mosaic tiles, nothing warm admitted anywhere. The aesthetic stays simple and uncluttered: one pool, one spring, plant-eaten walls, glass windows, no ornament, no clutter, no figures. Everything is in sharp focus from the near stone lip to the far window tracery, the mosaic tiles individually legible, the fern fronds crisp, the rings on the water resolved as distinct lines. A faint cold mist clings to the surface of the pool and drifts a hand's width above it, thinning where the moving water disturbs it. Quiet, hushed.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
AI artwork
Avatar image of V ι ƒ  . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי
cinematic shot, wide shot, no humans, calm reflective pool, still reflecting pool, moving water, rippling water, concentric ripples, shallow water, stone basin, spring wellspring, water flowing from stone, wild plants, vines growing on walls, moss on stone, stained glass mosaic windows, mosaic glass tiles, cool color palette, teal, slate blue, pale cyan, muted grey stone, dull ambience, overcast diffuse light, sharp focus, deep focus, high detail, wellspring, architectural interior, vaulted stone chamber, simple aesthetic A cinematic wide shot from a low eye-level camera inside a quiet vaulted stone chamber, the frame built around a shallow circular reflecting pool set into the worn flagstone floor in the lower third; the pool is the picture's anchor, its surface alive with slow moving water — fine overlapping concentric rings spreading from the point where the spring's water enters, each ring perfectly circular and catching a thin bright rim on its outer edge, the rings widening and softening as they travel outward until they flatten against the pool's stone lip. At the pool's far edge a low stone wellspring rises out of the floor, a weathered block worn smooth and dark at the waterline, and a thin thread of water pours from its lip into the basin, the falling stream breaking into droplets that bead and slide down the wet stone face and darken a fan of damp stone beneath. Wild plants have taken the walls: moss mats the joints between blocks in soft green-grey patches that thicken toward the damp lower courses, ferns and thin-leaved creepers sprout from cracks and hang down over the mortar, and a few pale stalks lean out far enough to catch the light and throw small trembling shadows onto the stone behind them. Above and behind the pool, the chamber's tall windows are stained glass mosaics — hundreds of small glass tiles set in lead cames, in cool blues, sea-greens, pale cyans and a scatter of near-white, the mosaic panels curving with the arch of each window so the tile grid bends along the stone tracery; the light passing through them lands in soft, cool pools of blue-green on the flagstones in the midground and tints the mist hanging over the water. The light is diffuse and overcast-bright through the glass, no hard sun anywhere, the wellspring and the far wall softly modeled by that even wash while the corners and the ceiling vaults sink into quiet shadow; the only specular highlights in the frame are on the moving water and the wet stone lip of the spring. The palette is disciplined and cool — slate blue, teal, sea-green, pale cyan, damp grey stone, moss green, and a muted near-white in the brightest mosaic tiles, nothing warm admitted anywhere. The aesthetic stays simple and uncluttered: one pool, one spring, plant-eaten walls, glass windows, no ornament, no clutter, no figures. Everything is in sharp focus from the near stone lip to the far window tracery, the mosaic tiles individually legible, the fern fronds crisp, the rings on the water resolved as distinct lines. A faint cold mist clings to the surface of the pool and drifts a hand's width above it, thinning where the moving water disturbs it. Quiet, hushed.
V ι ƒ . せんめい . 活潑 . жив . ζωός . जीवंत . ቪፉ . حية . חי

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