cinematic climax, beautiful anime style illustration, transparency and grandeur, delicate and clear outlines, elegant cel-anime coloring, no people, depicting enormous nature and mythical existence, inspired by australian aboriginal rainbow serpent mythology, original mythological scene, vast reddish-brown plateau reminiscent of australian outback, deep and narrow giant canyon splitting the land, left and right steep rocky walls with layers of reddish-brown and dark brown, canyon bottom so deep that light cannot reach, endless darkness where neither ground nor water surface is visible, bottomless darkness, from the deep canyon bottom on a full moon night, a giant mythical serpent rises toward the moon as if trying to swallow it, existence is a scaleless snake, resembling the serpent's undulation, a giant, gentle s-shaped dark pillar toward the moon with its jaws wide open, jaw part is the posture of a faceless python trying to swallow its prey, not to be depicted as black smoke, tornado, flame, or tentacle, depicted as an unfathomable ancestral spirit sleeping at the bottom of the earth, raising its body toward the sky in the form of darkness itself, dark pillar is not completely opaque black, but a semi-transparent dark body like many layers of deep water, night sky, and shadow, background seen very faintly distorted through the outline, feeling both enormous mass and transparency simultaneously, inside the darkness, colors reminiscent of black opal play of color flicker within dark blue, but not depicted as gem, mineral, crystal, polished luster, or hard surface, from the dark interior, irregular color planes of bluish-green, cobalt blue, purple, crimson, orange, yellow-green float, sink, and slowly shift in forms indistinguishable from liquid, light, or clouds, mysterious black opal shine, colors not arranged as a seven-color band, not made into a normal rainbow shape or rainbow-colored stripes, radiating strong neon light outward, colors appear to emphasize the depth of darkness, lower part of the pillar is continuous with the darkness of the canyon bottom, unclear where the being's body begins, from the middle slowly undulating and growing larger, upper part extends into the wide sky, half-dissolving into thin clouds, tip having a clear serpent head with a slight curve like raising its neck, making one feel a giant will, only the full moon shines blue in the dark night, only around the dark pillar clouds and atmosphere are quietly parted, inside the canyon a faint bluish-white mist or moisture drifts, giving a sense of water within the dry red earth, composition is a viewpoint looking down at the serpent's jaws rising from the bottomless canyon to the sky, lower part and sides of the screen surrounded by giant rocky walls, central dark pillar extends greatly upward in the screen, using aerial perspective on canyon walls and distant scenery, layering foreground dark brown, canyon interior dark bluish-gray, sky transparent blue to express overwhelming depth and scale, atmosphere is not monster movie or horror, but solemn, sacred, quiet awe, the earth's power existing since ancient times, not a scene where something is summoned, but the moment something that has always existed at the earth's bottom first stands up toward the heavens, no shrine, altar, magic circle, letters, crest, man-made objects, people, structures, normal rainbow, lightning, explosion, flame, black smoke, gem crystals, scales, western dragon-like horns or wings, not directly imitating existing aboriginal ceremonial paintings or sacred patterns, but an original fantasy expression inspired by mythology
tony
