青と白の陶芸日和

浜辺で見つけた、魚が描かれた美しい陶器の数々。黙々と作業に打ち込む姿や、空を泳ぐような大きな魚の絵に、心がとても癒されました。私のお気に入りの一枚です。素敵だと思ったら、いいねやフォローで応援していただけると嬉しいです！

#Male #Japanese clothes #Grey hair #Fish #Ocean #Holding #Bowl #plate

Yayınlanma tarihi: Oct 7, 2026

Yeni Resim Oluşturma

リバーニンジャ

Görülecek Daha Fazla Şey

Yeni Resim Oluşturma

Vertical original anime/manga style color illustration. Theme: "Pottery market appearing at low tide × 29-year-old female potter × Ukiyo-e × Mingei × Watercolor Editorial." Setting: A small seaside town. On a few days a year, the tide recedes significantly, revealing vast shallows and rocky areas. On these tidal flats, an improvised pottery market is held using wooden boxes, boards, old tables, and cloths. There are plates, bowls, jars, teacups, and flower vases of various sizes. The pottery features rustic hand-painted patterns of fish, waves, seaweed, birds, and the sun, centered around indigo, vermilion, and unbleached cream colors. The protagonist is a clear adult, a 29-year-old female potter. Hair is light sand beige, a very short pixie cut where the ears are fully visible. Sun-tanned skin, thin eyebrows, and a calm but strong-willed expression. Her personality is independent and craftsman-like; she doesn't explain her work much and is the type who is fine if someone who likes it simply takes it home. Her clothing consists of an indigo-dyed short samue-style jacket, loose unbleached cream work pants, and black leather sandals. A vermilion cloth is wrapped around her waist. Dried white pottery clay is naturally clinging to her hands, arms, and pants. The clothing is practical for actual work, without emphasizing exposure. The woman is positioned not in the center, but toward the bottom right. Kneeling on one knee on the tidal flat, she supports a giant circular pottery plate with both hands that is more than half her height. The plate features one giant indigo fish and rough wave patterns. She is not looking at the camera, but is viewing the surface of the plate from a slight angle as if checking it. The face and body of the adult woman are clearly visible. Do not use the ultra-close-up circular POV from inside a washing machine. Instead, use a medium-distance composition from a position slightly higher than the woman, looking diagonally back across the expanse of the tidal flats and the pottery market. At the very bottom of the vertical frame, giant bowls and plates are boldly cropped. The woman is in the middle-right. The pottery market is in the middle-left. Beyond that, a few customers walk along the tidal flats. At the top are the sea, strange rocks, a distant horizon, and a large sky. Tide pools reflect the sky and pottery like mirrors. As the primary surreal element: among the indigo fish painted on the pottery, only a few are escaping from the surfaces of the plates and jars and swimming through the sky. The fish are not realistic fish, but remain as brush-painted illustrations from the pottery. Two-dimensional fish with indigo brushstrokes, smudges, and white gaps swim through three-dimensional space. One is giant and crosses the top of the screen. Smaller fish are heading from the pottery market toward the sea. Do not use flashy magical luminescence. Depict it as a quiet mystery, as if "the patterns simply escaped from the plates." As a series-common motif, include one cat. This time, a calico cat. In the middle-left of the screen, it sits atop a stack of large plates, looking up at the indigo fish swimming in the sky. The cat is not the protagonist. Color palette: Indigo, unbleached cream, vermilion, the light grayish-brown of wet sand, the pale blue of the sea, and the soft pink of the moments just before evening. Do not use the Hyper Chromatic palette with heavy electric magenta, cyan, lime, and purple. The light is the soft natural light just before evening. Art style: A completely original expression fusing modern anime/manga character depiction with Japanese woodblock prints, old pottery painting, Mingei, ink wash painting, watercolor, gouache, and modern magazine editorials. Incorporating elements strong in 2026: imperfections that feel human, tactile materials, motifs that evoke land and culture, the warmth of handwork, and a quiet Reality Warp surrealism. The pottery should have glaze unevenness, fine cracks, brush marks, and finger marks. Wooden boxes have scratches and grain. Cloths have fiber textures. The tidal flats have wet sand and water reflections. Do not make it a perfectly smooth CG image. The character's face and body are clear modern anime expressions. Do not render the entire screen with uniform detail; strongly render the giant pottery in the foreground, the woman, and the giant indigo fish swimming in the sky, while boldly omitting the distant market and figures in the style of watercolor and woodblock prints. Do not draw text, logos, or readable signs. A story where "on the day of low tide, only the drawings of fish return to the sea first from the pottery lined up on the shore." A quiet, slightly nostalgic image that feels as if you could touch the coldness of the pottery and the wetness of the sand.

