Surveillance of Self
We build our selves from dust and hope, but the cracks are where we live. When everyone watches, do you fracture or find clarity? The gaze can strip you down to bone. The bodies grow strong. Only the heads suggest otherwise.
PixAI'de promptlar varsayılan olarak herkese açıktır, ancak yaratıcılar yayımladıkları her eserde promptu gizleyebilir. Bu eserin sahibi promptu gizlemeyi seçti; bu yüzden görselin oluşturulmasında kullanılan kelimeler gizli kalır ve bunları yalnızca eserin sahibi görebilir. Promptu gizlemek başka hiçbir şeyi değiştirmez: eser hâlâ herkese açık ve onu her zamanki gibi beğenebilir, yorumlayabilir ve paylaşabilirsin.
Yazar tarafından gizlendi
Kullanılan Model ve LoRA
Benzer Görseller
Daha fazla göster
e
Appearance: A surreal monochrome composition featuring two human faces divided by a very narrow vertical opening. On the left, a partially obscured face emerges from deep blackness, with three vertically stacked eyes visible instead of a normal single pair. The eyes are realistic, glossy, intensely focused, and surrounded by heavy dark shadows, fine eyelashes, wrinkled skin texture, and black organic markings. The left face is mostly swallowed by darkness, with only the eyes, fragments of pale skin, and a few strands of dark hair visible.
On the right, a pale young woman is shown in close-up, facing slightly toward the viewer. She has long, straight dark hair framing and partially covering the right side of her face. Only one eye, her nose, cheek, and softly parted lips are clearly visible through the narrow opening. Her visible eye is realistic and sharply detailed, with a subtle reflective highlight and a calm but eerie expression. Her skin is smooth, pale, and softly illuminated, contrasting strongly with the black hair.
Scene: A minimalist black-and-white surreal horror portrait constructed around extreme vertical negative space. Two faces are positioned behind two massive dark vertical shapes, leaving only a narrow white slit between them through which their features are revealed. The central opening is a tall, irregular vertical white column extending almost the entire height of the image.
The left side is dominated by a nearly solid black vertical mass, behind which the multi-eyed face is partially concealed. The right side is similarly dominated by a large curtain-like mass of black hair or darkness surrounding the woman's face. The dark shapes create the impression that the two figures are peering through a narrow crack, doorway, or slit.
A very thin solid black vertical line runs through the central white opening, slightly separating the two faces and reinforcing the division between them. The line extends vertically from near the top to near the bottom and remains extremely straight and clean, contrasting with the organic facial forms.
The composition is tightly cropped and almost perfectly frontal, with very little background visible. The upper corners and side regions are nearly pure black, while the central region is bright white. The woman's face is positioned on the right side of the opening, while the three eyes on the left are stacked vertically and aligned roughly along the same narrow space.
The left face should have three clearly distinct realistic eyes arranged vertically, not three pairs of eyes. Each eye has its own eyelid, lashes, iris, wet highlights, surrounding skin, and dark socket. The eyes should appear organically embedded into the same partially hidden face, producing an uncanny anatomical effect.
The overall style is high-contrast black-and-white fine-art photography mixed with surreal horror illustration: realistic facial anatomy, extremely detailed eyes, smooth pale skin, deep crushed blacks, subtle grayscale gradients, delicate hair strands, sharp facial features, and almost no environmental detail. Strong vertical symmetry, stark negative space, claustrophobic framing, eerie stillness, unsettling duality, and minimalist supernatural horror.
delicate thin lineart, soft colored lines, low contrast, muted palette, pastel tones, smooth gradients, soft shading, gentle lighting, subtle shadows, minimal highlights, airy feel, watercolor texture, Solveig style, semi-real, lips, nose.
Erlok
(<lora:LCMTurboMix2fix:1>), high contrast style, long eyelashes, lineart, (in the style of cksc), subtle uncanny, near-realistic, controlled distortion, almost correct anatomy, slight inconsistency, visual ambiguity, halftone texture, minimal expression,
1girl, solo, close-up portrait, face focus, beautiful young woman, extremely pale skin, elegant features, long straight black hair with bangs, detailed brown eyes, extremely long black eyelashes, thin eyebrows, soft lips,
split face, two-face, left side of face completely beautiful and intact, flawless smooth porcelain skin, soft calm expression, delicate features,
right side of face grotesque and horrifying, cracked and broken skin, distorted features, sunken darker eye, uneven lips, raw and eerie texture, unsettling expression, body horror,
clear vertical crack dividing the two halves of the face, gothic clothing, black ruffled high-collar blouse with lace details, dark Victorian-inspired outfit, elegant gothic fashion
ShihAn
1
e
Appearance: A surreal monochrome composition featuring two human faces divided by a very narrow vertical opening. On the left, a partially obscured face emerges from deep blackness, with three vertically stacked eyes visible instead of a normal single pair. The eyes are realistic, glossy, intensely focused, and surrounded by heavy dark shadows, fine eyelashes, wrinkled skin texture, and black organic markings. The left face is mostly swallowed by darkness, with only the eyes, fragments of pale skin, and a few strands of dark hair visible.
