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AI art "Eremite Warrior 03" featuring #Koyu ten, #Balta, #değerli taş, #çıplak omuzlar, #mücevher, #1 kız, #Arap kıyafetleri and #Koyu tenli kadın
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Eremite Warrior 03

#Koyu ten#Balta#değerli taş#çıplak omuzlar#mücevher#1 kız#Arap kıyafetleri#Koyu tenli kadın
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A full body shot from a low-angle perspective features a female Eremite Axe Vanguard from Genshin Impact, standing prominently in the center of the frame. She is a tall woman with a tanned complexion and a strong build, dressed in traditional desert attire consisting of layered linen wraps, a leather chest piece, and ornate gold jewelry adorning her wrists and neck. She holds a massive, heavy iron battle-axe with both hands, gripping the shaft firmly as the weapon's blade rests on the sandy ground. Her expression is fierce and determined, with a sharp gaze directed forward. The scene is set in the vast, undulating dunes of a sun-scorched desert under a blazing white sun, with wind-blown sand swirling around her boots. The atmosphere is harsh and oppressive, characterized by a high-contrast color palette of golden yellows and deep ochres, with shimmering heat haze distorting the distant horizon and fine dust particles suspended in the air.
Parametreleri Göster
Orijinal Prompt
Eremite Axe Vanguard (genshin, girl)
Mod
standard
Tarz
Modern Glam Anime
Boyut
768 x 1280
Tarz: Modern Glam Anime

