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休暇中の風紀委員会

"休暇中の風紀委員会" YZ sanatı, yuki m tarafından PixAI'de. Etiketler: Iori Shiromi, Chinatsu Hinomiya, Ako Amau, Blue Archive. Tsubaki.3 Flash ile oluşturuldu.

#Blue Archive #Hina Sorasaki #Iori Shiromi #Chinatsu Hinomiya #Ako Amau

Yayınlanma tarihi: Oct 24, 2026

yuki m

Görülecek Daha Fazla Şey

character: ako_(blue_archive), chinatsu_(blue_archive), iori_(blue_archive), hina_(blue_archive), copyright: blue_archive 4girls, hina_(blue_archive), ako_(blue_archive), iori_(blue_archive), chinatsu_(blue_archive), wide shot, traditional japanese ryokan hallway, warm tatami floor, sliding shoji doors, soft ambient lantern light, warm glows, long shadows, elegant yukatas, deep purple yukata with subtle floral patterns, cream-colored yukata with gold accents, navy-blue yukata with striking pattern, pale-pink yukata with delicate cherry blossom motifs, relaxed, sleepy, half-closed eyes, standing close, proud gaze, admiring gaze, arms crossed, slight blush, flustered, cute, gentle smile, long_hair, very_long_hair, white_hair, ahoge, parted_bangs, purple_eyes, demon_horns, wings, blue_hair, hair_between_eyes, hairband, blue_eyes, grey_hair, twintails, hair_over_one_eye, red_eyes, pointy_ears, tail, dark_skin, brown_hair, low_twintails, yellow_eyes, haori jacket hanging open at the shoulders, geta sandals, warm lighting, cinematic lighting, nostalgic, from below, group scene, medium-wide composition, shoji lattice backlight A wide shot from slightly below eye level, camera set low so the tatami boards run in long receding seams toward the shoji wall and the ceiling beams spread overhead: a traditional Japanese ryokan hallway at night, its warm tatami floor scuffed smooth in the walking line, paper shoji doors in a row on the left with lit panels glowing from the corridor lamps behind them, a dark wooden ceiling and a low bench of folded futon along the right wall. Four girls in elegant yukatas cluster in the near half of the corridor, an intimate group rather than a line. On the left of the cluster, one girl with very long white hair, a short upward-sprung ahoge, parted bangs and purple eyes stands with her weight settled on her back heel, one shoulder leaning into the shoji frame, a small pair of demon horns curled at her brow and her dark wings folded down behind her back half-hidden by the corridor shadow; she wears the deep purple yukata, its subtle floral patterns a faint tonal print that only catches on the lit folds, the obi tied in a flat knot at her waist. Her eyelids are heavy and half closed, her mouth soft and slack with a small relaxed breath, her chin dipped, one hand loosely curled at her collar; she looks down and to the right, past the others, sleepy and unbothered. Beside her, almost touching shoulder to shoulder, a girl with long blue hair falling between her eyes, a blue hairband, and blue eyes wears the cream-colored yukata traced with fine gold accents along its edges and obi, gold thread glinting where the lantern light rakes across it; she leans in toward the white-haired girl, chest turned to her, chin lifted, and looks at her with a proud, admiring gaze, the corner of her mouth pulled up in a satisfied little smile, one hand resting lightly on the other's sleeve. The white-haired girl's head tips slightly toward her in response. Third, a girl with very long grey hair in twintails, dark skin, long pointed ears and red eyes half covered by a sweep of hair, stands facing the group squarely, her arms folded tight across her chest over the bold navy-blue yukata with its striking large-scale pattern, the sleeves bunched at her elbows; her tail curls low behind her hip, her weight is on one leg with the other knee bent, and a warm pink blush sits across both cheeks, brows drawn in, eyes darting to the left away from the viewer, lips pressed into a small wavering line -- flustered yet cute. Fourth, a girl with brown hair in low twintails, a hair bow, yellow eyes and pointed ears, in the soft pale-pink yukata scattered with delicate cherry blossom motifs, stands a half-step forward at the right edge of the group, her hands folded in front of her obi, her head tilted, and she smiles gently at the others, her gaze moving warmly across the three of them. The only light is the row of paper lanterns hung along the ceiling and the glow bleeding through the shoji panels: a soft amber top-light that lays warm highlights on shoulders, hair crowns and the tops of the obi knots, leaves the undersides of sleeves and the folds behind the knees in shadow, and throws each girl's long shadow stretching back across the tatami in four separate silhouettes converging on the near boards. The palette stays in the yukata hues -- deep purple, cream and gold, navy, pale pink -- against the honeyed tan of the tatami and the warm paper-white of the doors. Warm and nostalgic.

休暇中の風紀委員会

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