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AI art "一期一振 - シュウメイギク" featuring #Touken Ranbu, #Ichigo Hitofuri and #Create What You Love 2
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一期一振 - シュウメイギク

Contest Entry
2nd "Favorite Work" Contest#Create What You Love 2
#Touken Ranbu#Ichigo Hitofuri
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みずは

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character: ichigo_hitofuri A square 1:1 full-body image of Ichigo Hitofuri in a poised step on a rain-damp stepping-stone path beside a stand of pale pink Japanese anemones, Anemone hupehensis var. japonica. His whole figure, from the top of his head to the soles of his sandals, occupies approximately two thirds of the composition's height, left of center. The camera is placed low near the stones, looking diagonally upward from his front-left side. His left shoulder is the nearer shoulder, while his chest faces toward the flowering border on the right. He stands in a stable forward step, holding one arching flowering stem within reach at the same depth as his body. The line of stones and the flower border carry the eye into the quiet garden around him. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, realistic adult male proportions, about 8 heads tall, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, neat straight eyebrows, softly arched brows, refined Japanese male features, elegant delicate face, non-westernized facial proportions. His head inclines toward the flower nearest his left hand. The inner brows gather with a quiet determination and the lips are gently pressed together, their corners nearly level. His shoulders remain composed, his weight passes through the firmly planted forward foot, and his supported contact with the flowering stem is gentle rather than possessive. The apparent fragility of the pale petals beside his steady form conveys calm resilience in a rain-washed garden. He wears a deep indigo woven-silk kimono over an ecru inner layer, with a narrow pale collar visible at the neck. The wearer's left front panel overlaps the right front panel at the kimono collar. The indigo kimono stays closed from the overlapping neckline through the waist and down toward the ankles. A muted gray-green woven obi secures the crossed panels at his natural waist; the lower front layers continue to overlap beneath it, separating only slightly near the walking foot. A pale mist-blue haori lies over the kimono, open along both front edges from the collar to the thigh-length hem, leaving the indigo front and obi visible. Its broad sleeves fall behind the forearms and turn back at the wrists to reveal a narrow dark lining. A small repeated grass motif is woven only along the lower edge of the kimono; the upper cloth remains quiet. The silk has a controlled soft sheen against the denser matte weave of the obi. The forward step draws long folds from the waist toward the hem, while the left sleeve bunches gently above the hand supporting the stem. White split-toe tabi and plain dark straw-soled zori make clear contact with the wet stepping stones. The anemones are rooted in a distinct garden clump immediately to his right, with branching slender stems rising from leafy lower growth in the damp planting bed. Several open blossoms face different directions above the dark lobed leaves. Their broad, softly rounded pale-pink tepals surround greenish centers encircled by many bright golden stamens; nearby spherical buds stand on separate smaller stems. Each open bloom measures about eight centimeters across, comparable to the width of his partly opened left palm beside it at the same depth. His left fingers support a single flexible stem immediately below its flower without gripping the petals. The stem curves continuously down into the nearby rooted clump, not into flowers near the camera. His right hand hangs naturally beside the open haori, clear of the flower stems. The garden remains specific but quiet: staggered flat stepping stones continue from below his sandals past the rooted anemones, with dark gravel filling their gaps. A moss-edged planting bed joins the flower roots to the path, and a short wooden veranda with vertical cedar posts is visible behind his farther shoulder. A cropped section of tiled eave enters above the right edge, attached to those posts. The damp timber and stone belong to a single traditional Japanese garden setting in the present day, without requiring a historical event or a named shrine. Soft rain clouds are already breaking above the garden; drops remain on the leaves and stone surfaces. Cool diffused daylight enters from the upper right and spreads across the pale petals and his cheek. A weaker reflection from the wet pale stones raises the shadows beneath the broad kimono sleeves. The exposed collar remains softly illuminated, while the dark indigo cloth and wooden post retain deeper folds and contact shadows. Small clear highlights occur on the moisture, never replacing the flower's natural color with self-generated light. The composition preserves the entire walking posture, the correct visible collar overlap, the attached flower stem and the stone path in one coherent perspective. single coherent lighting setup. masterpiece, best quality, detailed illustration,painterly,textured brush strokes,rough lineart,glossy lips,detailed eyes,soft shading,muted colors,prismelle,crisp clean lineart,sharp delicate linework,jewel-like eyes,luminous irises,bright eye highlights,colorful eye reflections,accent-colored hair highlights,luminous hair highlights,glossy plump lips,delicate soft coloring,illustration style,color sketch,colored pencil,soft light,painterly detail,semi-realistic shading,vivid colors,digital art,painterly detail,water color palette,smooth shading,vibrant tone,crisp edges,ethereal lighting,glow effect
Parametreleri Göster
Orijinal Prompt
