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Parametreleri Göster
- Boyut
- 768 x 1280
- Örnekleme Adımları
- 8
- Örnekleme Yöntemi
- DDIM
- CFG Ölçeği
- 3
- Negatif
- bad quality, worst quality, bad anatomy, sketch, jpeg artifacts, ugly, poorly drawn, blurry, censored, artist name, signature, watermark
Kullanılan Model ve LoRA
Benzer Görseller
Daha fazla göstera
safe_pos, masterpiece, best quality, extremely detailed, high resolution, aeromorph female, anthropomorphic futuristic jet, feminine mechanical aircraft character, futuristic attack aircraft design, elegant biomechanical aerospace girl, true aeromorph taur, true quadrupedal aircraft taur, one single unified creature, feminine humanoid upper body naturally integrated into the front-upper region of a gigantic aircraft-like mechanical body, forming one continuous unified structure, humanoid torso grows directly from the aircraft body, enormous robust aircraft lower body, gigantic elongated aerodynamic mechanical body, dramatically larger than the humanoid torso, broad reinforced fuselage, powerful central structure, sleek experimental aerospace design, layered white and dark metallic armor, smooth aerodynamic surfaces, exposed mechanical structures, exactly four large mechanical legs, two front and two rear, naturally integrated into the aircraft body, long powerful articulated limbs, reinforced joints, hydraulic mechanisms, mechanical pistons, armored segments, heavy load-bearing construction, large integrated wings, swept-back aerodynamic wings, layered mechanical structures, articulated surfaces, sharp futuristic geometry, integrated control surfaces, advanced aerospace engineering, advanced jet propulsion, twin powerful turbine engines, detailed exhaust nozzles, glowing engine interiors, mechanical housings, subtle heat distortion, futuristic air intakes, vents, panels, actuators, seams, intricate mechanical detailing, curvy feminine humanoid upper body, elegant feminine proportions, recognizable humanoid face, graceful shoulders, two detailed mechanical humanoid arms, articulated mechanical hands, refined mecha construction, futuristic experimental design, elegant white and dark metallic surfaces, subtle blue and cyan luminous details, refined aerospace markings, technological panel lines, sophisticated mecha components, dynamic walking pose, walking across an airport runway, one massive mechanical taur leg lifted, three legs supporting the enormous body, confident feminine expression, natural mechanical articulation, simple airport runway, clean open tarmac, distant hangar silhouettes, subtle runway lights, understated background, soft atmospheric perspective, cinematic daylight, subtle reflections on metallic surfaces, dynamic three-quarter front view, slightly low camera angle, full body, all four mechanical legs clearly visible, entire aircraft-like lower body visible, wings clearly visible, turbine exhausts visible, strong perspective emphasizing enormous lower body, elegant aeromorph silhouette, polished anime mecha character art, highly detailed aerospace machinery, SATV12, aeromorph, jet girl, robot girl, mecha, mecha girl, plane girl, taur, centaur, true taur, taur anatomy, quadrupedal taur, diverse taur, varied species, varied anatomy, varied pose, dynamic pose, natural pose, large taur, massive taur, large lower body
Armélia
character: kshatriya, marida_cruz, artist: sa-dui, doppel_(bonnypir), copyright: gundam
1girl, solo, facing viewer, standing, smile, large breasts, thick thighs, wide hips, orange hair, long hair, braid, ponytail, purple eyes, pilot suit, bodysuit, unzipping, hands on own clothes, open clothes, from below, cowboy shot, looking at viewer, mecha, giant robot, two mecha, fusion, wings, funnel racks, hangar, from below, wide shot background, dutch angle
A low-angle cowboy shot from slightly below and a touch to the right of the subject: a single young woman with long orange hair gathered into a high ponytail and a single thick braid falling forward over her right shoulder, violet eyes, standing centered in the frame with her weight settled on her right leg so her left hip and thigh carry the counter-sway. She faces the viewer squarely, chin lifted a little in defiance of the low camera, and she smiles — an easy, lopsided closed-mouth smile that pulls higher on her left cheek, her eyes narrowed and bright with mischief, a faint blush high on each cheek, her gaze set directly on the viewer and answering no one else in the frame. She wears a snug military-issue pilot suit: a dark teal-and-charcoal bodysuit with segmented hard panels at the shoulders and knees, a broad belt at the waist, and a narrow amber piping line running down each outer thigh. Both hands are at the chest of the suit, gripping the flat pull-tab of the front zipper: her right hand pulls the tab steadily down toward her sternum while her left hand spreads the parted collar fabric aside, the split seam opening from collarbone to the top of her ribs. Each gloved fingertip is enumerated against the tab and the fabric edges — thumb over the metal slider, index finger hooked on the pull ring, remaining fingers curled into the parted seam. The unzipped opening reveals only a narrow strip of inner undersuit and bare skin at the base of the throat; the suit remains closed below the sternum. Her hips shift wide; both boots are planted flat, the thighs thick and full, the suit straining in a taut crease across the front of each hip. She does not look down at her hands — her eyes stay on the viewer while she works the tab, and the low angle makes her reach up and toward the camera.
