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AI artwork

Shashi Singh

Published on 3 days ago
Avatar image of Shashi Singh

Shashi Singh

Görülecek Daha Fazla Şey
Hand-drawn anime concept sketch of a mysterious winged girl seen from behind, three-quarter back view, long slightly messy hair tied loosely into a braid, two enormous dark feathered wings spreading outward from her back, oversized layered feathers with individually sketched strokes, simple loose clothing, monochrome black-and-gray pencil and charcoal shading, rough expressive linework, visible construction lines, uneven hand-drawn strokes, minimal clean-up, white paper background, soft graphite texture, unfinished artist sketchbook aesthetic, natural imperfections, emotional quiet atmosphere, 2D traditional drawing, NOT polished digital art, NOT photorealistic, no glossy rendering, no AI-looking perfect lines
Parametreleri Göster
Boyut
736 x 696
Örnekleme Adımları
16
Örnekleme Yöntemi
DPM++ 2M SDE Karras
CFG Ölçeği
8
Negatif
DeepNegative, EasyNegative, badhand, negative_hand-neg

Kullanılan Model ve LoRA

Benzer Görseller

Daha fazla göster
AI artwork
Avatar image of Shashi Singh
A three-quarter back view, hand-drawn anime concept sketch of a mysterious girl featuring long, slightly messy hair tied loosely into a braid and two enormous, dark feathered wings spreading wide from her back. The wings are composed of oversized, layered feathers defined by expressive, individually sketched charcoal strokes. She wears simple, loose-fitting clothing that clings naturally to her frame. The entire piece is rendered in a monochrome black-and-gray pencil and charcoal aesthetic, characterized by rough, visible construction lines and uneven, hand-drawn strokes that favor an unfinished sketchbook feel over digital polish. Set against a plain white paper background, the work emphasizes raw graphite textures and natural imperfections. The style utilizes high-contrast, graphic linework with sharp, ink-like strokes that create bold silhouettes and intense light-dark tension. The composition conveys an emotional, quiet, and dramatic atmosphere, prioritizing manga-inspired precision and striking visual impact over smooth rendering or photorealistic perfection.
Shashi Singh
AI artwork
Avatar image of Shashi Singh
A three-quarter back view, hand-drawn anime concept sketch of a mysterious girl featuring long, slightly messy hair tied loosely into a braid and two enormous, dark feathered wings spreading wide from her back. The wings are composed of oversized, layered feathers defined by expressive, individually sketched charcoal strokes. She wears simple, loose-fitting clothing that clings naturally to her frame. The entire piece is rendered in a monochrome black-and-gray pencil and charcoal aesthetic, characterized by rough, visible construction lines and uneven, hand-drawn strokes that favor an unfinished sketchbook feel over digital polish. Set against a plain white paper background, the work emphasizes raw graphite textures and natural imperfections. The style utilizes high-contrast, graphic linework with sharp, ink-like strokes that create bold silhouettes and intense light-dark tension. The composition conveys an emotional, quiet, and dramatic atmosphere, prioritizing manga-inspired precision and striking visual impact over smooth rendering or photorealistic perfection.
Shashi Singh
AI artwork
ㅎㅎ
instead of her eye, a detailed white angel wing covers the socket entirely. individual soft feathers rest on her eyebrow and cheekbone, blocking the eye from sight. blindfold effect, cinematic texture, slim, long bangs, long eyelashes, wings, angel wings, wing anatomy, beautiful wings, feathered wings
ㅎ.ㅎ
AI artwork
Avatar image of Elly
A high-angle bird's-eye view photograph looking almost straight down at an anime girl kneeling collapsed on a bare, dark stone or concrete floor in a vast empty dark space. She is crumpled forward with her body curled inward, her knees folded beneath her and her torso bowed down, her face hidden and turned away from the camera. She has dark hair falling loosely around her head and shoulders. She wears a long flowing white dress or robe that pools around her body on the floor, the fabric spreading outward in soft folds and creases like spilled liquid. From her back extend a pair of large white feathered angel wings — real, physical, three-dimensional wings with layered flight feathers and soft downy coverts. The wings are partially spread open to either side, not fully extended but splayed out in a pose of exhaustion or surrender, as if she collapsed mid-flight and the wings simply fell where they landed. The feathers are detailed and volumetric — individual primary feathers fan out at the wing tips while the inner wing shows denser layered plumage. The wings glow with an almost ethereal luminosity where the light catches them, the white feathers appearing to emit a soft radiance against the surrounding darkness. A single shaft of cold light enters from the upper right of the frame, pouring down through what appears to be a tall unseen window high above. This beam of light cuts through the darkness at a steep diagonal angle and falls directly onto the figure and the floor immediately around her, creating a geometric patch of illumination — the window frame's mullions cast sharp-edged shadow lines across the lit area, projecting a cross-like or grid pattern of light and shadow onto the stone floor and across her white dress and wings. The light has a cold, pale blue-teal quality, almost moonlight-like, giving the entire lit area an otherworldly icy glow. Where the light strikes the wing feathers, they bloom into bright luminous white-blue, almost overexposed. Where the wings and dress fall outside the light beam, they quickly fade into the surrounding darkness. Everything outside this single shaft of light is near-total blackness — the floor, the walls, the space around her dissolves into deep black void. The upper right corner of the frame shows a faint glimpse of the light source — perhaps the bottom edge of a high window or skylight, with what might be white curtain fabric barely visible. The overall color palette is extremely limited — essentially monochromatic with a strong cool blue-green-teal color cast over everything, as if shot on expired or cross-processed film stock. The blacks have a slightly greenish-teal undertone rather than pure neutral black. The whites of the dress and wings lean blue-cyan rather than warm. A subtle film grain texture covers the entire image, adding an analog photographic quality — the grain is visible in the dark areas as noisy texture and in the highlights as fine organic particulate. The edges of the image are slightly soft with a vignette-like falloff, enhancing the tunnel-vision focus on the illuminated figure. The composition places the girl slightly off-center in the lower-left portion of the frame, with the diagonal light beam creating a dynamic slash across the image from upper-right toward lower-left. The vast surrounding darkness emphasizes her isolation and smallness. The mood is profoundly melancholic, sacred, and haunting — a fallen angel who has come to rest on cold stone in an empty cathedral-like space, bathed in one last beam of indifferent light, wings spread in quiet defeat. The scene carries the weight of religious iconography — part Baroque painting, part contemporary photography — evoking the still, heavy silence after a fall from grace, sketch style, watercolor style, glossy lips, sparkling, beautiful eyes, watercolor effect, masterpiece, best quality, high quality, anime style, digital art, androgynous, delicate eyelashes, pale skin, smooth gradient, translucent skin, small face, thin eyebrows, straight, smooth shading, clean sharp lineart, luminous gradient eyes, pale porcelain skin, subtle blush, polished illustration, color gradients, soft and hard edges.
Elly

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