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AI art "ゾンビシャーク"
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ゾンビシャーク

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1monster, shark, zombie, colossal, low angle, wide shot, lunging, roaring, open mouth, from below, movie poster composition, dark horror atmosphere, green water, splashing, ruins, industrial, factory interior, debris, depth of field A dramatic low-angle wide shot from below, looking up at a colossal zombie shark as it lunges violently toward the viewer. The shark's massive, rotting gray-green body is torn and decayed, with white exposed ribs and skeletal bones protruding through shredded flesh. Its jaws are locked in a wide, roaring gape, revealing rows of jagged, broken teeth; one eye is a milky white dead orb, while the other is sunken. Heavy chunks of dark seaweed and thick slime hang from its tattered fins. Huge volumes of glowing green toxic water cascade and splash off the creature's flanks, the bioluminescent liquid creating bright, churning wakes against the dark floor. The scene is set inside a vast, abandoned factory; the background is filled with rusted steel beams, broken catwalks, and walls of peeling paint, with scattered debris littering the ground. Above, shattered skylights allow hazy, golden god-rays to pierce the gloom, illuminating thick dust particles dancing in the air. Dramatic rim lighting strikes the edges of the shark's silhouette, separating its decayed bulk from the oppressive shadows of the industrial ruin. Cinematic epic scale, dark horror.
Parametreleri Göster
Mod
flash
Boyut
2048 x 1536

Kullanılan Model ve LoRA

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solo, 1monster, shark, biomechanical, cybernetic wiring, glowing energy receptors, abyssal, deep-sea, dominant menacing posture, fearsome physique, grand imposing presence, sharp black outlines, bold black lineart, flat vector art style, vector illustration, clear silhouette, humanoid shark-like body, sharp teeth, multiple rows of teeth, gills, fin blades, exposed mechanical joints, cables branching like nerves, from below, full body, no text, no letters, no writing, dark palette The camera sits far below the creature and tilts steeply upward, so the whole frame is filled by a towering humanoid shark-shaped biomechanical entity, seen from the low front, its mass towering over the viewer with the head high in the upper third and the tail-heavy lower body plunging down to the bottom edge. It is the only figure in the image, filling the 1:1 square almost edge to edge. Its skull is a long shark's wedge: a pointed snout, a wide lipless mouth slit open across the underside of the muzzle to bare rows of triangular teeth, black eyes set far back and flat and cold, five gill slits cut into each side of the neck as dark parallel gashes. Along the spine and shoulders rise fin blades of black alloy, and from the crown of the head, the shoulders, the ribs, the forearms and the thighs the cybernetic wiring sprouts — dozens of thin cables that branch and sub-branch like deep-sea nerves, some taut and some trailing slack in the dark water, each coated in segmented metal sheathing and ending in glowing receptor nodes that pulse a cold cyan-green light. The torso is broad and armored, a rib cage of black plate fused to organic hide, and the arms hang wide and bent, the right clawed hand spread and forward toward the viewer in a grip about to close, the left arm pulled back at the shoulder. Weight rides on the right leg planted forward, the left leg braced behind, hips canted, chest lifted, head tipped slightly down so the eyes look straight out at the lens with the flat, patient menace of an apex predator. Huge imposing effect: the surrounding darkness is filled with a great pressure-wave ripple and drifting particulate, and the receptors' glow rakes through the haze in hard volumetric shafts. A single cold light source burns from above and slightly behind the right shoulder, rimming the fin blades and cable edges in pale cyan and leaving the chest and jaw in heavy ink-black shadow; the glow of the receptor nodes is the secondary light and touches the underside of the snout, the inner forearms and the ridged belly plates from below. All edges are closed in sharp black outlines of varying weight, flat unshaded fills of deep indigo, black and cold teal with the glowing nodes as the only saturated accent, no gradients within a shape, no rendered texture. The composition leaves negative dark space at the lower corners so the silhouette reads clean against it. Terrible and sovereign.
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