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AI art "Capítulo 43 — Lo que se repite"
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Capítulo 43 — Lo que se repite

Tremsha necesita tratamiento cada mes. Crest trabaja más. Después aparece Zorpe. Por primera vez, incluso Gruat lo admite: Hay un patrón. 📖 Para leer el capítulo completo os dejo enlace ha pixiv: https://www.pixiv.net/novel/show.php?id=29319304

#Orijinal#Yuri#kot#Açık kıyafet#Açık hava#uzun saç#saç düzeltme#Siyah saç#Sarı saç#kot pantolon#Ağaç#kaban#ceket#Örgü#Tek örgü#mor gözler#birden fazla kız#Gömlek#pantolon#Kitap#çanta#tutma#Bina#beyaz gömlek
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Create a clean, high-quality anime-style illustration for a novel scene. Image 1 is the university campus background reference. Image 2 is Certia’s character reference. Image 3 is Lumaka’s character reference. Show a warm daytime scene on a modern university campus. The main focus is Certia and Lumaka together. Certia is a young university girl with long dark green hair, purple eyes, and NO gray hair. Lumaka is her older sister: taller, athletic, with long golden-blonde hair in one thick braid and a calm, warm, protective presence. The scene happens just after Lumaka gave Certia a book. Certia is holding the book close, standing near Lumaka, looking a little shy, surprised, and emotionally affected. Lumaka is very close to her and gently moves aside some strands of Certia’s hair from her face in an affectionate older-sister gesture. Important: make the emotional focus the closeness between the sisters. Lumaka should look caring and reassuring. Certia should look more reserved and slightly embarrassed, but comfortable with her sister. Keep Lumaka visibly taller than Certia. Both should wear casual modern clothes suitable for a university campus, not school uniforms, not hero outfits. The campus should look bright, clean, and believable. If needed, other students may appear softly in the background, but the image must clearly center on Certia and Lumaka.
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512 x 512

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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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