A square 1:1 full-body image of Ichigo Hitofuri in a poised step on a rain-damp stepping-stone path beside a stand of pale pink Japanese anemones, Anemone hupehensis var. japonica. His whole figure, from the top of his head to the soles of his sandals, occupies approximately two thirds of the composition's height, left of center. The camera is placed low near the stones, looking diagonally upward from his front-left side. His left shoulder is the nearer shoulder, while his chest faces toward the flowering border on the right. He stands in a stable forward step, holding one arching flowering stem within reach at the same depth as his body. The line of stones and the flower border carry the eye into the quiet garden around him. ichigo_hitofuri, one adult man, short aquamarine hair with neat side-swept bangs, elegant slender adult proportions, around twenty-five years old, visible eyebrows, porcelain-pale cool-toned skin, realistic adult male proportions, about 8 heads tall, elegant slender build, balanced head-to-body ratio, restrained shoulder breadth, slight natural shoulder slope, slender oval face, face slightly longer than wide, narrow facial width, smooth cheek line, softly tapered jawline, gently pointed chin, narrow lower face, neat straight eyebrows, softly arched brows, refined Japanese male features, elegant delicate face, non-westernized facial proportions. His head inclines toward the flower nearest his left hand. The inner brows gather with a quiet determination and the lips are gently pressed together, their corners nearly level. His shoulders remain composed, his weight passes through the firmly planted forward foot, and his supported contact with the flowering stem is gentle rather than possessive. The apparent fragility of the pale petals beside his steady form conveys calm resilience in a rain-washed garden. He wears a deep indigo woven-silk kimono over an ecru inner layer, with a narrow pale collar visible at the neck. The wearer's left front panel overlaps the right front panel at the kimono collar. The indigo kimono stays closed from the overlapping neckline through the waist and down toward the ankles. A muted gray-green woven obi secures the crossed panels at his natural waist; the lower front layers continue to overlap beneath it, separating only slightly near the walking foot. A pale mist-blue haori lies over the kimono, open along both front edges from the collar to the thigh-length hem, leaving the indigo front and obi visible. Its broad sleeves fall behind the forearms and turn back at the wrists to reveal a narrow dark lining. A small repeated grass motif is woven only along the lower edge of the kimono; the upper cloth remains quiet. The silk has a controlled soft sheen against the denser matte weave of the obi. The forward step draws long folds from the waist toward the hem, while the left sleeve bunches gently above the hand supporting the stem. White split-toe tabi and plain dark straw-soled zori make clear contact with the wet stepping stones. The anemones are rooted in a distinct garden clump immediately to his right, with branching slender stems rising from leafy lower growth in the damp planting bed. Several open blossoms face different directions above the dark lobed leaves. Their broad, softly rounded pale-pink tepals surround greenish centers encircled by many bright golden stamens; nearby spherical buds stand on separate smaller stems. Each open bloom measures about eight centimeters across, comparable to the width of his partly opened left palm beside it at the same depth. His left fingers support a single flexible stem immediately below its flower without gripping the petals. The stem curves continuously down into the nearby rooted clump, not into flowers near the camera. His right hand hangs naturally beside the open haori, clear of the flower stems. The garden remains specific but quiet: staggered flat stepping stones continue from below his sandals past the rooted anemones, with dark gravel filling their gaps. A moss-edged planting bed joins the flower roots to the path, and a short wooden veranda with vertical cedar posts is visible behind his farther shoulder. A cropped section of tiled eave enters above the right edge, attached to those posts. The damp timber and stone belong to a single traditional Japanese garden setting in the present day, without requiring a historical event or a named shrine. Soft rain clouds are already breaking above the garden; drops remain on the leaves and stone surfaces. Cool diffused daylight enters from the upper right and spreads across the pale petals and his cheek. A weaker reflection from the wet pale stones raises the shadows beneath the broad kimono sleeves. The exposed collar remains softly illuminated, while the dark indigo cloth and wooden post retain deeper folds and contact shadows. Small clear highlights occur on the moisture, never replacing the flower's natural color with self-generated light. The composition preserves the entire walking posture, the correct visible collar overlap, the attached flower stem and the stone path in one coherent perspective. single coherent lighting setup. masterpiece, best quality, detailed illustration,painterly,textured brush strokes,rough lineart,glossy lips,detailed eyes,soft shading,muted colors,prismelle,crisp clean lineart,sharp delicate linework,jewel-like eyes,luminous irises,bright eye highlights,colorful eye reflections,accent-colored hair highlights,luminous hair highlights,glossy plump lips,delicate soft coloring,illustration style,color sketch,colored pencil,soft light,painterly detail,semi-realistic shading,vivid colors,digital art,painterly detail,water color palette,smooth shading,vibrant tone,crisp edges,ethereal lighting,glow effect,
Mod
pro
Tarz
Retro Glam Anime
Kalite Etiketi
İpuçları
Boyut
992 x 992
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
Tarz: Retro Glam Anime
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AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
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