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Parametreleri Göster
- Orijinal Prompt
- masterpiece, best quality, highly detailed environmental illustration, post-apocalyptic sci-fi wasteland settlement, wide cinematic establishing shot, 16:9 aspect ratio, viewed from outside a makeshift survivor camp, ground-level perspective, rusted scrap-metal barricade wall, junkyard fortifications made from wrecked vehicles, metal plates, pipes and industrial debris, narrow entrance gate leading into the camp, damaged corrugated metal buildings beyond the wall, roofs with shell holes and battle damage, tattered banners hanging from poles, glowing windows and campfires inside the settlement, foreground filled with toxic neon-green chemical pools, luminous green crystal clusters growing along the contaminated water, rocky desert terrain, scattered rubble, broken machinery, abandoned crates, blast craters, scorched earth, laser impact marks, plasma weapon damage, smoke rising from recent explosions, smoldering debris piles, ruined vehicles half-buried in dirt, dramatic overcast sky, thick dust haze, distant canyon rock formations, atmospheric perspective, volumetric lighting, cinematic depth, realistic shadows, warm brown earth contrasted against vivid green toxic glow, dark industrial textures, post-war atmosphere, survivalist settlement, grim yet inhabited environment, detailed textures, sharp focus, fantasy sci-fi wasteland, concept art quality, environmental storytelling inspired by dark fantasy manga environments, cinematic matte painting, ruined frontier settlement, Mad Max aesthetic, toxic wasteland, heavy atmosphere, realistic materials, highly detailed debris fields
- Mod
- pro
- Boyut
- 1280 x 720
- Negatif
- low quality, worst quality, blurry, pixelated, watermark, text, logo, signature, frame, border, duplicate objects, floating objects, malformed architecture, modern city, futuristic skyscrapers, clean environment, pristine buildings, excessive vegetation, vibrant blue sky, cartoon style, chibi, low detail, oversaturated colors, fog covering entire scene, indoor scene, close-up view, characters in foreground, vehicles driving, crowds of people
Kullanılan Model ve LoRA
![Background Enhancer [SDXL] - AI Model cover image](https://images-ng.pixai.art/images/thumb/a457fe15-b995-4aac-86f4-bb9d344f6f97)
Benzer Görseller
Daha fazla göster
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Scene Sinner
ab
A wide-angle, cinematic shot depicting a desolate, post-apocalyptic wasteland under a suffocating, sickly green atmosphere. In the center of the frame, the skeletal remains of a once-great metropolis crumble into ruins, with skyscrapers leaning at precarious angles and shattered glass reflecting a dim, filtered sunlight. Thick, iridescent green smog clings to the ground and swirls around rusted vehicle husks and scattered debris. In the distance, monolithic, brutalist architecture of the Fourth Reich rises above the haze, featuring sharp angles and imposing black steel structures that dwarf the surrounding decay. The environment is devoid of human life, characterized by a profound sense of silence and extinction. The color palette is dominated by oppressive olives, charcoal greys, and toxic greens, with a heavy depth of field that emphasizes the vast, empty scale of the dead world. Floating particles of ash and chemical residue drift through the air, adding a gritty, suffocating texture to the scene.
Andrew Buivol
Last night the rain was green #4
Jakov
no humans, scenery, dark ruined industrial landscape, night, river, glowing water, toxic green and purple water, luminous water, thick fog, toxic fog, fog rising from water surface, riverbank, twisted metal debris, scrap metal, dead vegetation, dead trees, withered grass, industrial ruins, collapsed factory structures, broken pipes, silhouetted smokestacks, cinematic lighting, deep shadows, neon toxic glow, green glow, purple glow, atmospheric perspective, volumetric fog, reflections on water, wide shot, from above, high angle, birds-eye view, 16:9, film grain, no text, no watermark, clean image surface, eerie, desolate, hyper-detailed
Seen from high above, a wide bird's-eye view looks down the length of a drowned industrial valley at night, the frame split diagonally by a slow river that enters at the lower left and bends away into the fog at the upper right. The water itself is the only real light in the valley: it glows from within in a sickly toxic green that shifts to bruised purple in the deeper, slower channels, brightest along the inner curves where the current turns, and it throws that contaminated green-violet light up onto every surface that overhangs it. A thick toxic fog hangs low over the surface, thickest midstream, rolling in long slow bands that thin at the edges and reveal brief glimpses of the water beneath; the fog is lit from below by the river, glowing green near the water and fading to a dirty grey-violet as it rises. The riverbanks are heaped with twisted metal — buckled sheet steel, collapsed pipe runs, the rib cage of a ruined gantry, a snapped conveyor frame leaning into the water — all rendered as jagged black silhouettes rimmed with green on their upward-facing edges. Between the metal, dead vegetation: bare, clawing trees stripped of leaves, stands of withered grass flattened along the waterline, blackened stubble crusting the mud. Further back, the broken shells of factory buildings and a row of smokestacks stand in silhouette against a sky of deep charcoal, no stars, no moon. The light is only what the river and the fog make of it; everything the glow does not touch sinks into absolute black shadow. A single dead tree in the near foreground, its trunk glossy with condensation on the windward side, throws a long soft shadow across the glowing water — the fog drifting past it in visible layers, so the beam of toxic light between them reads as depth. Palette is confined to toxic green, purple, black and a fog-grey midtone; no warm colour anywhere. Fine film grain over the whole image. Toxic, eerily beautiful.
C9I
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