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AI art "佩丽卡4" featuring #Arknights, #Arknights: Endfield and #Perlica

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佩丽卡4

#Arknights #Arknights: Endfield #Perlica

Yayınlanma tarihi: Oct 23, 2026

糯糯睦

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character: perlica_(arknights), copyright: arknights, arknights:_endfield 1girl, solo, perlica, medium shot, from side, profile, cowboy shot, feet out of frame, sitting, curled up, knees up, knees together, knees to chest, knee hug, hugging own legs, arms around legs, arms wrapped around shins, hands on calves, gripping own calves, cheek on knee, cheek resting on knee, head tilt, light smile, closed mouth, gentle expression, half-closed eyes, looking down, long hair, blonde hair, grey hair, two-tone hair, streaked hair, ahoge, bird ears, animal ears, feathered ears, blue eyes, white dress, sleeveless dress, backless dress, bare shoulders, bare arms, black collar, ribbon, choker, black pantyhose, two-tone gloves, black and yellow gloves, (no jacket:3), ((no jacket:3)), very long torso, long legs out of frame, skindentation, armpit creases, shiny skin, sweat, glossy skin, shiny fabric, satin sheen, muted colors, desaturated palette, dynamic lineart, thin and thick stroke lines, ((realistic:3, sharp focus:3, sharp detailed:3)), ((realistic:3, sharp focus:3, sharp detailed:3)), soft lighting, intimate mood, clean background, seamless pale grey backdrop A medium shot from the side: the camera sits level with her shoulder, and the frame cuts her off cleanly just below the knees, her bent legs ending out of frame at the lower edge, so the whole picture is given to her folded torso, her arms and her face in profile. She is drawn in pure side view, facing frame-left, curled up on nothing at all -- a seamless, softly graded pale grey ground behind and beneath her, no furniture, no props, no second figure anywhere. She sits folded tight: both knees drawn up and clamped together against her chest so the shins stand vertically in front of her torso, her arms wrapped around those shins, forearms laid along the fronts of the shins with both hands closed firmly on her calves near the ankle end, fingers curled into the fabric of the pantyhose and pressing shallow dents into it. Weight settles back through her hips, spine rounded, her chin lowered and her cheek laid gently along the top of her near knee, the cheek flattened a little against the knee cap. Her white sleeveless dress is cut open at the back, so the bare curve of her spine and both shoulder blades show as she curls; the black collar sits high around her throat with its ribbon tied at the side, falling across her collarbone. Above the collar her face turns down toward the knee she rests on, one blue eye visible in profile under a lowered lid, the corner of her mouth lifted in a light, closed-lip smile, soft and self-contained rather than aimed at anyone; her gaze lands on her own knee, not on the camera. Her long blonde and grey hair falls in two tones past her jaw, the blonde lengths catching the key light and the grey strands sliding darker into the shadow side, the ahoge springing up from the crown and bending slightly forward with the tilt of her head; the feathered, bird-like ears rise from the top of her head, the light picking individual barbs along their upper edges while their inner sides hold a dimmer, warmer tone. Her two-tone gloves run dark along the hands and lighten toward the yellow cuffs at the wrists. The whole image rests in muted, dusty tones -- off-white dress, cold grey ground, soft blonde and ash in the hair, the only warm notes the yellow of the glove cuffs and the ribbon. Lighting comes from a single broad, diffused source high and to the frame-left, striking the near shoulder, the near upper arm, the raised knee and the side of her face; it leaves the far arm, the underside of her thighs and the hollow between her knees and chest in soft, unbroken shadow, and drops only the faintest compressed shadow from her body onto the grey ground beneath her hips, blurred at its edge because the source is large. Shiny skin along her exposed shoulder, upper arm and the outside of her calf catches a narrow specular highlight that thins as it wraps toward the shadow side; the satin sheen of the white dress rides the crest of her bent back and snuffs out in the folds, and the black pantyhose show a stretched, glossy band where her knees press against one another and where the calf fabric pulls under her gripping fingers. Emphasise her unusually long torso: the distance from hip to shoulder is stretched well past natural proportion, and the press of her thighs and arms into that torso shows in the shallow skin indentation at her waist, in the dented crease under the curve of her near arm where it meets the ribs, and in the small gathered creases in the hollow of her armpit as her arm folds in against her side. Dynamic linework keeps the bare skin in fine, tapered lines and thickens to bolder, decisive strokes on the dress hem, the wrapped arms and the pantyhose creases, building a clean, very detailed realism with everything in sharp focus and nothing blurred. Quiet and intimate.

佩丽卡4

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