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Cricketsounds
Parametreleri Göster
- Orijinal Prompt
- Character: officer uniform, ominous yet handsome, officer cap, the man sits in his chair and looks down at viewer,masculine, look down at viewer, one leg crossed over the other, beckoning gesture, amused yet stern, brown eyes, hatching blush, yearning, stern, 1930s styled background, 1930's styled officer, living room background, couch, absurdly handsome, masculine, Style: Vintage styled, painterly, , , dusty purple uniform,Detailed anime style, hatching blush,lineless, pastel texture, uneven strokes, misty roughly edges, painterly style, ethereal mood, paper grain effect, vibrant color palette, luminous tones, no lineart,
- Kalite Etiketi
- high quality, year_2025, year_2024, İpuçları
- Boyut
- 768 x 1280
- Örnekleme Adımları
- 25
- Örnekleme Yöntemi
- Euler
- CFG Ölçeği
- 4.5
- Negatif
- bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name, nazi, nazism, german, germany, hitler, nazi uniform
Kullanılan Model ve LoRA
Benzer Görseller
Daha fazla göster
ay
1boy, solo, policeman, police uniform, peaked police cap, badge, necktie, white shirt, dark trousers, standing, three-quarter view, from below, cowboy shot, looking to the side, hand adjusting cap brim, weight on back foot, flat color style with detailed shading, cinematic lighting
A single policeman stands in three-quarter view, seen from slightly below in a cowboy shot that cuts at mid-thigh, so the peaked cap and the shoulders ride high against the frame and the ground falls away beneath him. He is a lean, broad-shouldered man in his early thirties with short dark hair cropped close at the temples and a clean-shaven jaw; his eyes are narrowed and aimed off to the left of frame, toward something outside the picture, and his chin is lifted a few degrees so the underside of the jaw and the throat catch the light. His weight rests on the back foot, the front knee eased forward and the hip dropped on the standing side, giving the stance a lazy, unhurried settle rather than a parade-ground square. His right hand rises to the peaked cap and grips the brim between thumb and forefinger, tilting it a fraction; the elbow juts out and the cuff of the uniform sleeve rides back over the wrist bone at that angle. The left hand hangs loose at his side, thumb hooked into the belt beside the buckle, fingers relaxed. The uniform is read as fabric, not as icon: a starched white shirt with the collar points crisp and the knot of the dark necktie pulled snug, a dark uniform jacket cut close at the waist and open no further than the breastbone, a small polished metal badge pinned square over the left chest with its edge catching a hard highlight, and a leather belt with a plain buckle cinched to the hips. The trousers break once above the shoes.
Behind and around him the environment is reduced to a seamless pale grey-blue ground that darkens toward the lower corners, so all texture budget goes to him: the weave of the shirt cloth, the matte nap of the jacket, the scuffed grain of the leather belt, and the smoothed, worn metal of the cap badge. A single hard key light comes from the upper left, raking across his face and chest, laying a bright edge down the left cheekbone, the bridge of the nose and the leading edge of the cap brim, while the right side of his face and throat falls into a deep, soft-edged shadow; a weak cool fill lifts the shadow side just enough to hold the shape of the jaw. The cast shadow of the cap brim drops a clean dark band across his brow and eyes. On the polished badge, the light strikes as one tight specular point and the metal reflects the pale ground beneath him rather than the sky -- the reflection is dimmer and softer than its source. The palette is restrained to white, deep navy-black, pale grey-blue and the single warm glint of brass on the badge, nothing else admitted. Cinematic, self-assured, quietly magnetic.
Anna Yanson
ay
1boy, solo, policeman, police uniform, peaked police cap, badge, necktie, white shirt, dark trousers, standing, three-quarter view, from below, cowboy shot, looking to the side, hand adjusting cap brim, weight on back foot, flat color style with detailed shading, cinematic lighting
A single policeman stands in three-quarter view, seen from slightly below in a cowboy shot that cuts at mid-thigh, so the peaked cap and the shoulders ride high against the frame and the ground falls away beneath him. He is a lean, broad-shouldered man in his early thirties with short dark hair cropped close at the temples and a clean-shaven jaw; his eyes are narrowed and aimed off to the left of frame, toward something outside the picture, and his chin is lifted a few degrees so the underside of the jaw and the throat catch the light. His weight rests on the back foot, the front knee eased forward and the hip dropped on the standing side, giving the stance a lazy, unhurried settle rather than a parade-ground square. His right hand rises to the peaked cap and grips the brim between thumb and forefinger, tilting it a fraction; the elbow juts out and the cuff of the uniform sleeve rides back over the wrist bone at that angle. The left hand hangs loose at his side, thumb hooked into the belt beside the buckle, fingers relaxed. The uniform is read as fabric, not as icon: a starched white shirt with the collar points crisp and the knot of the dark necktie pulled snug, a dark uniform jacket cut close at the waist and open no further than the breastbone, a small polished metal badge pinned square over the left chest with its edge catching a hard highlight, and a leather belt with a plain buckle cinched to the hips. The trousers break once above the shoes.
Behind and around him the environment is reduced to a seamless pale grey-blue ground that darkens toward the lower corners, so all texture budget goes to him: the weave of the shirt cloth, the matte nap of the jacket, the scuffed grain of the leather belt, and the smoothed, worn metal of the cap badge. A single hard key light comes from the upper left, raking across his face and chest, laying a bright edge down the left cheekbone, the bridge of the nose and the leading edge of the cap brim, while the right side of his face and throat falls into a deep, soft-edged shadow; a weak cool fill lifts the shadow side just enough to hold the shape of the jaw. The cast shadow of the cap brim drops a clean dark band across his brow and eyes. On the polished badge, the light strikes as one tight specular point and the metal reflects the pale ground beneath him rather than the sky -- the reflection is dimmer and softer than its source. The palette is restrained to white, deep navy-black, pale grey-blue and the single warm glint of brass on the badge, nothing else admitted. Cinematic, self-assured, quietly magnetic.
Anna Yanson
夏
Domの男。
夏葉まちるんだ
ああ
ああ
Daha fazlasını keşfedin
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ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ
Sg75
...
Tofu
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