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PixAI'de promptlar varsayılan olarak herkese açıktır, ancak yaratıcılar yayımladıkları her eserde promptu gizleyebilir. Bu eserin sahibi promptu gizlemeyi seçti; bu yüzden görselin oluşturulmasında kullanılan kelimeler gizli kalır ve bunları yalnızca eserin sahibi görebilir. Promptu gizlemek başka hiçbir şeyi değiştirmez: eser hâlâ herkese açık ve onu her zamanki gibi beğenebilir, yorumlayabilir ve paylaşabilirsin.
Yazar tarafından gizlendi
Kullanılan Model ve LoRA
SDXL
SussyBaka XL (SBXL)
185
Kullanıcı LoRA'sı
Feminine body proportions slider/enhancer | Wider hips, narrow petite shoulders, softer hourglass or pear body shape
488
Kullanıcı LoRA'sı
Flat Characters Pony
5
Kullanıcı LoRA'sı
Flat Color - Style
2.11k
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Massive thighs
139
Kullanıcı LoRA'sı
BBW Obese mature female body 2.0
49
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1girl, solo, blonde hair, golden shining hair, voluminous hair, soft wavy hair, wavy hair to the tips, double bun hair, heart-shaped ahoge, translucent pale blue-purple eyes, large eyes, long eyelashes, lower eyelashes, sharp facial features, sidelong glance, looking slightly bashful, dignified, red china dress, chest cutout, detailed costume, sexy costume, black tights, ribbon, from below, watercolor painting, translucent look, delicate touch, finely detailed hair, finely detailed skin, high resolution, no text,
Low camera looking up at a single girl from below, her chin lifted a fraction above the lens line so the tilt of her head reads as composure rather than defense. She stands with her weight sunk into her right leg, left knee loose and slightly ahead, hips canted, one shoulder dropped lower than the other, so the whole body forms a long asymmetric S instead of a square stance. Her head is turned partway away and her eyes slide back toward the viewer from the far side of that turn: pupils rolled to the outer corner, upper lid resting low over the iris, lower lash line drawn in fine individual strokes, a thin bright catchlight at each wet-looking iris edge so the pale blue-violet reads as translucent glass. Her brows are level and cool, but her lower lip is pressed up against the upper one in a small caught-in-the-act pout, and two faint warm patches sit high on her cheekbones — dignified in the jaw and eyes, bashful only at the mouth and the blush.
Both palms are folded together in front of her waist, fingers laced, thumbs pressing into each other, the small tension in the knuckles the only visible sign of nerves. Her elbows tuck in, which draws the red silk taut across her ribs. The china dress is tightly fitted crimson silk with a high stiff mandarin collar closed at the throat, knotted fabric toggles running down the diagonal front, and a clean-edged chest cutout cutting a narrow window just below the collarbones, the silk piping its own frame; the hem splits high over the hip. Black tights are opaque from hip to toe, their matte surface drinking the light while the silk throws it back. A ribbon is tied at the back of the hair between the two buns, its tails hanging free.
Her golden hair is the mass of the picture: two round buns set high and slightly apart on the crown, the surface of each bun brushed into soft concentric waves, and from beneath them the rest of the hair falls in thick voluminous waves that break into separate S-curves at the tips instead of tapering flat. One strand curves free past her cheek, and above the crown a single lock coils into a clear heart shape. Because the camera is below, we see the shadowed undersides of the buns and the lit outer crown, the under-layers warm ochre, the crest almost white where the light hits.
The light is a single warm high source from the upper left, out of frame; it rims the top of the buns, the ridge of her nose and the collarbone above the cutout, lays a soft cast shadow down the right side of her neck, and darkens the silk in the folds under each breast and along the inner line of the split skirt. The background is a plain, cool, near-white paper field with nothing in it; the only color is her — red silk, gold hair, black tights — and the watercolor medium shows itself in granulating washes where the red bleeds a hair past its drawn edge, a few unpainted highlights left as bare paper on the buns and the shoulder, and pale pooled pigment settling at the bottom of the dress folds. Quiet, cool, faintly flushed.
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