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PixAI'de promptlar varsayılan olarak herkese açıktır, ancak yaratıcılar yayımladıkları her eserde promptu gizleyebilir. Bu eserin sahibi promptu gizlemeyi seçti; bu yüzden görselin oluşturulmasında kullanılan kelimeler gizli kalır ve bunları yalnızca eserin sahibi görebilir. Promptu gizlemek başka hiçbir şeyi değiştirmez: eser hâlâ herkese açık ve onu her zamanki gibi beğenebilir, yorumlayabilir ve paylaşabilirsin.
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Kullanılan Model ve LoRA
Benzer Görseller
Daha fazla göster裏路地
んにぃ
th
night, traditional japanese inn exterior, ryokan, wooden two-story inn, hanging paper lanterns under the eaves, row of glowing chochin lanterns, warm orange light, glowing lanterns, fog, thick atmospheric mist, cinematic lighting, volumetric light, single female subject, young woman, standing at the entrance, elegant kimono, deep violet silk kimono, gold crane embroidery, wide obi sash, gold-threaded obi, long black hair, traditional shimada bun, tortoiseshell hairpin, holding a wooden washi paper lantern, held up at chest height, multiple yokai, various monsters, background figures, some carrying luggage, old-fashioned travel trunk, woven luggage baskets, halloween mood, eerie festive, detailed anime style, wide shot, from below, slight low angle, wet stone step, paper signboard with painted lettering, hiragana sign, night palette of deep indigo and warm orange, ink-black silhouettes, amber pools of lantern light
The view is a wide shot from a slightly low angle at the foot of the inn's stone steps, so the two-story wooden facade rises and the eave line cuts diagonally across the upper-left of the 16:9 frame. The inn stands on the left two-thirds: dark timber posts, a plank awning, shoji panels glowing a dull honey, and a line of round paper lanterns strung along the eave underside, each one a blown-egg of warm light with a visible bamboo rib and a soft halo bleeding into the mist. A vertical wooden signboard is bolted to the entrance post, its painted kanji reading "Higan Inn" in dark brush strokes that wrap the board's slight curve and flake at the lower edge; the larger characters above them are worn illegible. The entrance itself is an open dark rectangle with a raised tatami threshold and a hanging noren curtain, its cloth stirring.
In the right third, at the top of the steps and just off the entrance line, the young woman stands angled three-quarters toward the door, weight on her back foot with the front toe of her geta resting on the step edge, one hand raised at collarbone height gripping the wire handle of the wooden paper lantern so it hangs level at chest height, the other hand resting at her obi knot. Her lantern is the brightest source in the frame: it lights the underside of her chin, the crane embroidery across her shoulder, and the polished tortoiseshell pin in her shimada bun, and it throws a hard little shadow of the lantern frame down her sleeve. She looks off to the right and slightly down, toward the arriving figures, chin lifted, mouth closed, one brow faintly drawn — watchful hospitality, not a smile. Wisps of hair stir at her temple.
Along the darkened path that runs diagonally into the right background, a loose procession of yokai advances out of the fog: a tall one-eyed silhouette with a long tongue and a rain-slick straw cape hauling a strapped travel trunk on its back, a small round-bellied creature in a leaf cloak dragging a woven basket, an umbrella spirit hopping on one foot, a faceless figure in a pale robe gliding behind. They are rendered as simple, dark, high-contrast shapes with only one lit edge apiece, no more detail than the fog allows. Their feet press shallow prints into the wet gravel; their reflections stretch thin and broken in the puddles between stones.
The lanterns are the only light source; beyond their pooled amber the night is nearly absolute, and the fog thickens between the inn and the trees so the treeline dissolves after a few meters. Palette is strictly deep indigo-black, wet-stone gray, and warm orange lantern glow, with a single colder moonlight rim on the roof tiles. Fine mist particles catch the light as small discs only where they pass directly in front of a lantern. Atmospheric, quietly uncanny.
Trung Hải Phan
裏路地
んにぃ
たぬ子
んにぃ
Daha fazlasını keşfedin
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(mai)
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