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AI artwork featuring #Eris Boreas Greyrat and #Mushoku Tensei: Jobless Reincarnation
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Eris Boreas Greyrat, Mushoku Tensei: Jobless Reincarnation

#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
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Shylpfiette greyrat

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character: eris_greyrat, copyright: mushoku_tensei 1girl, 2monsters, 3girls, red_hair, very_long_hair, long_hair, ahoge, black_hairband, hairband, hair_between_eyes, thick_eyebrows, red_eyes, hearts_in_eyes, heavy_blush, blush, huge_breasts, pregnant, visibly_pregnant_abdomen, puffy_dress, frilled_dress, pink_and_white_dress, silver_and_white_dress, engagement_ring, colossal_earrings, colossal_engagement_ring, tiara, slave_collar, overly_ornate_dress, tacky_dress, too_much_lace, excessive_ruffles, too_many_bows, overdecorated_dress, puffy_skirt, huge_skirt, long_skirt, oversized_dress, glitter, sequins, ridiculous_ornaments, facing_viewer, front_view, docile, arms_at_sides, hands_on_own_belly, martyrdom, suffering, unhappy, grimace, tears, clenched_teeth, monster_on_shoulder, ugly_monster, chin_grab, kiss, hug_from_side, belly_grab, dark_fantasy, moody_lighting, trembling, sweat, spoken_heart A frontal, slightly low-angle medium shot frames the woman dead-on, facing the viewer, her huge glittering skirt flaring out and swallowing the bottom of the frame. She is a red-haired woman with very long red hair, a stray ahoge curling above her forehead, a black hairband, hair parted between her eyes, thick brows, and red eyes. Her eyes are wide and glossy with two pink hearts floating in each pupil while thick blush burns across both cheeks and a sheen of sweat beads on her brow and temple. Her mouth is pulled into a tight, pained grimace, teeth clenched, a wet line of tears welling at the inner corners and clinging to her lashes, her expression unmistakably martyred — suffering, not enjoyment. She wears a monstrously overdecorated dress in pink, white and silver: a puffed, frilled bodice crusted with sequins, glitter fabric that throws tiny hard sparks of light, an absurd quantity of lace edging every tier, ruffles stacked in excess at shoulders, cuffs and hem, bows knotted on top of bows until the front is a froth of them, and ridiculous ornaments — beaded rosettes, dangling charms and paste jewels — pinned wherever the fabric can bear it. The enormous skirt is puffed and long, heaping into folds on the floor around her, dragging its frilled weight behind. A tiara sits on her head, colossal earrings pull at both earlobes, a colossal engagement ring with a stone far too large for her finger weighs down her hand, and a plain slave collar cinches her throat. Her huge breasts strain the bodice and her visibly pregnant belly rounds the dress's front forward. Her arms stay lowered and docile, both hands folded resting on the swell of her belly, motionless. Two monsters flank her. The first — squat, mottled, snaggle-toothed, bristled and bulbous-headed — perches on her right shoulder, its weight denting the shoulder puff and squashing a ruffle flat. One damp clawed hand clamps her chin, tilting her face slightly toward it, its fishbelly-grey mouth mashed against her lips in a kiss that drags her mouth sideways, saliva glistening where they meet. Her hearted eyes still face the viewer. The second monster — lanky, slime-sheened, long-armed and horned — presses against her left side, a tight hug wrapping its arms around her, one long hand splayed and gripping her pregnant belly through the dress, its fingers dimpling the sequined fabric while she leans away from it without moving at all. Background is a dim, opulent hall, shadowy and gold-lit from a single warm source low and to the left, so the glitter and sequins flare and the shadows fall heavy on her far side and behind the skirt; the monsters' wet skins catch a hard rim of light. Palette: red hair and red eyes against the pink-white-silver dress, everything else sunk into brown-gold gloom. Oppressively glittering, quietly unbearable.
