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Vegito, Dragon Ball
YZ sanatı, user-1990807869818032014 tarafından PixAI'de. Haruka v2 ile oluşturuldu.
Parametreleri Göster
- Orijinal Prompt
- 1man, vegito\(dragon ball\), spiky hair, potara earrings, teal eyes, super saiyan, blonde hair, blue and orange gi, white gloves, dark red hair, super saiyan blue, blue spiky hair, looking at viewer, determined expression, muscular, aura, masterpiece, ultra detailed
- Boyut
- 672 x 1024
- Örnekleme Adımları
- 28
- Örnekleme Yöntemi
- Euler a
- CFG Ölçeği
- 6
- Tohum
- 6823168774842942
- Negatif
- nsfw, lowres, bad anatomy, bad hands, text, error, missing fingers, extra digit, fewer digits, cropped, worst quality, low quality, normal quality, jpeg artifacts, signature, watermark, username, blurry, EasyNegativeV2
Yüksek Çözünürlük
Kullanılan Model ve LoRA
Benzer Görseller
Daha fazla göster
SSJ4 Vegeta (Daima)
Seto Kaiba
超ベジット
かもねぎ/ kamonegi
Gogeta ssj
Ashborn Sparda 2026
character: vegetto, artist: fenyon
1boy, solo, muscular male, (spiky black hair:1.2), (defined muscular build:1.1), medium hair, high-contrast greyscale, pure monochrome, floating upright, full body, viewed from behind, three-quarter view from behind, head turned slightly left, crossed arms, arms folded across chest, legs apart, feet angled outward, sleeveless dark gi, wide tied sash, cropped martial-arts trousers, loose trousers, wrapped shin guards, simple boots, potara earrings, earrings, jewelry, open mouth, blank white background, seamless white ground, no scenery, minimal composition, sharp inked contours, expressive fabric folds, hand-drawn manga line art, cel-shaded monochrome, hard-edged shadows, pure black and pure white only, no text, borderless, blank field to all four edges,
The camera sits behind and slightly to his right, at hip height, close enough to fill the frame vertically: his whole body fits head to boot sole, centered, with wide empty white above his hair and below his heels, roughly a third of the page empty on each side. His back is to the viewer; the three-quarter turn carries his right shoulder nearer the lens while his left shoulder recedes, and his head rotates further left so that the cheekbone, jaw contour and the corner of an open shouting mouth break the silhouette on the left side of his skull — the eyes themselves stay beyond the profile, their direction thrown leftward out of frame past his own shoulder. Sharp black spikes off the crown and occiput read as a hard jagged edge against the white, a few tips kinked sideways by the drift of his floating. Both upper arms cross his chest, the forearms buried against the far side of his torso from this angle; only the near forearm's outer edge and a clenched knuckle-line clear the ribs, hands tucked in and out of sight, the crossed weight of them drawing the gi taut across his shoulder blades. The sleeveless dark gi hangs open at the back, its hem flaring outward in three crisp angular folds caught by the slow rise of the float, the shoulder seams creased where the arms cross. The wide sash is tied at the small of his back and the knot sits squarely in view — two heavy tails swinging out to the right under their own momentum, one edge folded over the other — cinching the waist so the loose cropped martial-arts trousers below can balloon and pleat. His legs hang apart with the boots turned out at the toes, knees soft and unclamped, weight carried nowhere because there is no ground; the shin guards' layered wrap lines band both calves in tight parallel strokes, and the plain boots' soles read as narrow dark wedges at the very bottom edge. A single potara earring hangs from the visible left earlobe, its oval face turned three-quarters to the lens and rendered in fine white hatching inside a hard black rim; the right ear and its matching earring sit behind the turned head, partly eclipsed by the jaw. Light comes from high and slightly front-left of him — he is backlit only in the sense that his own body casts a soft grey occlusion onto the inward edges of his arms and the inside of the trouser pleats, while every outward-facing plane of hair, shoulder and sash stays paper white with black ink accents; the shadow shapes are hard-edged and graphic, no soft gradients anywhere. Palette: pure black, mid-grey hatching, and untouched white paper — nothing else admitted, no colour, no props, no ground shadow, no lettering, no frame. Ink-weight concentrated on the face and hands region, thinning toward the boots so the eye travels up. Quiet power, suspended calm.
Son Goku
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
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이름
이름
2
...
Tofu
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the ballerina
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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