The environment is a cavernous mobile-suit hangar: behind her, rising to fill the upper two-thirds of the frame, two colossal mecha fused into a single impossible silhouette. On the left a heavy rounded unit with a domed head and a wide skirt of skirt-like armor pods; on the right a leaner machine whose long fin-like funnel racks splay out like a pair of angled wings. Their hulls merge along the centerline: the domed left head, the leaner right torso, a shared reactor housing at the waist, four curved funnel plates arranged like a crown, and one enormous articulated arm reaching out on each side. The machines are matte grey-green and deep indigo with pale sand-colored accents, worn, scratched, and half-disassembled — a service gantry crosses in front of the left machine's knee, cabling hangs down in loops, and a small pool of hydraulic fluid glistens beneath the right foot, its surface the only true mirror in the frame. Ground-level light comes from a single bank of hanging work lamps above and behind the mecha; the lamps are the only light source, so their pools of warm light fall on the top-facing planes of the machines and on the woman's hair and the shoulders of the suit, while the undersides of the mecha, the seams of the hangar floor, and the far back wall fall into deep, near-black shadow. The lamp light casts her shadow down and slightly left across the hangar floor, long because of the low camera. Palette held to charcoal, deep indigo, muted grey-green, warm amber lamp light, with the orange of her hair as the one warm accent repeated in the amber piping and the glow of a distant status panel. Do not use: no other people, no helmet, no jacket, no additional accessories on her hair or hands beyond the gloves. The picture is caught mid-motion — the tab just past the second tooth of the zipper, the collar still settling apart — glossy plastic-and-cel rendering with hard shadow edges, clean linework and a cool-to-warm gradient, easily confident.
DarkShadow_45
character: marida_cruz, kshatriya, doppel_(monster_musume), artist: sa-dui, doppel_(bonnypir)
1girl, solo, marida_cruz, orange hair, long hair, braid, ponytail, purple eyes, large breasts, thick thighs, wide hips, smile, facing viewer, standing, pilot suit, unzipping, unzipped bodysuit, hand on collar, looking at viewer, cowboy shot, from below, dutch angle, hangar, kshatriya in the background, mecha, pink armor, one-eyed mecha, dramatic backlight, warm rim light, cool fill, cinematic composition
A low-angle cowboy shot, tilted slightly off-level, looks up at a single young woman standing full-height in the foreground of a vast, dimly lit hangar bay. She faces the viewer squarely, chin lifted, orange hair drawn back into a high ponytail with a thick braid trailing over one shoulder; several loose strands frame her face, stirred by air from the bay behind her. Her purple eyes look directly at the viewer under a relaxed brow, and her smile is soft and knowing, one corner a fraction higher than the other, lips parted just enough to show teeth — confident, unforced. She has a full, curvy figure: large breasts, thick thighs, wide hips, all stated in the close fit of her pilot suit. She wears a snug military mecha-pilot bodysuit, deep grey-green with reinforced panels at the shoulders, knees and hips, seam lines hugging her torso and legs; her right hand grips the suit's front zipper at the sternum and draws it downward, the suit's chest opening in a widening V that parts to expose the pale base layer beneath at her collarbones and upper chest, the zipper pull glinting between her fingers, the open edges of the suit peeling back from the track. Her left hand rests at her hip, fingers hooked into the suit's belt seam, elbow flared out — weight carried on her left leg, right knee slightly bent, hips canted. Her braid falls forward across her shoulder as she tilts her head. Behind her, filling the upper background at scale, crouches the massive Kshatriya mobile suit: blocky pink-and-maroon armor plates, huge shoulder binders spread like wings, its single glowing pink optic set in an angular head, one enormous gauntleted arm braced on the hangar floor, the other raised near the gantry. The hangar is cavernous: steel support trusses, work lights on gantries, cable spools and a service catwalk receding into haze. Light comes from the work lamps high behind and above her right shoulder, throwing a warm rim along her hair, her shoulder and the raised edge of the opening suit, while cool blue fill from the hangar floor washes her front; her cast shadow rakes long across the hangar deck toward the viewer and up the mobile suit's near foot. The palette holds to deep grey-green, cold steel blue, and the mobile suit's hot pink-maroon, with her orange hair as the warmest accent. The zipper's open teeth catch the rim light as tiny bright points, and the suit fabric bunches and creases where it folds back. Cinematic and quietly bold.
