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AI art "Girls Frontline - Faelynn Feet"
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Girls Frontline - Faelynn Feet

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Zql12

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PixAI'de promptlar varsayılan olarak herkese açıktır, ancak yaratıcılar yayımladıkları her eserde promptu gizleyebilir. Bu eserin sahibi promptu gizlemeyi seçti; bu yüzden görselin oluşturulmasında kullanılan kelimeler gizli kalır ve bunları yalnızca eserin sahibi görebilir. Promptu gizlemek başka hiçbir şeyi değiştirmez: eser hâlâ herkese açık ve onu her zamanki gibi beğenebilir, yorumlayabilir ve paylaşabilirsin.
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G41 | Heckler & Koch Gewehr 41 (Girls Frontline) [Pony] - AI Model cover image

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Girls' Frontline 2: Exilium(少女前线2：追放) 3d game style - AI Model cover image

Kullanıcı LoRA'sı

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AI artwork
Avatar image of 風竜桜華
character: shirakami_fubuki bare right foot, barefoot, black knee-high sock on left leg only, single sock, one leg bare, one leg covered, both soles shown to viewer, sole focus, soles facing viewer, sweaty feet, damp soles, glistening skin, toes curled, foot up, legs up, lying on back, from below, foreshortening, close-up on feet, white hair, long hair, ahoge, single braid, hair between eyes, sidelocks, aqua eyes, green eyes, animal ears, fox ears, detached sleeves, black shorts, neckerchief, earrings, looking at viewer, smug, half-closed eyes, blush, open mouth, toes spread on the bare foot From a low camera almost at floor level, looking up along her legs, both soles are pushed toward the lens in strong foreshortening and fill the near half of the frame. She lies back on a low cushioned bench, hips settled at its edge, right leg bent and lifted with the bare sole turned square to the viewer, left leg raised alongside it with the black knee-high sock pulled taut from ankle to below the knee and its dark sole facing out beside the bare one. The bare right foot is the brighter, nearer shape: warm skin, heel creased, toes splayed and slightly curled from the stretch, the ball of the foot flushed pink. On the socked left foot the knit ribs catch the light along the instep and thin at the ankle where the sock wrinkles, its sole a flat dark oval with a faint sheen. Both soles are damp, a fine glossy film across the bare arch and a darker, sweat-soaked patch worked into the knit under the left foot, small beads catching the light along the outer edge of the right heel. Her hands rest behind her on the bench, elbows locked, fingers curled over the cushion edge, one shoulder lifted higher than the other as her weight sinks into the seat. Above the raised legs her white hair falls back loose over the cushion, the single braid and sidelocks spilling to one side, one fox ear tipped forward and the other swiveled back with a small hoop in it. Her chin is tucked toward her chest and she looks down the length of her legs straight into the lens, one eyebrow arched, a lopsided grin with the tip of her tongue showing, a flush high on her cheeks, the neckerchief askew at her throat and the detached sleeves bunched at her upper arms. The room is dim and warm, a single lamp low and behind her legs so the light rakes across the soles from below and grazes the sock's ribs, leaving the upper half of her body in soft shadow and throwing the bench's short shadow across the floor; a faint sheen of condensation on the near floorboards hints at the humid air. Muted palette of warm skin, deep charcoal knit and cool shadow, white hair the only bright field. Intimate, teasing.
風竜桜華
#Shirakami Fubuki#Hololive Production

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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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