Parametreleri Göster

Orijinal Prompt: 縦長のオリジナル・アニメ／漫画調カラーイラスト。テーマは「干潮の海に現れる陶器市 × 29歳の女性陶芸家 × 浮世絵 × 民藝 × 水彩エディトリアル」。舞台は海辺の小さな町。一年に数日だけ大きく潮が引き、広大な浅瀬と岩場が現れる。その干潟の上に、木箱、板、古いテーブル、布を使った即席の陶器市が開かれている。大小さまざまな皿、鉢、壺、湯呑み、花器。陶器には藍色、朱色、生成りを中心にした魚、波、海藻、鳥、太陽などの素朴な手描き模様。主役は明確な成人、29歳の女性陶芸家。髪は明るいサンドベージュ。耳が完全に見える短いベリーショート。日に焼けた肌。細めの眉。穏やかだが芯の強そうな表情。性格はマイペースで職人気質。自分の作品をあまり説明せず、気に入った人が持って帰ればそれでいいと思っているタイプ。服装は藍染めの短い作務衣風ジャケット、生成りのゆったりしたワークパンツ、黒い革サンダル。腰には朱色の布を巻く。手、腕、パンツには乾いた白い陶土が自然に付着している。露出を強調せず、実際に作業できる実用的な服装。女性は画面中央ではなく右下寄り。干潟に片膝をつき、両手で自分の身長の半分以上ある巨大な円形の陶器皿を支えている。皿には一本の巨大な藍色の魚と荒い波模様。女性はカメラを見ず、皿の表面を確認するように少し横から眺めている。成人女性の顔と身体をはっきり視認できる。カメラは前回の洗濯機内部からの超接近した円形POVを使用しない。今回は女性より少し高い位置から、干潟と陶器市の広がりを斜め奥へ見渡す中距離構図。縦長画面の最下部には巨大な鉢や皿を大胆に見切れさせる。中段右に女性。中段左には陶器市。そのさらに奥には干潟を歩く少数の客。上部には海、奇岩、遠い水平線、大きな空。潮だまりが鏡のように空と陶器を反射する。最大のシュルレアル要素として、陶器に描かれた藍色の魚のうち数匹だけが、皿や壺の表面から抜け出して空を泳いでいる。魚はリアルな魚ではなく、陶器に描かれた筆絵の姿のまま。藍色の刷毛跡、掠れ、白い抜けを残した二次元の魚が、三次元の空間を泳ぐ。一匹は巨大で、画面上部を横切る。小さな魚は陶器市から海の方向へ向かっている。派手な魔法の発光は使用しない。まるで「絵柄がそのまま皿から逃げ出した」ような静かな不思議として描く。シリーズ共通モチーフとして猫を一匹。今回は三毛猫。画面左中段、積み重ねた大皿の上に座り、空を泳ぐ藍色の魚を見上げている。猫は主役にはしない。配色は藍色、生成り、朱色、濡れた砂の薄い灰褐色、海の淡い青、夕方直前の柔らかな桃色。前回のエレクトリックマゼンタ、シアン、ライム、紫を大量に使った Hyper Chromatic配色は使用しない。光は夕方直前の柔らかな自然光。画風は現代アニメ・漫画の人物表現を核に、日本の木版画、古い陶器の絵付け、民藝、墨絵、水彩、ガッシュ、現代雑誌エディトリアルを融合した完全オリジナル表現。 2026年に強い人間の手を感じる不完全さ、触覚的な素材、土地と文化を感じるモチーフ、手仕事の温度、 Reality Warp的な静かなシュルレアリスムを取り入れる。陶器には釉薬のムラ、細かなひび、刷毛跡、指跡。木箱には傷や木目。布には繊維。干潟には濡れた砂と水面の反射。完全に滑らかなCGにはしない。人物の顔と身体は明瞭な現代アニメ表現。画面全体を均一に描き込まず、前景の巨大陶器、女性、空を泳ぐ巨大な藍色の魚を最も強く描き、遠景の市場や人物は水彩と木版画のように大胆に省略する。文字、ロゴ、読める看板は描かない。「干潮の日、海辺に並べた陶器から魚の絵だけが先に海へ帰っていく」という物語。静かで、少し懐かしく、触れると陶器の冷たさや濡れた砂を感じそうな一枚。
Mod: pro
Boyut: 1104 x 1824
Negatif: lowres, worst quality, low quality, bad anatomy, explicit