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AI art "chloroform" featuring #The King of Fighters, #Athena Asamiya and #The King of Fighters XIV
Ücretsiz Oluştur

chloroform

#The King of Fighters#Athena Asamiya#The King of Fighters XIV
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(Ayarlanmadı)
Parametreleri Göster
Boyut
768 x 1280
Örnekleme Adımları
28
Örnekleme Yöntemi
Euler a
CFG Ölçeği
5
Negatif
nsfw, worst quality, bad quality, low quality, lowres, anatomical nonsense, artistic error, bad anatomy, interlocked fingers, extra fingers, text, artist name, signature, bad feet, extra toes, ugly, poorly drawn, censor, blurry, watermark, simple background, transparent background, old, oldest, glitch, deformed, mutated, disfigured, long body, bad hands, missing fingers, extra digit, fewer digits, cropped, very displeasing, sketch, jpeg artifacts, username, censored, bar_censor, mosaic_censor, conjoined, bad ai-generated, nsfw, long neck, skin blemishes, skin spots, acne, the wrong limb, error, black line, excess hands

Kullanılan Model ve LoRA

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AI artwork
糖分
character: asamiya_athena, copyright: the_king_of_fighters 1girl, solo, asamiya athena, purple hair, long hair, hairband, red hairband, star hair ornament, gold star, single hair ornament, purple eyes, pale skin, red vest, white puffy sleeves, puffy sleeves, white sash, biker shorts, fingerless gloves, black pantyhose, pearl, pearl jewelry, beads, both hands on own cheeks, slapping own face, self-slapping, cheeks pressed, head tilted back, eyes squeezed shut, clenched teeth, furrowed brow, from side, profile, cowboy shot, dynamic angle, looking at object, motion blur on hands, indoor, empty gymnasium, hard overhead light The view is a three-quarter profile from the side, camera slightly below her chin line, so her face fills the left third of the frame and both arms cut across it toward the viewer. One figure stands alone on an empty gymnasium floor, feet planted wide, weight sunk into her back leg with the front knee bent, torso arched back and chin lifted as her head snaps up from the blow. Both hands are pressed hard, palms flat, against her own cheeks and jaw, fingers splayed along the cheekbones, the fingertips of the near hand digging a soft dent into the skin, the far hand's knuckles just visible past her nose; her elbows are flung wide and thrown back, wrists cocked inward. Her eyes are squeezed shut into hard crescents, brow drawn down in two sharp creases, teeth clenched behind parted lips, breath caught, a flush blooming where the palms meet skin; the impact compresses her cheeks and pushes her lower lip slightly askew. Her purple hair is caught mid-swing, strands flung back off her shoulders and across the raised forearms, some sticking to the cheek under her fingers. The red hairband sits high on her head with the single gold star ornament cocked to one side above her left temple, catching the light. Her red vest rides up on the arched torso over the white puffy sleeves, the white sash knotted at her waist trailing loose with one end flicked outward; her biker shorts and black pantyhose run down into the wide stance. Small pearls and beads at her throat and wrist swing out on their threads from the jerk of her arms. The gymnasium is a plain midground of pale wooden floorboards and a distant wall, kept simple and recessive, one boundary line stretching away at the floor to give depth. One hard, cool overhead light source sits high and slightly behind her: it strikes the top of her head, the gold star, the crown of each raised forearm and the upper white sleeve, leaving her jaw, the undersides of her hands and the far side of her face in shadow, and it throws a compressed, foreshortened shadow of her arms and bent torso down onto the boards directly beneath her. Colour is disciplined to purple, red, white and black with the single gold star and the small pale shimmer of pearls and beads against the floor's warm neutral. A micro-detail for the eye: the sweat sheen at her temples is squeezed into a fine ridge where her palms press, and the strands of hair there stay stuck flat to the damp skin. Sharp focus on the face and hands, shallow fall-off to her legs and the far wall, intensity high, raw and electric.
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