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AI art "Girl anzu mazaki" featuring #Thick Thighs
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Girl anzu mazaki

Contest Entry
Full Legs Paradise#Thick Thighs
u2

user-20479

Görülecek Daha Fazla Şey

Yorumlar

mazaki_anzu, a teenage girl from the "Yu-Gi-Oh!" franchise, sits inside the rear prisoner compartment of a Japanese police transport van. She has short, brown hair with spiky bangs, blue eyes, and a pink choker around her neck. Her outfit consists of a yellow tube top crop top exposing her midriff and navel, a leather pink unbuttoned collared shirt worn open, pink short shorts, and a blue belt. She wears bracelets on her wrists and detailed metallic handcuffs around them. A large white cloth completely covers her head, obscuring her face, eyes, mouth, and nose. She sits properly on a worn beige padded bench seat, hands resting on her knees. The van's interior is highly realistic, featuring metal security bars, a reinforced partition, metal mesh barriers, barred doors and windows, gray metallic interior panels, ventilation grilles, rectangular ceiling lights, and a textured rubber floor. The composition is a wide shot centered on the character on the right, with a large barred door visible on the left. Through the barred windows, a detailed urban Japanese city street is visible, showing parked cars, storefronts, Japanese signs, and advertisements during daytime, with natural daylight streaming into the compartment.
Parametreleri Göster
Orijinal Prompt
mazaki anzu, yu-gi-oh!,short brown hair, spiky bangs, blue eyes, pink choker, yellow tube top, crop top, midriff, navel, leather pink unbuttoned shirt, collared shirt, pink short shorts, blue belt, bracelets,sitting inside the rear compartment of a police transport van,,sitting properly on a worn beige padded bench seat, hands resting on her knees, metal handcuffs around her wrists, detailed metallic handcuffs.A large white cloth covers her head, making her face, eyes, mouth, and nose not visible..interior of a police prisoner transport vehicle, realistic Japanese police van interior, metal security bars, reinforced partition between passenger compartment and driver, metal mesh barrier, barred doors and windows, gray metallic interior panels, ventilation grilles on ceiling, rectangular ceiling lights, worn beige bench seats, industrial details, textured rubber floor, realistic vehicle architecture.View from inside the rear prisoner compartment, wide shot, centered composition, character sitting on the right side of the frame, large barred door on the left, detailed vehicle interior surrounding the character. Through the barred windows, an urban Japanese city street is visible, parked cars, storefronts, Japanese signs and advertisements, daytime, natural daylight entering through the windows.
Kalite Etiketi
high quality, year_2025, year_2024, İpuçları
Boyut
768 x 1280
Örnekleme Adımları
25
Örnekleme Yöntemi
Euler
CFG Ölçeği
4.5
Negatif
bad quality, low quality, worst quality, lowres, nsfw, jpeg artifacts, scan artifacts, mosaic, cropped, error, fewer digits, bad reflection, bad composition, bad anatomy, bad hands, bad fingers, missing fingers, extra hands, extra legs, excess fingers, light particles, artist name, text, watermark, username, copyright name

Kullanılan Model ve LoRA

Tsubaki - AI Model cover image

PixAI DiT.1

Tsubaki
8.76k

Benzer Görseller

Daha fazla göster
AI artwork
n
mazaki_anzu, a teenage girl with short, spiky brown bangs and blue eyes, her neutral expression is completely obscured by a large white cloth covering her head, making her face, eyes, mouth, and nose not visible. She wears a pink choker, a yellow tube leather crop top exposing her midriff and navel over a collared shirt, pink short shorts, a blue belt, and bracelets. Her hands are handcuffed behind her back and completely hidden from view, and she has shackles on her feet. She is being escorted by two female police officers in dark blue uniforms, one on either side, as they walk out through wooden double doors with a brick wall exterior. The scene is set with bright cinematic lighting that highlights the textures of the latex, leather, uniforms, and brick wall. The atmosphere is dramatic and suspenseful, with a strong emphasis on contrast between the characters' attire and the gritty setting.
nicohongkong
#Perlica in Hanfu
AI artwork
u2
mazaki_anzu, a young woman with short brown hair featuring spiky bangs, sits in the exact middle of a vehicle backseat, facing the camera directly with a neutral expression. Her blue eyes look straight at the viewer. She is wearing a pink choker, a yellow tube leather crop top that exposes her midriff and navel, pink short shorts, and a blue belt with bracelets on her wrists. A small belly button piercing is visible. Her arms are pulled tightly behind her back, handcuffed, with her hands completely hidden from view. She is flanked by two female police officers in blue uniforms, one seated on her left and one on her right. The interior of the vehicle is visible, and the lighting is daylight, casting a clear, bright illumination. The image is rendered in high-quality anime style with cell shading, creating a crisp and vibrant aesthetic. The composition is centered, emphasizing the subject's direct gaze and restrained posture.
user-20479
#Magazine Contest

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Beğenebilirsiniz

AI artwork
음안
character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
음뭐지 안되서 다시 부계만듬
3#Attack on Titan#Mikasa Ackerman
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