AI art "魅惑のオレンジヘア・ポートレート"
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魅惑のオレンジヘア・ポートレート

鮮やかなオレンジ色の髪と、左目の下に浮かぶ泣きぼくろがとても色っぽい一枚です。スーツ姿の彼から目が離せなくて、つい見入ってしまいました。気に入ったらいいねとフォローをお願いします!コメントでの感想も待っていますね。

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PixAI'de promptlar varsayılan olarak herkese açıktır, ancak yaratıcılar yayımladıkları her eserde promptu gizleyebilir. Bu eserin sahibi promptu gizlemeyi seçti; bu yüzden görselin oluşturulmasında kullanılan kelimeler gizli kalır ve bunları yalnızca eserin sahibi görebilir. Promptu gizlemek başka hiçbir şeyi değiştirmez: eser hâlâ herkese açık ve onu her zamanki gibi beğenebilir, yorumlayabilir ve paylaşabilirsin.
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AI artwork
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Background is a classroom. A gorgeous and charming beautiful boy with bright orange to reddish-brown hair. He has thick, soft medium-length hair scattered randomly, with some ends flipping outwards. His long bangs are in fine clusters, hanging naturally over his eyes. The hair at the nape of his neck is slightly long, and a characteristic small ponytail is tied on the right side. His eyes are bright amber to orange, slightly large and soft. He has very rich expressions, with an innocent smile that narrows his eyes and a slight blush on his cheeks. While he has well-defined features, he possesses an approachable and charming cuteness rather than a perfectly polished beauty. He has a slender and light build, wearing a simple school uniform consisting of a white shirt, tie, and black to charcoal blazer. Combined with his bright hair color and friendly expression, he gives a first impression of being a "bright, cute, and good-natured boy." Detailed background, (semi-realistic:1.15), (painterly shading:1.3), (oil painting texture:1.25), (thick paint:1.2), (visible brush strokes:1.2), (soft skin gradient:1.2), korean painterly style, detailed skin, glossy lips, sharp jawline, covering eyes, moody lighting, cinematic shadows, high contrast, dramatic shadows, masterpiece, (textured skin:1.15), (painterly lighting:1.2), (impasto:1.15), muted color palette, (niji 6 style:1.6), (ambient occlusion:1.2), (chromatic aberration:1.1), (rich color depth:1.2).
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