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AI art "納豆の日　らくえ　tsubaki3" featuring #Bikini, #Mayo, #Yiyecek, #uyluk, #natto, #1 kız and #Tsubaki.3
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納豆の日　らくえ　tsubaki3

#Bikini#Mayo#Yiyecek#uyluk#natto#1 kız#Tsubaki.3
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With the theme of July 10th, Natto Day, a swimsuit coordination worn by a woman named Rakue begins with leg decorations; the sandals feature a light design incorporating the roundness of soft natto beans, the long stretching curves of sticky threads, and the weave of straw bundles. Around the ankles, sparkling decorative cords reminiscent of golden threads and small decorations like soybean grains are wrapped, and the leg ornaments layer flowing curves like viscosity and soft patterns that evoke the warmth of fermentation. The swimsuit body is designed with a silhouette reflecting the unique granular feel of gathered natto beans and the flow of threads, while the overlaps of fabric and frills reflect soybeans, straw, wooden bowls, small bowls, the thin straight lines of stirring chopsticks, and the plumpness of white rice. On the chest, a design combining a small natto bowl and a single thread is placed, and around the waist, a decorative belt reminiscent of straw bundle weaving and layers of transparent fabric where sticky threads draw spirals are added. Ear and hair ornaments visibly reflect the shapes of natto beans, soybeans, straw bundles, chopsticks, small bowls, and spiraling threads. The face is not hidden and looks natural as a human woman. The background is a space combining a breakfast table and a Japanese atmosphere that feels the warmth of fermented foods, densely filling the scene with natto bowls, straw bundles, rice bowls, chopsticks, wooden trays, small plates, chopped green onions, mustard, soy sauce dispensers, morning light, sparkling water droplets, and soft steam, so that objects and matters related to Natto Day are visible everywhere on the screen. The entire composition is vividly summarized in the ocher of soybeans, the pale gold of straw, the white of rice, the green of onions, the yellow of mustard, and the brown of wooden vessels, ensuring that a friendly Japanese breakfast feel, the unique charm of fermented foods, and the lightness of summer are conveyed through visuals alone. Original character, unique design, not fan art, poses and colors reflecting the theme's elements vividly, include elements of contrapposto. Rakue is a woman; her appearance features glossy, slightly long, deep chestnut hair flowing loosely in waves down her back, with bangs naturally parted so they do not cover her eyes, and delicate strands of hair softly sparkling as they catch the light. Her eyes have a smooth appearance ranging from clear amber to reddish brown-gold, with a gaze that is neither too sharp nor too sweet, possessing a calm look that contains a slight strength of will and a quiet, observing sharpness. The overall atmosphere is elegant and glamorous, yet possesses a natural approachability that is not too distant, leaving a strong impression without being too flashy—a supple woman with a strong core. Scatter shapes of thematic objects and Japanese onomatopoeia characters in the background; these fonts should be expressed as expressive typography with textures and effects that reflect the theme's uniqueness, individuality, inherent history, and emotion, interpreted in truly unique shapes. She has eyes, a nose, a mouth, and eyebrows.
Parametreleri Göster
Orijinal Prompt
7月10日の納豆の日をテーマに、らくえという名前の女性が着る水着コーディネートは、足の装飾からはじまり、サンダルは納豆のやわらかな粒の丸みと糸引きの細長く伸びる曲線と藁苞の編み目を取り入れた軽やかなデザインにし、足首には金色がかった糸を思わせるきらめく飾り紐と小さな大豆粒のような装飾を巻き、脚の装飾には粘りが流れるような曲線と発酵のぬくもりを感じさせる柔らかな模様を重ね、水着本体は納豆の粒が集まって生まれる独特の粒状感と糸の流れを思わせるシルエットでまとめ、布の重なりやフリルには大豆、藁、木の器、小鉢、かき混ぜる箸の細い直線、白いごはんのふっくら感を反映し、胸元には小さな納豆鉢と一筋の糸を組み合わせた意匠を入れ、腰まわりには藁苞の編み込みを思わせる装飾帯と糸引きが渦を描くような透ける布のレイヤーを添え、耳飾りや髪飾りには納豆粒、大豆、藁苞、箸、小鉢、渦を巻く糸の形を目に見える形で反映し、顔は隠さず人間の女性として自然に見えるようにし、背景は朝食の食卓と発酵食品のあたたかみを感じる和の空間を合わせた場にして、納豆鉢、藁苞、ごはん茶碗、箸、木の盆、小皿、刻みねぎ、からし、醤油差し、朝の光、水滴のきらめき、やわらかな湯気を隙間なく配置し、画面のあらゆる所に納豆の日の物と事柄が見えるようにして、全体を大豆の黄土色、藁の淡い金色、ごはんの白、ねぎの緑、からしの黄色、木の器の茶色で鮮やかにまとめ、親しみのある和の食卓感と発酵食品の個性的な魅力と夏の軽やかさが見た目だけで伝わるようにして、オリジナルキャラクター、独自デザイン、ファンアートではない、テーマの要素の形のポーズ、色彩を鮮やかにしてね、　コントラポストの要素を入れてね、らくえは女性です、らくえの見た目は、つやのあるやや長めの深い栗色の髪をゆるく波打たせて背中に流し、前髪は軽く目にかからないよう自然に分け、ところどころに繊細な毛束が光を受けてやわらかくきらめき、目の色は澄んだ琥珀色から赤みを帯びた茶金へとなめらかに見える印象で、目つきはきつすぎず甘すぎず、少しだけ意志の強さと観察するような静かな鋭さを含んだ落ち着いたまなざしをしていて、全体の雰囲気は上品で華やか、それでいて近寄りがたすぎない自然な親しみやすさもあり、派手すぎず印象にはしっかり残る、しなやかで芯のある女性という感じです テーマの物の形と日本の描き文字のオノマトペを背景にちりばめ、そのフォントはテーマの独自性と個性と固有の歴史と感情を反映した質感とエフェクトをつけて真にユニークに解釈した形状にして表現力豊かなタイポグラフィにしてね。目鼻口眉毛がある
