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AI art "day☀️"

day☀️

#sitting#Dress#Very Long Hair#long hair#solo#brown hair#Radio#Veil#Grass#Flower#brown eyes#Television#White Dress#Girl#Holding#Wavy Hair#Closed mouth
Published on Aug 29, 2026
Avatar image of risheネコ…

risheネコ…

Görülecek Daha Fazla Şey
A young woman sitting gracefully on lush green grass scattered with small red flowers, wearing a long elegant white dress that is old, worn, dusty, weathered, and slightly dirty, with subtle beige and gray stains. She wears a delicate translucent white veil over her head. Her extremely long, thick, wavy light-brown hair flows dramatically from beneath the veil, spreading across the ground and trailing far around her body. She sits in a beautiful, melancholic pose while tightly embracing a large vintage CRT television, not a modern LED TV, holding it against her chest as tenderly and lovingly as if embracing her beloved lover. Her arms are wrapped naturally around the television, expressing deep affection and longing. Her face is clearly turned toward the viewer, looking directly at the viewer with a quiet, melancholic gaze. The CRT television has a bulky retro casing, rounded glass screen, physical knobs and buttons, scratches and dust, displaying a blurred distorted retro broadcast with scanlines, static, color distortion, and indistinct ghostly imagery, emitting a soft eerie glow that illuminates her face and hands. Behind the girl is an abandoned, decaying office-like interior, with large dirty concrete walls covered in moss, moisture stains, grime, cracks, peeling surfaces, and weathered textures. In one corner, only two old vintage CRT televisions sit near the wall, one slightly above the other, both still turned on and glowing softly. Small plants, moss, vines, and grass grow around the base of the televisions and through cracks in the floor. Above the girl, a large section of the ceiling has collapsed completely, revealing an open hole overhead. Broken concrete edges and exposed rusted metal beams form the remaining skeletal roof structure, with several bent metal supports hanging downward. Soft dramatic light pours down through the collapsed ceiling, creating beautiful visible rays that directly illuminate the girl, her white dress, veil, and flowing hair as the main focal point. The surrounding abandoned room remains darker and shadowy, creating a strong contrast between the gloomy interior and the heavenly light from above. Tiny dust particles float through the light beams, creating an ethereal atmosphere. Cinematic composition, strong light and shadow contrast, melancholic surrealism, shallow depth of field, atmospheric dust, painterly anime style, visible textured brushstrokes, semi-painted texture, expressive brushwork, subtle impasto texture, soft smudged edges, rough sketch-like linework, organic painted texture, slightly desaturated tones, cinematic lighting, beautiful shadows, imperfect hand-painted feeling, poetic, haunting, lonely, atmospheric.
Parametreleri Göster
Mode
pro
Boyut
1024 x 1024
Negatif
worst quality, photorealistic, bad anatomy, blur, low resolution

