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AI art "男の城を壊す女"
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男の城を壊す女

男の城をいろんな武器で壊す女

#uzun saç#Sarı saç#silah#Gülümseme#gönderli silah#kılıç#mavi gözler#Açık ağız#1 kız#1 erkek#tutma#kale#Kılıç ustası
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comic, multiple panels, full color, manga page, 3koma, action, glowing eyes, eye cut-in, crying, tears, smile, flat chest, fully clothed, covered chest, modesty neckline, clean skin, no tattoos, no facial mark, no blood, unwounded, holding sword, holding spear, holding greatsword, no axe, stone quarry, stone cutting, stone building, rubble, debris, destruction, large text, japanese text, english text, sound effects, onomatopoeia A dynamic full-color manga page arranged into three distinct vertical-tier panels separated by clean white gutters, featuring narrative cut-in eye windows, immense foreground Japanese design labels, and explosive English sound effects dominating the background. Panel 1 (Top Tier): A wide action shot across a vast rocky limestone quarry. A lean-chested man with completely covered torso, dressed in a layered crimson-and-navy belted silk changbao robe over fitted dark trousers, dashes at high speed from one end of the quarry to the other. His face is completely clean of any marks, scars, or tattoos, and his eyes blaze with intense, vivid cyan luminescence. He slices cleanly through massive stone monoliths using a curved talwar sword in one hand and a brass-tipped spear in the other, leaving perfectly planar cuts through the stone with no wounds or blood anywhere. An inset horizontal manga cut-in window sharply magnifies his fierce, glowing eyes. Stretched across the far background sky, jagged English lettering screams "SHIIIING!" and "HYAAAAH!". Floating in the immediate foreground, rendered in massive bold Japanese graphic typography twice the size of his head, are the prominent annotation labels: "【長袍(チャンパオ)】" and "【ショートツーブロック】". Panel 2 (Middle Tier): A spacious, celebratory mid-shot. The man stands alone, beaming with an ecstatic, wide smile. Through fluid, masterful architectural movements, he has converted towering tree trunks into an enormous, delightfully cute stone-built fairy-tale fortress featuring rounded crenellations, playful gargoyle carvings, and arched stone windows. His chest remains modestly covered in a fine embroidered Nordic wool tunic. The atmosphere is bright and triumphant, bathed in warm golden daylight that highlights the finely carved stone masonry. Panel 3 (Bottom Tier): A cataclysmic comic climax. A slender woman with a flat, fully covered chest, dressed in a stylish beige walking trench coat over a high-collar cream knit sweater and walking skirt, casually demolishes the cute stone fortress during her stroll. Holding a colossal, two-handed crystalline greatsword with effortless ease, she pulverizes the stone towers into flying debris and cloud plumes. In the far background behind the explosion, massive distressed English sound effects read "KRAAAASH!" and "BOOOOM!". Dominating the absolute foreground, crisp Japanese typography twice the size of her head boldly displays: "【散歩用トレンチコート】" and "【ハイポニーテール】", corresponding to her long blonde hair bound high in a ponytail. A dual cut-in manga eye box displays the woman's impassive, focused eyes juxtaposed with the man's wide, distraught eyes. In the lower right corner, the man collapses onto the ground in despair, clutching his head and weeping streaming comical tears over his ruined creation. Rich cel-shaded color palette with high saturation, sharp ink linework, and vibrant comedic melodrama.
Parametreleri Göster
Orijinal Prompt
世界のいろんな石場で、世界のいろんな服を着たいろんな年齢の男性が1人で目を発光させて世界のいろんな武器を持って、流血しない、乳首を露出しない、胸の脂肪が少ない、顔に印が無い、石を切断して端から端へ走り回る場面と、 大きなコマ割で世界のいろんな上達の動きで木をいろんな世界の可愛い大きな石造の建造物に加工して男が1人で笑顔になった場面と 散歩で着た いろんな髪型のいろんな服の女1人がいろんな最強の武器を持っていろんな方法で石造を破損して 男が泣く 場面に分割。 斧以外を使用する。 男女の着ている服の名前と髪型の名前 の注釈を頭の2倍の大きさで一番手前に表示して崩れない日本語で教えて。 服の名前と髪型の名前を日本語で一番強調して表示する。 「服の名前」以外の服の名前を日本語で表示する。 「髪型の名前」以外の髪型の名前を日本語で表示する。 男女の目を強調する窓を表示。 激しい掛け声と効果音を英語で一番背景に表示。全体を着色する。
Mod
pro
Boyut
768 x 1280
Örnekleme Yöntemi
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
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Kullanılan Model ve LoRA

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