Mod
pro
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Boyut
768 x 1280
Negatif
worst quality,ugly,bad anatomy,jpeg artifacts,worst quality,out of focus,JPEG artifacts,low resolution,error,bad anatomy,long_body,mutated hands,missing arms,extra_arms,extra_legs,bad hands,missing_limb,disconnected_limbs,extra_fingers,missing fingers,liquid fingers,(ugly face,deformed eyes,Distorted eyes),bokeh,cropped,blurry、The human anatomy is odd, with numerous strange fingers and arms; the eyes are drawn differently on the left and right; the fingers are not five on one palm. It has three legs.A neck that can rotate more than 90 degrees.Drawing the back, mouth and tongue at the same time.The toes and the buttocks are pointing in the same direction.illegible characters, garbled text, three arms,
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character: eren_yeager, mikasa_ackerman character: eren_yeager, mikasa_ackerman Mikasa Ackerman and Eren Yeager are captured in the middle of a desperate ODM maneuver above a ruined city street, with Mikasa much closer to the camera and Eren cutting across the background at a different angle. Mikasa twists her entire body sideways as she launches past the viewer, one arm extended forward with a blade in hand while the other reaches back toward Eren. Her black hair whips violently across the frame and her red scarf streams far behind her in a long sweeping curve. Eren is several meters behind her, angled sharply in the opposite direction as his ODM cables stretch from his gear toward a damaged rooftop, his green jacket and hair blown backward by the speed of the maneuver. The perspective is extremely dynamic: Mikasa's outstretched hand and blade are large in the foreground while her body rapidly narrows toward the center of the image. Eren appears smaller but perfectly clear behind her, creating a strong diagonal connection between them. Their ODM cables slice through the composition as thin steel lines, crossing the image at different angles and disappearing beyond the frame. One cable passes extremely close to the camera, creating a dramatic foreground line. The ruined city beneath them is not shown as a wide landscape. Broken rooftops, shattered windows, hanging masonry, and fragments of brick rush diagonally through the lower portion of the composition, giving the impression of immense speed. Several pieces of debris are suspended around Mikasa and Eren, each frozen at a different distance from the camera. Dust catches the sunlight in thin atmospheric streaks. Mikasa's Survey Corps uniform is sharply detailed and windswept, with the cropped brown jacket open over the fitted uniform, harness straps pulled taut across her body, white trousers, tall boots, and the Wings of Freedom insignia clearly visible. Eren wears his recognizable Survey Corps uniform and green jacket, with his harness, ODM equipment, and boots rendered with precise mechanical detail. A subtle graphic-design layer is integrated into the composition without overpowering the action: Wings of Freedom emblem are overlaid across the sky, Thin white directional lines follow the trajectories of Mikasa and Eren, while small restrained military-style markings and typography sit along the edges of the frame. The graphic elements reinforce the movement rather than becoming random decoration. The entire image is frozen at one extraordinary instant: Mikasa's scarf curves through the air, Eren's jacket flares behind him, cables are pulled completely taut, debris hangs in the air, dust streams diagonally through the sunlight, and both characters are caught at different points of the same sweeping maneuver. Nothing feels static. Painterly digital anime illustration, expressive textured brushwork, cinematic motion frozen in a single frame, extreme wide-angle perspective, dramatic foreshortening, strong diagonals, layered depth, detailed characters, flowing hair and fabric, taut cables, airborne debris, warm sunlight cutting through cool gray ruins, muted military colors with Mikasa's red scarf as the strongest accent, sophisticated composition, subtle graphic design, powerful silhouettes, intense expressions, visceral sense of speed, beautiful atmospheric lighting, energetic, cinematic
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3#Attack on Titan#Mikasa Ackerman
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