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AI artwork featuring #Illyasviel von Einzbern and #Fate serisi
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Illyasviel von Einzbern, Fate serisi

#Illyasviel von Einzbern#Fate serisi
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Brago bloodfallen

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character: prisma_illya, illyasviel_von_einzbern, copyright: fate/kaleid_liner_prisma_illya 2girls, 1girl, monster woman, petite, blonde hair, long hair, sidelocks, hair between eyes, red eyes, wide-eyed, empty eyes, lifeless eyes, tears, crying, shaded face, cross-hatching, humiliation, despair, small breasts, wedding dress, tacky, gaudy, overly ornate, excessive lace, excessive ruffles, too many bows, overdecorated, huge skirt, puffy skirt, oversized dress, glitter, sequins, long sleeves, ridiculous ornaments, arms down, hands on stomach, ugly monster woman, grotesque, sharp claws, chin grab, cheek kiss, forced kiss, contrast, height difference, medium shot, three-quarter view, stone hall, candelabra, dramatic lighting A medium shot from a three-quarter angle captures a petite young woman trapped beside a towering, grotesque monster woman inside a dim stone hall. The petite girl stands rigid and defeated, swallowed by an absurdly oversized, garish white wedding dress crammed with clashing tiers of excessive lace, cascading stiff ruffles, and an overwhelming swarm of multicolored satin ribbons and tacky plastic jewels. Shimmering glitter fabric and loose sequins coat the puffy, gigantic bell skirt that flares out unnaturally around her hips, while long fitted sleeves cover her slender arms, which remain frozen straight down with both hands clasped lifelessly against her lower belly. Dense dark hatching shades the girl's forehead and brow down to her nose bridge in stark humiliation. Her crimson eyes remain wide open but completely hollow and vacant, staring blankly ahead without focusing on anything, while steady trails of tears stream down her pale cheeks. Looming closely from the side, the hulking monster woman possesses rough, mottled olive-grey skin, heavy hunched shoulders, and brutish, wrinkled features. With one large, gnarled hand tipped with thick dark claws, the monster woman grips the delicate point of the girl's chin tightly between thumb and forefinger, wrenching her face upward and tilted toward herself. Leaning in with grotesque eagerness, the monster woman presses her broad, wrinkled lips flush against the girl's soft pale cheek in an unwanted kiss, denting the soft flesh beneath her mouth and smearing one of the descending teardrops. Stray sequins catch the flickering amber glow from an iron candelabra mounted to the masonry wall, casting jagged, elongated shadows across the damp flagstones, while cool indigo shadows swallow the vaulted ceiling above. Humiliating, suffocating dread.
Parametreleri Göster
Orijinal Prompt
1girl, illyasviel von einzbern (fate/kaleid liner prisma illya), blonde hair, red eyes, small breasts, long hair, hair between eyes,wedding dress, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, oversized dress, glitter fabric, sequins,ridiculous,sleeves,ridicolus ornaments in dress,arms down in belly,open eyes,empty eyes,cry,shaded face,humiliation,1 woman,monster woman,ugly monster woman,monster woman grab illya's chin,woman kiss cheek illya
Mod
pro
Kalite Etiketi
İpuçları
Boyut
1104 x 1824
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
İstem Yardımcısı