Parametreleri Göster
Orijinal Prompt
Eris boreas greyrat,red hair,mushoku tensei,red eyes,huge breast,pregnant,puffy dress,frilled dress,engagement ring,pink and white dress,,colossal earrings,colossal engagement ring, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated, puffy skirt, huge skirt,long skirt oversized dress, glitter fabric, sequins,ridicolus ornaments in dress,silver and white dress,slave collar,the girl have hearts in eyes,blush,The girl doesn't enjoy it,la chica esta de frente,(((la chica esta en una postura docil con los brazos bajos colocados en su vientre,tiara,,1 monster,ugly monster,monster sitting in woman's shoulder,monster grab woman's chin,monster kissing woman,la mujer no disfruta y esta martirizada,other monster hug from beside,monster grab woman's belly
Mod
pro
Kalite Etiketi
İpuçları
Boyut
1104 x 1824
Örnekleme Yöntemi
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
İstem Yardımcısı

Kullanılan Model ve LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
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AI artwork
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character: eris_greyrat, copyright: mushoku_tensei eris_greyrat, 2girls?, no, 1girl, 1monster, solo focus, red_hair, hair_up, updo, ahoge, very_long_hair, red_eyes, thick_eyebrows, huge_breasts, pregnant, visibly_pregnant, puffy_frilled_dress, pink_and_white_dress, silver_and_white_dress, oversized_dress, huge_skirt, long_skirt, puffy_skirt, excessive_lace, excessive_ruffles, too_many_bows, ridiculous_ornaments, glitter, sequins, tiara, colossal_earrings, colossal_engagement_ring, slave_collar, heart-shaped_pupils, blush, reluctant, unhappy, closed_mouth, frown, furrowed_brow, docile, hands_on_own_belly, arms_at_sides, standing, facing_forward, from_below, cowboy_shot, huge_monster, ugly_monster, long_tongue, licking_belly, hug_from_behind, hand_under_belly, rococo, ornate, spoken_heart, sweat, trembling, half-closed_eyes, heavy_breathing The camera sits low and looks up, so the enormous bell of the skirt fills the lower two thirds of the frame and the tiara crests near the top edge. She stands square to the viewer, chin slightly lowered, weight sunk into her right leg while the left knee bends inward — the docile stance of someone who has stopped resisting. Both arms hang low and her hands are folded together over the swell of her belly, fingertips laced, the colossal engagement ring so heavy on her right hand that her finger dips under it; a second band circles her thumb. Her face is a study in contradiction: the pupils are large soft hearts, her cheeks and the bridge of her nose are flushed deep pink, and yet her brows are drawn together in a tight furrow, her mouth is pressed shut and pulled down at one corner, and her eyes are half-lidded and miserable — she is not enjoying it at all, and every few breaths her shoulders give a small involuntary tremble. Her red hair is swept up into a high mass fixed with a jeweled pin, an ahoge curling loose, two strands falling between her eyes, and the tiara sits tilted into it. Colossal hoop earrings draw her lobes down. At her throat a wide black slave collar with a hanging ring sits above the ruffled neckline. The dress is a rococo catastrophe: pink and white silk layered over silver and white underskirts, every seam buried under excessive lace, ruffles stacked into confectionary tiers, bows tied at the waist, the puffed sleeves, the bustle and even the tiara's base, sequins and glitter fabric catching the light in scattered pinpricks, and ridiculous ornaments — porcelain roses, ribbon rosettes, a swinging miniature cage — hung wherever a surface would bear one. So much fabric that the skirt pools and spreads at the hem, hiding her feet completely. The ugly monster presses in from her right side: a squat, mottled olive-grey creature with a heavy brow, wet small eyes and a wide slobbering mouth, its long tongue laid flat across the taut pink swell of her belly, lapping in a slow curl, saliva gleaming in the hollow of her navel and beading on the stretched fabric. One thick, clawed hand slides under the underside of her belly from beside her, cupping its weight, and the skin of her abdomen dents slightly where the fingers push. Its other arm wraps her waist and its hunched shoulder digs into her hip. Her body leans a fraction away from it while her feet stay planted, and though her heart-pupiled eyes are wide and fixed forward at nothing, her head has tipped a little toward the creature against her will. A small hand-drawn heart floats in a speech bubble beside her cheek. Rococo interior behind them: a gilded boiserie panel and a swag of dusty pink drapery, largely swallowed by shadow. One warm light source from the upper left, a window or sconce, lays a long highlight down the sequined skirt and lights the wet shine on the tongue and the gloss of her blush, while the far side of the monster falls into darkness. Pastel palette of rose pink, ivory, silver and muted gold against the creature's drab green. Ornate decorative elements, intricate gold flourishes, extravagant frills throughout — tense, unwilling, gaudy.
