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AI art "うちのPixAI看板娘兼Pixiv二次創作小説新オリキャラ誕生しました" featuring #göbeği açık, #Crop top, #Siyah dizüstü çorap, #Kneesocks, #1 kız and #mikro şort
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うちのPixAI看板娘兼Pixiv二次創作小説新オリキャラ誕生しました

AI木曜のRQ参戦用にこの子をベースにしたイラスト数点作っていましたが・・・ 主催者側から「この子に名前や設定がないとかわいそうなのでそろそろ設定を作ってください」と声をいただいたので急遽設定を作ってうちのPixAI看板娘兼新オリキャラ誕生しました! 新オリキャラ兼うちのPixAI看板娘・・・ 「松田琉七(まつだ るな)」 です! また、この看板娘をPixivで連載してる二次創作小説にも出す予定です! ちなみに具体的な設定は・・・ ・SAO×湾岸ミッドナイトクロスオーバー二次創作小説「ロータリーワルツ」に登場する松田七華(※ロータリーワルツのオリキャラでロータリーエンジン車専門チューニングショップのオーナー)のいとこの女子高校生 ・いとこの七華を追って車が好きになった ・車(特にFD3S)とアニメが大の大好きでコスプレも大好きでレースクイーンになったのもその理由 ・レースクイーンをすることも大好きなのでプロレースには消極的で首都高・峠専門 ・基本的には首都高を走るが大レース開催時はそのコースの付近の峠(もてぎであればいろは坂、八方ヶ原、もみじライン)、さらに鈴鹿の場合は伊勢志摩スカイラインのみならず名古屋高速道路にも遠征している ・(やはりというか作者の趣味もあるが)へそ・わき・ニーソ・ホットパンツが好き。また、コスプレ衣装としてはレースクイーンの衣装ももちろんだがスク水・競泳水着も好き ・名前の由来はマツダ・RX-7+アンジュ・ヴィエルジュのキャラクターである那月琉花 ・愛車FDは首都高・峠両方に対応するスペック(※エアロ・基本ステータスはまだ未定) という感じになりそうです。 なお、イメージCVはまだ未定です・・・ (有力候補は水樹奈々、楠木ともり、三澤紗千香、高橋李依、種田梨沙、加隈亜衣、小岩井ことり、島袋美由利、林鼓子、矢野妃菜喜、芹澤優ですが) ・・・なわけで、今後ともうちの第2の看板娘 松田琉七を(「ロータリーワルツ」の主人公にして第1の看板娘(?)である黒雪紗千香ともども)よろしくお願いします! (あ、紗千香くんのAIイラスト・・・1点も作ってない・・・(汗))

#göbeği açık#Crop top#Siyah dizüstü çorap#Kneesocks#1 kız#mikro şort
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PixAI'de promptlar varsayılan olarak herkese açıktır, ancak yaratıcılar yayımladıkları her eserde promptu gizleyebilir. Bu eserin sahibi promptu gizlemeyi seçti; bu yüzden görselin oluşturulmasında kullanılan kelimeler gizli kalır ve bunları yalnızca eserin sahibi görebilir. Promptu gizlemek başka hiçbir şeyi değiştirmez: eser hâlâ herkese açık ve onu her zamanki gibi beğenebilir, yorumlayabilir ve paylaşabilirsin.
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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