Kullanılan Model ve LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.97k

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Daha fazla göster
AI artwork
sg
solo focus on one girl and one monster, 2girls? no, 1girl 1monster, black hair, long hair, blunt bangs, sky blue eyes, flat chest, petite, short stature, colossal earrings, colossal engagement ring, oversized ornate tacky dress, pink and white dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous dress ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, tiara, crying, tears, sad, docile, arms at front, hands clasped in front, standing facing viewer, front view, from front, hug from behind, hug, monster grabbing chin, chin grab, kiss on cheek, cheek kiss, ugly female monster, monster girl? no, female monster, grotesque monster, baroque, bridal, wedding day, full body, dutch angle? no, from below, from below, dramatic low angle, palette: pink white gold and dark violet, blush, trembling, half-closed eyes, tears streaming, gloomy atmosphere, A dramatic low-angle full-body shot from the front, the petite black-haired girl planted dead-center and square to the lens on a pale marble floor, the camera tipped up so her enormous skirt swells toward the viewer and the vaulted dark hall rises behind her. She is small and flat-chested in her huge gown: long straight black hair falls past her waist with a blunt fringe cut low across her brow, and her wide sky-blue eyes are wet, lower lids brimming, a single clear tear sliding down each cheek as her lips press thin and trembling. Her tiara sits slightly crooked in the black hair, and two colossal dangling earrings pull the lobes down, swinging heavy against her jaw. Her posture is docile and closed: both arms brought forward in front of her waist, hands loosely clasped at the wrist, shoulders drawn in. The dress is absurdly overdecorated — pink and white satin and tulle over a puffy, floor-swallowing skirt that spreads wider than she is tall, the hem drowning in cascading lace tiers, layered ruffles in every seam, bows of every size pinned down the bodice and skirt panels, glittering sequin fabric flashing under the light, gilt ornament and baroque scrollwork crawling over the hip, and one colossal, ridiculous engagement ring with a towering clustered stone weighing down her left hand. Her left arm is held out slightly so the ring catches the light. Behind her, close and looming, the ugly female monster presses its body against her back — tall and hunched, mottled grey-violet hide, lank hair, a heavy jaw and crooked teeth. One thick arm wraps across her chest and shoulders in a hug from behind, its grimy claws spread over the sequined bodice; the other hand reaches around to seize her chin, thick fingers dimpling her cheek and tipping her face slightly upward. The monster's mouth is pressed to her right cheek in a kiss, lips mashed to the skin, one glinting eye sliding toward the camera over her shoulder. In that gap there is a single discernible physical truth: where its lips meet her cheek, the skin whitens under the pressure, and one fresh tear overlaps the spot on her jaw. Lighting plunges from a high window behind and above, striking the top of the tiara, the huge ring, and the ridges of lace, and leaving their faces half in shadow, the monster's bulk sinking into darkness behind her. Palette holds to pink, white and tarnished gold on the girl, violet-grey and umber on the monster, deep shadow brown around; cold light, warm glitter on the fabric. Extreme detail on the lace tiers, the clustered ring stone and the grip of the clawed hand at her chin. Baroque, oppressive, sorrowful.
Shylpfiette greyrat
AI artwork
al
2girls, 1girl, 1monster, female monster, ugly monster, monster girl, black hair, long hair, blunt bangs, straight hair, sky blue eyes, flat chest, petite, short stature, loli, small frame, tiara, colossal engagement ring, oversized gemstone ring, ornate tacky dress, pink and white dress, too much lace, excessive ruffles, too many bows, overdecorated, ridiculous ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, sad, crying, tears, crying with eyes open, trembling lips, docile posture, arms held out in front, arms extended forward, facing viewer, front view, hug from behind, monster grabbing her belly, hand on stomach, kiss on cheek, monster kissing cheek, height difference, close embrace, baroque, inside a church, church interior, dramatic high contrast lighting, opulent textures, heavy ornamentation, from front, full body, dutch angle, looking at viewer, half-closed eyes, blush, sweat, heavy atmosphere Front view, the girl faces the viewer dead-on while a tall ugly female monster stands pressed flush against her back, the monster's thick arms wrapped around her waist so both broad hands splay and sink into the soft fabric of her belly, the monster's heavy head bowed low over her right shoulder with its wide wet mouth pressed to her cheek. The girl is tiny inside the monster's bulk, her short stature swallowed by the embrace: black long hair with blunt bangs falling straight down past her thin shoulders, strands pushed out of place by the monster's chin, sky blue eyes wide open and brimming, two clean tear tracks cutting silver down her flushed cheeks, brows drawn up at the inner corners, mouth trembling in a small sad curve. Her flat chest is pressed back into the monster's body; her arms are held out docilely in front of her, elbows soft, small hands limp and open at chest height, fingers slack, the enormous engagement ring heavy on her ring finger so her hand tips down under its weight, its huge faceted stone catching the light in a hard white star. On her head a tiara sits slightly askew, pushed by the monster's cheek. The dress is a catastrophe of baroque excess in pink and white: a bodice crusted with lace tiers, ruffle upon ruffle, bows clustered so densely at the waist and shoulders the fabric can barely be seen, sequin-and-glitter fabric sparkling in scattered pinpoints wherever the light strikes, ridiculous ornaments -- lacquered rosettes, beaded cabochons, ribbon roses -- leaning off the trim at every angle, and a huge puffy skirt ballooning outward and down to the floor in layered pink-and-white ruffles, its hem spread wide across the stone. The monster is hunched and grotesque, mottled greyish-green thick hide, coarse patchy hair, one drooping heavy-lidded eye, snaggle teeth, a long sagging jaw, hunched shoulders folding around the girl; its bare huge hands dimple her skirt's fabric at the belly. The monster's one visible eye looks down at her cheek; her wet eyes look straight out at the viewer. They stand centered in the nave of a baroque church: towering gilded columns and stacked cornices receding behind them, a marble floor of inlaid pink and grey, tall windows high up, dust in the air. Light falls from the tall windows in a hard shaft from upper left, striking the glitter fabric so it scatters sparkles, rimming the monster's hunched shoulder, while the depth of the nave behind them drops into deep shadow; the huge ring throws one small bright caustic fleck onto the monster's knuckle. Palette held to pink, white, gold, cold stone grey and the monster's mottled green. Heavy ornamentation, dramatic high contrast light, opulent textures. Quiet dread.