On the right, a pale young woman is shown in close-up, facing slightly toward the viewer. She has long, straight dark hair framing and partially covering the right side of her face. Only one eye, her nose, cheek, and softly parted lips are clearly visible through the narrow opening. Her visible eye is realistic and sharply detailed, with a subtle reflective highlight and a calm but eerie expression. Her skin is smooth, pale, and softly illuminated, contrasting strongly with the black hair.
Scene: A minimalist black-and-white surreal horror portrait constructed around extreme vertical negative space. Two faces are positioned behind two massive dark vertical shapes, leaving only a narrow white slit between them through which their features are revealed. The central opening is a tall, irregular vertical white column extending almost the entire height of the image.
The left side is dominated by a nearly solid black vertical mass, behind which the multi-eyed face is partially concealed. The right side is similarly dominated by a large curtain-like mass of black hair or darkness surrounding the woman's face. The dark shapes create the impression that the two figures are peering through a narrow crack, doorway, or slit.
A very thin solid black vertical line runs through the central white opening, slightly separating the two faces and reinforcing the division between them. The line extends vertically from near the top to near the bottom and remains extremely straight and clean, contrasting with the organic facial forms.
The composition is tightly cropped and almost perfectly frontal, with very little background visible. The upper corners and side regions are nearly pure black, while the central region is bright white. The woman's face is positioned on the right side of the opening, while the three eyes on the left are stacked vertically and aligned roughly along the same narrow space.
The left face should have three clearly distinct realistic eyes arranged vertically, not three pairs of eyes. Each eye has its own eyelid, lashes, iris, wet highlights, surrounding skin, and dark socket. The eyes should appear organically embedded into the same partially hidden face, producing an uncanny anatomical effect.
The overall style is high-contrast black-and-white fine-art photography mixed with surreal horror illustration: realistic facial anatomy, extremely detailed eyes, smooth pale skin, deep crushed blacks, subtle grayscale gradients, delicate hair strands, sharp facial features, and almost no environmental detail. Strong vertical symmetry, stark negative space, claustrophobic framing, eerie stillness, unsettling duality, and minimalist supernatural horror.
delicate thin lineart, soft colored lines, low contrast, muted palette, pastel tones, smooth gradients, soft shading, gentle lighting, subtle shadows, minimal highlights, airy feel, watercolor texture, Solveig style, semi-real, lips, nose.
Erlok
e
Appearance: A surreal monochrome composition featuring two human faces divided by a very narrow vertical opening. On the left, a partially obscured face emerges from deep blackness, with three vertically stacked eyes visible instead of a normal single pair. The eyes are realistic, glossy, intensely focused, and surrounded by heavy dark shadows, fine eyelashes, wrinkled skin texture, and black organic markings. The left face is mostly swallowed by darkness, with only the eyes, fragments of pale skin, and a few strands of dark hair visible.
On the right, a pale young woman is shown in close-up, facing slightly toward the viewer. She has long, straight dark hair framing and partially covering the right side of her face. Only one eye, her nose, cheek, and softly parted lips are clearly visible through the narrow opening. Her visible eye is realistic and sharply detailed, with a subtle reflective highlight and a calm but eerie expression. Her skin is smooth, pale, and softly illuminated, contrasting strongly with the black hair.
Scene: A minimalist black-and-white surreal horror portrait constructed around extreme vertical negative space. Two faces are positioned behind two massive dark vertical shapes, leaving only a narrow white slit between them through which their features are revealed. The central opening is a tall, irregular vertical white column extending almost the entire height of the image.
The left side is dominated by a nearly solid black vertical mass, behind which the multi-eyed face is partially concealed. The right side is similarly dominated by a large curtain-like mass of black hair or darkness surrounding the woman's face. The dark shapes create the impression that the two figures are peering through a narrow crack, doorway, or slit.
A very thin solid black vertical line runs through the central white opening, slightly separating the two faces and reinforcing the division between them. The line extends vertically from near the top to near the bottom and remains extremely straight and clean, contrasting with the organic facial forms.
The composition is tightly cropped and almost perfectly frontal, with very little background visible. The upper corners and side regions are nearly pure black, while the central region is bright white. The woman's face is positioned on the right side of the opening, while the three eyes on the left are stacked vertically and aligned roughly along the same narrow space.
The left face should have three clearly distinct realistic eyes arranged vertically, not three pairs of eyes. Each eye has its own eyelid, lashes, iris, wet highlights, surrounding skin, and dark socket. The eyes should appear organically embedded into the same partially hidden face, producing an uncanny anatomical effect.
The overall style is high-contrast black-and-white fine-art photography mixed with surreal horror illustration: realistic facial anatomy, extremely detailed eyes, smooth pale skin, deep crushed blacks, subtle grayscale gradients, delicate hair strands, sharp facial features, and almost no environmental detail. Strong vertical symmetry, stark negative space, claustrophobic framing, eerie stillness, unsettling duality, and minimalist supernatural horror.
delicate thin lineart, soft colored lines, low contrast, muted palette, pastel tones, smooth gradients, soft shading, gentle lighting, subtle shadows, minimal highlights, airy feel, watercolor texture, Solveig style, semi-real, lips, nose.
Erlok
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