DarkShadow_45
ステラ・ブレーメル Stella Bremer
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ᯓ★ ⚡ ♡ ᯓ★
(mai)
Winter joy in the snow
FriddaTiss
kyramisu
1
logos
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
Hu Tao
KanKan Matcha
Tilith, the Goddess of Magical Star
entrophee_E:
푸른 물결 속의 신비로운 소녀
조개
X-Ray • Verina
ichikiki
anime
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
miku
𝚖𝚎𝚛𝚒𝚖𝚎𝚛𝚒
samsara asura
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
🧣🚉 🪐 ‧₊˚ ♡ ˚₊‧
(mai)
❄️Lolicia❄️
weirdcore...
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
HaruYuu 02
uzukun
reunited at last
ᯓᯓ 𝙘𝙤𝙘𝙤𝙛𝙡𝙪𝙛𝙛𝙞
₊˚⊹♡ 𝗯𝘂𝗻𝗻𝘆 𝗴𝗶𝗿𝗹 ♡⊹˚₊
●♡⃝ 𝓑𝓾𝓽𝓽𝓮𝓻𝓯𝓵𝔂•ʚїɞ.𝕏𝕠
...
Tofu
1
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2
₊˚ ꒰ᐢ. .ᐢ꒱ 🍓🍞 ✧
(mai)
character: kaname_madoka_(magical_girl), copyright: mahou_shoujo_madoka_magica
Kaname Madoka from Puella Magi Madoka Magica, pink twin tails tied with deep red ribbons, wearing her iconic magical girl costume, white corset-like bodice with delicate back lacing, voluminous layered white and pale pink ruffled skirt, crimson ribbons flowing loosely around her body, viewed from behind at a three-quarter angle, seated with her back gracefully arched, both arms extending naturally downward behind her back, one hand gently holding the opposite wrist, clearly separated hands, relaxed slender fingers, five distinct fingers on each hand, natural finger spacing, anatomically correct wrists, elegant delicate hands, visible knuckles, softly curved fingers, hands clearly visible against the white skirt, unobstructed hand silhouette, accurate hand anatomy, head tilted far backward, chin raised toward the darkness, face mostly hidden, elegant elongated silhouette, delicate exposed shoulders, soft loose strands of pink hair, dramatic asymmetrical composition, close medium shot, large skirt filling the lower frame, dark almost black background, dramatic directional lighting, pale ivory highlights, muted dusty pink, cold gray shadows, rich crimson accents, strong contrast between luminous fabric and deep darkness, thick impasto oil painting, expressive visible brushstrokes, heavy layered paint, rough palette knife texture, sculptural paint strokes, painterly edges, textured canvas, loose gestural painting, rich tactile surface, dramatic chiaroscuro, melancholic atmosphere, haunting beauty, full bleed composition, edge-to-edge artwork, no borders, no frame, textured illustration, grainy texture, crayon texture, chalky brushwork, impasto strokes, bold color blocking, stylized anime, flat shading, dry brush effect, atmospheric lighting, soft glow highlights, rough painterly anime style, visible textured brushstrokes, heavy impasto texture, scratchy charcoal-like linework, expressive gestural strokes, smudged edges, desaturated base tones with aggressive high-contrast color, sketch style, rough brushstroke
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