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AI art "Miki Hosokawa Bikini"
Ücretsiz Oluştur

Miki Hosokawa Bikini

"Miki Hosokawa Bikini" YZ sanatı, The Eighth Deadly Sin. tarafından PixAI'de. Etiketler: çıplak ayak, dokunaçlar, nefes, kısa saç, Sarı saç. Haruka ile oluşturuldu.

#çıplak ayak#dokunaçlar#nefes#kısa saç#Sarı saç#balık etli#yeşil gözler#1 kız#Hell Teacher Nube#Hava kabarcığı
Görülecek Daha Fazla Şey

Yorumlar

PixAI'de promptlar varsayılan olarak herkese açıktır, ancak yaratıcılar yayımladıkları her eserde promptu gizleyebilir. Bu eserin sahibi promptu gizlemeyi seçti; bu yüzden görselin oluşturulmasında kullanılan kelimeler gizli kalır ve bunları yalnızca eserin sahibi görebilir. Promptu gizlemek başka hiçbir şeyi değiştirmez: eser hâlâ herkese açık ve onu her zamanki gibi beğenebilir, yorumlayabilir ve paylaşabilirsin.
Yazar tarafından gizlendi

Kullanılan Model ve LoRA

Benzer Görseller

Daha fazla göster
AI artwork
mh
1girl, solo, 18 years old, long hair, silky hair, orange hair, pink hair streaks, two-tone hair, twintails, hair ribbon, pink bikini, heart pattern, print bikini, dead heart motifs, slightly prominent breasts, floating on back, floating in water, swimming pool, night, middle of the night, looking up, staring at sky, wide-eyed, empty eyes, motionless, limbs spread out, arms out, legs out, foam from mouth, drooling, liquid foam, pale skin, wet hair, wet skin, from above, foreshortening, looking up, dark water, moonlight, ripples, empty pool deck, no text A high, steep camera looks almost straight down at the pool from above the water, the frame filled edge to edge with black water so that the girl reads as a pale, foreshortened shape pressed against a sheet of ink. She floats on her back directly below the lens, her spine arched slightly with buoyancy, head tipped back so her face points straight up at the sky and at the camera: both eyes wide open and unblinking, irises catching two tiny moon highlights dead-centre, gaze going past the lens into nothing. Her arms are spread wide and slack, wrists loose, fingers half-curled and splayed just under the surface, and her legs drift apart in a wide V, knees soft, feet trailing. Long silky orange hair with a scatter of pink strands fans out around her head in the water like spilled thread, lifted and weightless, and the two twintails are tied off at the base of each tail with thin hair ribbons — the tails themselves have come loose and spread into two separate, drifting hanks of hair, each one splaying out to a different side of her head so the style still reads as two tails even adrift. The pink bikini clings to her skin, its dead-heart motifs distorted and broken where the fabric stretches over her slightly prominent chest and where the water bends the print at her waist; the small triangle of fabric at her hip rides slightly off the skin. A thin stream of liquid foam — white, bubbly at the edges, half-sunk — runs out of her slack open lips, trails across one cheek and thins into the water beside her jaw, and a few separate bubbles have already detached and float free near her ear. Between her body and the lens the water is a distorting pane: her form is softened and slightly magnified under it, the bright pink and the white foam broken into wavering bands, while the parts of her that break the surface — the rise of her chest, the tops of her knees, the point of one shoulder, her chin and lips and nose — sit crisp and dry-keyed above the waterline. Night light is the only light and the moon is its only source: a cold, faintly blue key strikes her upturned face and the up-facing planes of her body, laying a long soft highlight down the bridge of her nose and across her collarbones, and everything the water swallows falls to near-black. Concentric rings travel outward from her floating hair and her fingertips where they break the surface, perfect circles stretching wider as they thin. The far edge of the pool and a single dark tile lip sit at the very top of the frame, out of focus. Palette is black water, cold moonlit blue-white skin and foam, orange-and-pink hair, and the pink bikini's print, nothing else admitted. Quiet dread.
michiru hyodo
AI artwork
mh
1girl, solo, 18 years old, long hair, silky hair, orange hair, pink hair streaks, two-tone hair, twintails, hair ribbon, pink bikini, heart pattern, print bikini, dead heart motifs, slightly prominent breasts, floating on back, floating in water, swimming pool, night, middle of the night, looking up, staring at sky, wide-eyed, empty eyes, motionless, limbs spread out, arms out, legs out, foam from mouth, drooling, liquid foam, pale skin, wet hair, wet skin, from above, foreshortening, looking up, dark water, moonlight, ripples, empty pool deck, no text A high, steep camera looks almost straight down at the pool from above the water, the frame filled edge to edge with black water so that the girl reads as a pale, foreshortened shape pressed against a sheet of ink. She floats on her back directly below the lens, her spine arched slightly with buoyancy, head tipped back so her face points straight up at the sky and at the camera: both eyes wide open and unblinking, irises catching two tiny moon highlights dead-centre, gaze going past the lens into nothing. Her arms are spread wide and slack, wrists loose, fingers half-curled and splayed just under the surface, and her legs drift apart in