Eris Boreas greyrat
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
bb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris boreas greyrat, red hair, long hair, very long red hair, ahoge, black hairband, hair between eyes, thick eyebrows, red eyes, heart-shaped pupils, blush, huge breasts, visibly pregnant, pregnant belly, distended round belly, puffy dress, frilled dress, pink and white dress, silver and white dress, overly ornate dress, tacky dress, overdecorated dress, too much lace, excessive ruffles, too many bows, puffy skirt, huge skirt, long skirt, oversized dress, glitter fabric, sequins, ridiculous dress ornaments, colossal earrings, colossal engagement ring, slave collar, tiara, displeased, unhappy, gritted teeth, furrowed brow, nervous sweat, docile posture, arms down, hands on own belly, front view, facing viewer, standing, one ugly monster, monster with long tongue, monster licking belly, monster hand under belly, hug from beside, monster hug, rococo style, Front view, straight on: the red-haired woman stands facing the viewer at full figure, the colossal skirt spreading wide across the lower frame and spilling past both edges, while a squat ugly monster presses against her from her right side, one arm wrapped behind her back and its long tongue laid flat across the underside of her round pregnant belly. Her arms hang low and docile, both hands resting on the top of the belly with fingers loosely curled, the enormous gem of the colossal engagement ring turned to face the camera on her left hand and catching the light like a drop of pink glass. Her head is tipped a fraction down, thick brows drawn together, mouth pulled tight at one corner, a fine sheen of sweat at her temple, and her red eyes carry bright heart-shaped highlights that sit inside her pupils while the rest of her face plainly wishes to be elsewhere -- the blush is cosmetic heat, not consent. The tiara sits in her red hair, an ahoge sprung loose above it, and enormous dangling earrings pull at both lobes. The slave collar rings her neck in plain metal beneath the lace. The monster is heavy and wrong: mottled olive hide, a hunched rounded back, asymmetric bulging eyes set at different heights, a wide lipless mouth, short thick legs. It leans its whole weight into her hip, its other hand slid flat under the swell of her belly and lifting it slightly, the palm spread and the belly's skin compressed under the press. Its tongue is wet, textured and improbably long, moving in a slow upward drag across the taut belly, saliva sheening the skin where it lifts away. The dress is rococo excess piled until it should not stand: pink and silver-white satin, glitter fabric and sequins catching pinpoints of light, tier upon tier of ruffles and lace and bow upon bow marching down the front of the bodice and around the skirt, gilt-coloured scrolling ornaments and paste-jewel clusters scattered with no restraint. The huge skirt pools outward in stiff, improbable flounces, hem lost beyond the frame edges. Behind her, a shallow rococo interior: a muted pastel wall with one gilt-framed panel and one ornate carved console at the edge, never competing with her. Soft even frontal daylight from above and slightly left, filling the lace and setting the sequins glittering, with the monster's shadow falling across the lower skirt; the skin of the belly holds a wet highlight where the tongue has passed and the fabric sheen is duller where it sits in shadow. Pastel gold-and-sugar palette, everything over-appointed and oppressive. Grotesque and gilded.
Brago bloodfallen
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
sg
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris greyrat, red hair, hair up, updo, red eyes, heart-shaped pupils, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, pink and white dress, silver and white dress, engagement ring, colossal engagement ring, colossal earrings, tiara, slave collar, overly ornate dress, tacky dress, too much lace, excessive ruffles, too many bows, overdecorated dress, puffy skirt, huge skirt, long oversized skirt, glitter fabric, sequins, ridiculous ornaments, rococo style dress, blush, displeased, jitome, frown, docile posture, arms low, hands on own belly, standing, facing viewer, frontal angle, straight-on, full body, ugly monster, long tongue, tongue out, licking belly, hug from beside, hand under belly, claws, uneven teeth, asymmetrical eyes, slime-like skin, rococo interior, ornate gold frames, pastel palette, swirling flourishes, detailed background, heavy_breathing, trembling, sweat, seductive_smile, motion_lines A straight-on frontal full-body view, camera level with the woman's chest so both figures read head to hem against a tall rococo salon wall. Eris stands square to the lens in the center frame, weight settled on her right leg with the left knee slightly bent, red hair swept up into a high gathered updo with a few loose strands at the temples, her black hairband still in place beneath a small jeweled tiara. Red eyes with heart-shaped pupils, thick eyebrows drawn down, one brow cocked, a tight closed-mouth frown, cheeks heavily flushed in a stiff, unhappy blush. Her enormous and heavily over-decorated rococo gown balloons out in pink and white and silver and white, so layered in lace, ruffles and bows it looks almost ridiculous, with glitter fabric and sequins winking across the whole surface; her enormous pregnant belly pushes the fabric taut into a smooth dome at the front of the dress, and her hands rest low and flat on that belly. On her ears hang colossal dangling earrings; on her left hand the colossal engagement ring catches the light. A plain metal slave collar sits around her throat. Beside and slightly behind her right shoulder stands a single ugly monster: hunched, mottled skin, one eye larger than the other, a mouth of crooked teeth and a long tongue unfurling. It has one long arm hooked around her from the side, the other hand slipped underneath the curve of her belly to cup its underside, leaning so its face presses near that belly and its tongue licks across it. Its only eyes stare at her belly and her only eyes stare forward. Ornate gold picture frames and pastel ornament behind them. Light falls soft and even from the front left, picking out the sequins and catching on the ring and earrings. A cramped, uneasy baroque horror.