Kullanılan Model ve LoRA

Benzer Görseller

Daha fazla göster
AI artwork
eg
1girl, solo, mature female, very long black hair, blue eyes, hair ornament, necklace, large breasts, underboob, bare shoulders, midriff, black thighhighs, sandals, loincloth, pelvic curtain, polearm, holding polearm, from side, profile, dutch angle, looking to the side, half-closed eyes, light smile, standing, weight on one leg, contrapposto, breeze, floating hair A low dutch-tilted three-quarter side profile of one mature woman, seen from hip level so the camera looks slightly up her length; the tilt tips the horizon a few degrees and throws the polearm's shaft into a long diagonal across the frame. She stands with her weight sunk into her right leg, left knee relaxed and turned out, hips canted, the polearm planted butt-down on the ground by her right foot while her right hand grips the shaft at shoulder height and her left forearm rests across her waist, fingers loose over the hip bone. Her face is turned in profile toward the left edge of the frame, blue eyes open but heavy-lidded, gaze cast down the length of her weapon and out of frame; a faint closed-lip smile, one brow a fraction higher than the other. Her very long black hair pours down past her waist and fans out to the right behind her shoulder, strands lifted sideways by a slow wind so the mass breaks into loose ribbons against the dark ground; the decorative hair ornament sits pinned at the left temple, its metal edge catching the light above her ear. A thin chain necklace lies across her collarbones and dips into the shadow between her breasts. The top is a narrow band that leaves both shoulders and her whole midriff bare, cut high so the undersides of her large breasts show clearly below the fabric's lower edge, the skin there catching the key light while the upper slopes fall away in shadow; a soft mature fullness across her stomach, the navel a small shadowed hollow. At her hips a dark loincloth panel hangs between the pelvic curtain's side drapes, and both sway to one side with the wind. Black thighhighs grip her thighs just above the knee, their tops a clean dark line against bare skin, and her feet are strapped into flat sandals, the front sandal's sole pressed flat into the dust. Light comes as a single low warm source from the left, raking across her profile and the front of her torso: it ignites her cheekbone, the necklace, the undercurve of her breasts and the near thigh, and drops the far side of her body and the back of the polearm into deep umber shadow; a long hard-edged shadow of the weapon and of her legs stretches to the right across the ground. Palette is black and warm skin against a burnt umber and dust-ochre field, nothing else admitted except the cold glint of the ornament and the necklace. The environment is a bare, empty plain of packed earth running to a featureless dark gradient at the top of the frame, no other figures, no structures; the dust she stands in is the revealer, grains lifted off the ground and streaming to the right at ankle height to show the wind's direction and its speed. Matte, cel-flat rendering with crisp edges, deep saturated shadows. Quiet, statuesque heat.
Emerson Gutierrez Palomino
AI artwork
eg
1girl, solo, mature female, very long black hair, blue eyes, hair ornament, necklace, large breasts, underboob, bare shoulders, midriff, navel, loincloth, pelvic curtain, black thighhighs, sandals, polearm, holding weapon, standing, contrapposto, looking at viewer, from below, low angle, cowboy shot, dutch angle, desert, stone ruin, dusk, warm rim light, cool shadow, Shot from a low angle looking up, the mature woman stands in a slight contrapposto on a wind-scoured sandstone ledge, her weight settled on her right leg so the left hip rises and the pelvic curtain falls in a long diagonal across it; her left foot is set a half step forward with the toes gripping the stone through the open leather straps of her sandal, and the black thighhighs pull taut across the thigh, their top edge biting a soft line into the skin just below where the curtain swings free. Both hands close around a tall polearm: the right hand higher at chest height, thumb wrapped and knuckles pale, the left hand lower near her hip controlling the haft, the butt of the weapon planted on the rock behind her heel, and the shaft leans forward across the frame so its head crosses the open sky at the upper left. The dark ragged hem of the loincloth and the loose panels of the pelvic curtain are pushed back to her right side by the same wind, which also lifts the very long black hair off her bare shoulders and sends it streaming in a heavy rope past her elbow; the hair ornament glints where it is pinned above her temple, and the necklace sits on her collarbone with its pendant fallen just into the shadow of her breasts. She is turned three-quarters toward the low camera, chin slightly down and eyes looking straight into the lens with a faint closed-lip smile that does not reach the level brows, one eyebrow carrying a hair's breadth more arch than the other, and the caught light in her blue eyes is cold and clear. Behind her the ruined stair of a sandstone wall and grain drift away into haze, its scale shrinking fast so her figure dominates the picture; the low sun sits off-frame to the right, striking a warm edge along her left arm, the top of one breast, the ridge of the polearm and the rim of her cheekbone, leaving the undersides of breast and hem and the deep folds of the curtain in cool blue shadow, and a long hard shadow of the shaft is cast across the ledge stones to the left of her feet. The palette is held to warm sand, deep black, the cold blue of shadow and her eyes, and a little dull gold on the ornament and necklace, nothing else admitted. Airy, quietly imperious.
Emerson Gutierrez Palomino
AI artwork
eg
1girl, solo, mature female, black hair, very long hair, blue eyes, hair ornament, necklace, large breasts, underboob, midriff, bare shoulders, pelvic curtain, loincloth, black thighhighs, sandals, polearm, holding polearm, from below, dutch angle, low angle, standing, contrapposto, looking down, half-closed eyes, light smile, desert plateau, wind, dusk, From a steep low angle with a slight dutch tilt, one mature woman stands alone on a cracked sandstone ledge, the camera near her sandals so the shaft of her polearm climbs the full height of the frame. She is a tall, curvy adult with a composed, seasoned face: a faint closed-lip smile, lids half lowered, one brow arched a shade higher than the other, and her blue eyes cast down toward the viewer. Her very long black hair pours past her hips and streams sideways off her shoulder as dry wind crosses the plateau, a carved dark hair ornament pinned above her right temple, a beaded necklace resting on her collarbone. Both shoulders are bare, the cloth of her garment drawn under the curve of her breasts so their undersides show fully, her bare midriff taut between the hem and the wide belt; from that belt hangs a loincloth panel flanked by a pelvic curtain of layered strips, and black thighhighs sheath her legs down to bare toes in strappy leather sandals. Her weight sinks into the left hip, right knee slack and turned out, right hand gripping the polearm's shaft at chest height, left hand loose at her side with fingers just brushing the curtain. The polearm's dark shaft runs diagonally from the ledge under her foot to the top-left corner, its bladed head above the frame line; the staff's near end presses into the stone and a small fan of dust grains drifts from it. Late, low sun enters from the right, rimming her bare shoulder and the edge of the curtain in amber, laying long shadows across the cracked ground to the left, while the sky behind burns dusty rose into violet; palette of black, rust, umber sandstone and warm amber, nothing else admitted. Cool shadow side of a single variable: the wind pulls the pelvic curtain strips into strands that lift clear of her thigh only on the upwind side. Quietly imperious, sun-worn.
Emerson Gutierrez Palomino

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