a wide V, knees soft, feet trailing. Long silky orange hair with a scatter of pink strands fans out around her head in the water like spilled thread, lifted and weightless, and the two twintails are tied off at the base of each tail with thin hair ribbons — the tails themselves have come loose and spread into two separate, drifting hanks of hair, each one splaying out to a different side of her head so the style still reads as two tails even adrift. The pink bikini clings to her skin, its dead-heart motifs distorted and broken where the fabric stretches over her slightly prominent chest and where the water bends the print at her waist; the small triangle of fabric at her hip rides slightly off the skin. A thin stream of liquid foam — white, bubbly at the edges, half-sunk — runs out of her slack open lips, trails across one cheek and thins into the water beside her jaw, and a few separate bubbles have already detached and float free near her ear. Between her body and the lens the water is a distorting pane: her form is softened and slightly magnified under it, the bright pink and the white foam broken into wavering bands, while the parts of her that break the surface — the rise of her chest, the tops of her knees, the point of one shoulder, her chin and lips and nose — sit crisp and dry-keyed above the waterline. Night light is the only light and the moon is its only source: a cold, faintly blue key strikes her upturned face and the up-facing planes of her body, laying a long soft highlight down the bridge of her nose and across her collarbones, and everything the water swallows falls to near-black. Concentric rings travel outward from her floating hair and her fingertips where they break the surface, perfect circles stretching wider as they thin. The far edge of the pool and a single dark tile lip sit at the very top of the frame, out of focus. Palette is black water, cold moonlit blue-white skin and foam, orange-and-pink hair, and the pink bikini's print, nothing else admitted. Quiet dread.
michiru hyodo
AI artwork
mh
1girl, solo, 18 years old, long hair, silky hair, orange hair, pink hair streaks, two-tone hair, twintails, hair ribbon, pink bikini, heart pattern, print bikini, dead heart motifs, slightly prominent breasts, floating on back, floating in water, swimming pool, night, middle of the night, looking up, staring at sky, wide-eyed, empty eyes, motionless, limbs spread out, arms out, legs out, foam from mouth, drooling, liquid foam, pale skin, wet hair, wet skin, from above, foreshortening, looking up, dark water, moonlight, ripples, empty pool deck, no text A high, steep camera looks almost straight down at the pool from above the water, the frame filled edge to edge with black water so that the girl reads as a pale, foreshortened shape pressed against a sheet of ink. She floats on her back directly below the lens, her spine arched slightly with buoyancy, head tipped back so her face points straight up at the sky and at the camera: both eyes wide open and unblinking, irises catching two tiny moon highlights dead-centre, gaze going past the lens into nothing. Her arms are spread wide and slack, wrists loose, fingers half-curled and splayed just under the surface, and her legs drift apart in a wide V, knees soft, feet trailing. Long silky orange hair with a scatter of pink strands fans out around her head in the water like spilled thread, lifted and weightless, and the two twintails are tied off at the base of each tail with thin hair ribbons — the tails themselves have come loose and spread into two separate, drifting hanks of hair, each one splaying out to a different side of her head so the style still reads as two tails even adrift. The pink bikini clings to her skin, its dead-heart motifs distorted and broken where the fabric stretches over her slightly prominent chest and where the water bends the print at her waist; the small triangle of fabric at her hip rides slightly off the skin. A thin stream of liquid foam — white, bubbly at the edges, half-sunk — runs out of her slack open lips, trails across one cheek and thins into the water beside her jaw, and a few separate bubbles have already detached and float free near her ear. Between her body and the lens the water is a distorting pane: her form is softened and slightly magnified under it, the bright pink and the white foam broken into wavering bands, while the parts of her that break the surface — the rise of her chest, the tops of her knees, the point of one shoulder, her chin and lips and nose — sit crisp and dry-keyed above the waterline. Night light is the only light and the moon is its only source: a cold, faintly blue key strikes her upturned face and the up-facing planes of her body, laying a long soft highlight down the bridge of her nose and across her collarbones, and everything the water swallows falls to near-black. Concentric rings travel outward from her floating hair and her fingertips where they break the surface, perfect circles stretching wider as they thin. The far edge of the pool and a single dark tile lip sit at the very top of the frame, out of focus. Palette is black water, cold moonlit blue-white skin and foam, orange-and-pink hair, and the pink bikini's print, nothing else admitted. Quiet dread.
michiru hyodo

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character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
リオ