Shylpfiette greyrat
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation
AI artwork
bb
character: eris_greyrat, copyright: mushoku_tensei 2girls, 1girl, 1monster, eris greyrat, red hair, long hair, very long hair, ahoge, black hairband, red eyes, thick eyebrows, huge breasts, pregnant, visibly pregnant belly, puffy dress, frilled dress, red and white dress, silver and white dress, overly ornate dress, tacky dress, excessive lace, excessive ruffles, many bows, overdecorated, ridiculous dress ornaments, glitter fabric, sequins, puffy skirt, huge skirt, long skirt, oversized dress, colossal earrings, colossal engagement ring, tiara, slave collar, hearts in eyes, heart-shaped pupils, blush, reluctant expression, unhappy, clenched teeth, furrowed brow, front view, facing viewer, docile posture, arms down, hands on own belly, hug from behind, monster, ugly monster, long tongue, tongue out, licking cheek, hand on belly, monster hand on pregnant belly, rococo style, from front, cowboy shot, heavy_breathing, sweat, trembling, spoken_heart She stands square to the camera in a full front view, a red-haired young woman whose very long hair spills over her shoulders with one ahoge curling up and a black hairband holding the mass back; her red eyes are transformed into two glossy heart-shaped pupils that pulse pink at their cores, and the blush across her nose and cheeks is deep and feverish. Her mouth is pulled into a small, strained line, the lower lip caught between her teeth, brows knitted — the face of someone enduring a thing she does not want, and the hearts in her eyes sit there like an ornament she cannot remove. Her arms hang low and docile, both hands folded and resting flat on the swell of her visibly pregnant belly under the dress, fingers splayed and still. The dress is an oversize confection of red and white and silver-white satin, puffed at the shoulders, huge and long so its skirt balloons out at her sides and pools where it meets the floor; lace erupts at every hem and cuff, ruffles stack in tier after tier, bows cluster at the bodice, the waist and each puff, and sequins and glitter fabric scatter pinpoint gleams across the cloth among a clutter of ridiculous little ornaments — ribbons, ribbon rosettes, tiny enamelled charms sewn on so thickly they almost hide the fabric. A tiara of white filigree and pearls sits in her hair; colossal hoop earrings hang almost to her collarbones, swinging slightly; on her left ring finger a colossal engagement ring with a huge glittering stone sits prominent and heavy, tilting her hand. Around her throat is a plain metal slave collar, tight and unornamented — a cold, brutal band against all that lace. The monster is behind her: a hunched grey-green shapeless brute, sagging folds of skin, a wide lumpy jaw with a few crooked teeth, small dull eyes, no visible clothing; its long thick tongue is a wet purple rope laid flat along her right cheek from jaw to cheekbone, and its drool runs a slick line down her jaw to her chin. One of its big knuckled hands is pushed under the front of her belly, the palm flat beneath the swell, the fabric of the dress bunched around its wrist — its other arm locks across her chest, pinning her back against its torso. The dress's oversize bulk presses and deforms against the monster's bulk behind her, fabric stretched into creases where the two bodies meet. Camera at chest height, slightly below eye level, framed from mid-thigh up so the whole skirt fills the lower frame and the tiara clears the top edge. Light comes from one high soft source in front of her — a warm gilt key that makes the sequins flare in tiny specular starbursts and catches the wet of the tongue and the drool on her cheek; the monster behind stays in a cooler shadow so its ugliness recedes. Palette is a rococo confection: ivory, rose, powder blue and warm gilt, ornament everywhere, with the red of her hair the single saturated anchor. Ornate decorative elements crowd every surface, elaborate curls and flourishes wind through the lace and the gilt frame behind her, highly ornamental textures on silk and wallpaper alike, the whole hall around her a pastel salon of cartouches, acanthus scrolls and gilded moulding in soft focus. The glitter and the tears of saliva on her cheek share one specular highlight, so the dress and her distress catch the light the same way. Sumptuously miserable.
Brago bloodfallen
#Eris Boreas Greyrat#Mushoku Tensei: Jobless Reincarnation

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