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Alcina Dimitrescu, Resident Evil
Parametreleri Göster
- Orijinal Prompt
- , , anime coloring, masterpiece, best quality, 1girl,solo, ,dimitrescu112, hat, breasts, dress, lipstick, makeup, black hair, red lips, white dress, sun hat, yellow eyes, short hair, pale skin, mature female, veins, tall female,Bitch illustration style
- Boyut
- 768 x 1024
- Örnekleme Adımları
- 10
- Örnekleme Yöntemi
- Euler a
- CFG Ölçeği
- 1.5
- Negatif
- (bad quality,worst quality,worst detail,bad, low quality, bad anatomy:1.2), ( polydactyly, extra digits, extra legs, bad hands, bad hand, bad fingers, fused fingers, missing finger, split fingers, fused arms, fused hands:1.5)
Kullanılan Model ve LoRA
Benzer Görseller
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1girl, solo, pov, cowboy shot, from below, standing, looking at viewer, hand on door, open door, greeting, calm, composed, neutral expression, half-closed eyes, mature female, tall, slender, hourglass figure, large breasts, narrow waist, pale skin, high cheekbones, narrow chin, arched brows, brown hair, single hair bun, purple eyes, red lips, red lipstick, dark eyeshadow, bare shoulders, black corset dress, long skirt, sheer panels, black lace collar, amethyst necklace, cleavage, upright posture, indoors, mansion, entryway, red walls, doorway, evening, soft lighting, cinematic lighting, dim lighting, warm tones, muted colors, depth of field, detailed eyes, highly detailed
The camera sits low, looking up from the viewer's own eye height at the threshold of the mansion entryway: a cowboy shot cropped at mid-thigh, so the woman's full height is stretched by the upward angle and the doorframe's top rail is lost above the frame. She stands square-on in the open doorway, weight settled on her left leg with her right hip eased slightly out, spine upright and shoulders level, chin level and turned a bare fraction toward her left. Her right hand rests flat on the inner face of the door she has just swung inward, fingers spread across the panel with the thumb hooked around its edge, the door standing open at roughly seventy degrees so its dark inner face slices the left third of the frame and its brass handle catches the light; her left arm hangs free with the hand relaxed beside the long skirt, knuckles grazing the fabric. Her purple eyes are half-lidded, looking down the low camera line straight into the viewer's eyes, lids heavy, brows arched and still, lips closed in a neutral line whose only movement is the faint gloss of red lipstick along the lower lip; dark eyeshadow presses a soft shadow into the sockets. Brown hair is drawn back tight into one single bun seated high at the back of her head, a few short strands escaping at the temple and the nape, and the dress gives no sway because she is not moving.
The black corset dress grips the narrow waist in vertical boning, its top edge a black lace collar of floral scrollwork running straight across the collarbones beneath bare shoulders and the pale plane of the chest, the amethyst pendant hanging at the center of the neckline just above the cleavage; the long skirt falls straight to below the crop, and narrow sheer panels set into its sides let the warm light read the outline of her legs through the gauze. Behind her the entryway recedes: deep red walls with darker wainscot, a runner of muted crimson carpet on the floor, the pale rectangle of a distant doorway softened into blur by shallow depth of field so only she and the door edge stay sharp. Evening light comes in low and warm from somewhere behind and left of the viewer, grazing her right cheek, the front of the lace collar and the ridge of the door panel while leaving the entryway's far corner in shadow; the palette is held to muted browns, wine red, warm amber and the violet of her eyes and the amethyst, nothing brighter admitted. A thin warm reflection of the outside evening lies along the door's polished edge and nowhere else, and the red walls darken toward the ceiling. Elegant, intimate.
Аллан
q
Alcina Dimitrescu
quilkk
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