Aizeth Lomardi
AI artwork
fl
1girl, 1monster, 2girls, black hair, long hair, blunt bangs, sky blue eyes, flat chest, petite, short stature, loli, overly ornate dress, tacky dress, pink and white dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous ornaments, tiara, sad, crying, tears, tears streaming down face, docile posture, arms in front, arms held out front, facing forward, from front, embracing from behind, hug from behind, monster grab woman's belly, kiss on cheek, ugly monster, female monster, one monster, church interior, baroque, chiaroscuro, high contrast lighting, ornate, opulent, trembling, half-closed eyes, from below, dutch angle, A dutch-tilted camera looks up from low in the nave of a baroque church, so the vaulted ceiling and gilded altarpiece lean over the two figures that hold the exact center of the frame. The girl is small — a petite, short-statured loli build with a flat chest that the enormous dress nearly swallows — and she faces forward, toward the lens, her whole body locked into a docile posture: both forearms held straight out in front of her, wrists slack, hands hanging open one above the other like a marionette's, elbows close together in front of her stomach. Her black hair is long, falling past her waist behind the dress's back, cut into a heavy, dead-straight blunt bang that sits level across her brows and shadows her eyes. Those eyes are sky blue, wide and brimming, and two wet tracks cut down her cheeks with tears beaded at her jaw; her lips press together and pull down at the corners, chin trembling, the expression of someone crying silently and carefully. A small tiara sits on top of her head, its points pricked with glitter. The dress is a disaster of wealth in pink and white: the bodice so encrusted with sequins and glitter-thread embroidery that it throws back every candle in the room as pinpricks of pink light, its edges lost under tiers of stiff lace; ruffles heaped in loops so excessive that they sit a centimeter off the fabric; bows everywhere, larger than her hands, tied in dozens of doubled satin loops at the waist, the cuffs, the shoulders and down the back of the skirt. Ridiculous ornaments bristle from it — lacquered rosettes, dangling glass drops, a pieced-together filigree panel, gold-painted tin florets sticking out at odd angles like a chandelier's scrap heap. The skirt is huge, puffy, oversized and long — its hem pooled and fanned out across the marble floor, flares of lace and sequined netting scooping up the candlelight. Behind her looms one ugly female monster. Its body is tall and hunched, green-gray skin slick with a wet sheen, sagging folds and a fanged undershot jaw, one milky eye clouded; it stands pressed to her back so its bulk eclipses the altar behind. A thick, long-fingered hand reaches around her side and grips flat on her belly, the fingers spread wide against the sequined bodice, pulling the girl back against it. The monster's face is lowered beside her cheek, its jaw slack and working, its mouth pressed to her right cheek in a kiss, saliva wetting a streak against her skin; the girl's jaw lifts slightly at the touch, her tear-wet lashes fluttering, her head not turning away. Lighting is high-contrast, dramatic chiaroscuro: candles on the altar rail and the chandeliers overhead throw a hot gold key from the upper left, ripping highlights across the sequins, glitter and filigree and lighting the monster's wet skin green-gold, while the deep nave on the right falls into real darkness — only rim light there, on the girl's hair, her cheek, the monster's shoulder. Cast shadows bend with the dutch angle so the joints between the floor's marble slabs tilt against the frame. The palette is pink, white, sequined gold and candle-gold with the monster's sick green as the lone discordance; beyond the candle glow the church is absolute. Baroque, oppressive, tenderly cruel.
Fitentia Lombardy
AI artwork
al
character: blanchet_(trickcal) 1girl, 1monster, female monster, petite, flat chest, long hair, black hair, blunt bangs, sky blue eyes, tiara, pink and white dress, oversized dress, huge puffy long skirt, lace, ruffles, bows, sequins, glitter, ornate dress, facing viewer, docile posture, arms in front, sadness, crying, tears, hug from behind, grabbing chin, kissing cheek, from front, cowboy shot, heavy breathing, blush, baroque style A front-facing cowboy shot depicts a petite girl with long black hair, blunt bangs, and sky blue eyes, her face streaked with tears and a sad expression. She is held in a docile posture, arms held passively in front of her. She wears a tiara and a ridiculously tacky, oversized pink and white dress that is an explosion of Baroque excess: the fabric is thick with glitter and sequins, buried under layers of excessive lace, endless ruffles, and too many bows, with the huge, puffy long skirt billowing out to engulf her small frame. An ugly female monster looms behind her, arms wrapped in a tight hug from behind; one of the monster's clawed hands grips the girl's chin, tilting her head slightly as the monster presses a kiss to her cheek. The lighting is dramatic and high-contrast, casting deep shadows that emphasize the opulent, gold-threaded textures of the overdecorated dress and the coarse, distorted skin of the monster. The palette is dominated by the garish pink and white of the gown against a dark, opulent backdrop. Effortlessly opulent yet melancholic.
Aizeth Lomardi

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