Kullanılan Model ve LoRA

Benzer Görseller

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もう少し大きなテレビないですか?
焔悧
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character: yamamura_sadako, A medium shot from a low-angle perspective depicts the eerie scene of Sadako Yamamura crawling out of a television screen placed on the tatami mats of a dark traditional Japanese room. Sadako is a pale-skinned woman with very long, straight black hair that completely covers her face, with only a hint of a piercing red eye visible through the strands. She is wearing a simple, weathered white dress that is slightly stained, and her thin, pale hand is gripping the edge of the television frame as she emerges into the room. The setting is a dim washitsu with straw tatami flooring and sliding shoji doors in the background, barely illuminated by the flickering, cold blue light emitting from the TV screen. The atmosphere is oppressive and haunting, utilizing a high-contrast lighting scheme where deep shadows swallow the corners of the room, rendered in a clean anime illustration style with flat cel-shading and sharp lines.
マスオの味噌煮
AI artwork
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character: yamamura_sadako, A medium shot from a low-angle perspective depicts the eerie scene of Sadako Yamamura crawling out of a television screen placed on the tatami mats of a dark traditional Japanese room. Sadako is a pale-skinned woman with very long, straight black hair that completely covers her face, with only a hint of a piercing red eye visible through the strands. She is wearing a simple, weathered white dress that is slightly stained, and her thin, pale hand is gripping the edge of the television frame as she emerges into the room. The setting is a dim washitsu with straw tatami flooring and sliding shoji doors in the background, barely illuminated by the flickering, cold blue light emitting from the TV screen. The atmosphere is oppressive and haunting, utilizing a high-contrast lighting scheme where deep shadows swallow the corners of the room, rendered in a clean anime illustration style with flat cel-shading and sharp lines.
マスオの味噌煮
AI artwork
Avatar image of Mizuki
artist:john kafka,artist:wanke,artist:fuzichoco,artist:quasarcake,(artist:nixeu:0.8), 1girl, solo, cowboy shot, straight-on, sitting, leaning forward, slumped shoulders, hands between legs, hands on lap, arms between knees, head slightly lowered, looking down, looking to the side, downcast eyes, blue-grey eyes, empty eyes, expressionless, closed mouth, dark brown hair, black hair, short hair, bob cut, blunt bangs, single large white bow, hair bow, iridescent bow, white blouse, long sleeves, lace collar, frilled collar, lace trim, front button row, small buttons, dark navy pinafore, suspender dress, black overall dress, white skirt, lace hem, dark room, night interior, crt monitor, (crt glow:1.3), two crt screens, retro computer, vintage monitor, audio deck, stereo equipment, knobs and dials, cables on floor, wooden floor, glitched screen, corrupted static, rainbow static, screen light, blacklight glow, ultraviolet tint, blue-violet light, (prismatic rainbow bands:1.2), spectral light, iridescent highlights, holographic sheen, darkness, black background, oil painting style, painterly, thick brushstrokes, impasto texture, visible brushwork, scratchy paint texture, rough paint patches, muted amber accents, semi-realistic anime, melancholy, lonely, A nearly black room at night where the only light is the glow of screens: the girl sits facing the camera at cowboy-shot distance, torso leaning forward, shoulders slumped inward, both arms dropped between her knees with her hands settled together in her lap between her thighs, the pose collapsed and weightless with fatigue. Her dark brown bob falls to her jaw with heavy blunt bangs, and a single large white bow is tied on the right side of her head, its satin surface turned iridescent by the light; her blue-grey eyes are open but empty, aimed down and slightly to the side at nothing, mouth closed, face blank. She wears a white long-sleeved blouse with a wide lace-trimmed collar and a vertical row of small buttons, under a dark navy pinafore whose straps cross her chest, a pale skirt with a lace hem spreading around her seated legs. To her left stand two beige CRT monitors stacked with a knob-covered audio deck between them — the upper screen frozen on corrupted rainbow static, blocks of glitched color and a smeared spectral arc, the lower screen nearly dark with a cold blue wash — and these screens are the only light sources in the frame; beyond their reach the darkness is absolute, the walls dissolving into black with only rough patches of amber paint texture surviving near her head. The screen light lands as physics demands: a cold blue-violet base floods the surfaces facing the monitors — the left side of her hair, her cheek, her chest — while thin prismatic rainbow bands, split like light through a prism, strike in narrow arcs across the crown of her hair, the bow, her lace collar and down her left sleeve, every band bending with the fabric folds it crosses; the sides of her body facing away from the screens fall into deep violet-black shadow with no second light to rescue them. On the wooden floor to the right, loose cables catch faint blue edge reflections dimmer and softer than the screens themselves, and a small device in the far corner holds one tiny blue glow. The whole image is rendered as a dark oil painting — thick visible brushstrokes, impasto ridges catching the screen light, scratchy dry-brush texture in the blacks, edges left rough — the painterly grain itself the image's deliberate defect. Melancholy, lonely, artist: john_kafka, wanke, fuzichoco, quasarcake, nixeu
Mizuki
1

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