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らり

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らり

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character: yukino_mifuyu_(puuzaki_puuna), theresa_apocalypse_(twilight_paladin) 1girl, 1boy, 1girl 1boy, multiple boys, crowd of men, faceless male, muscular, dark-skinned male, dark skin, dark skinned male, gold chain, grey sweatpants, naughty eyes, seductive smile, grinning, grin, muscular male, (Faceless, muscular, dark-skinned man:1.0), silver hair, long hair, hair between eyes, hair bun, blue eyes, huge breasts, light blue cardigan, off shoulder, white turtleneck sweater, sleeveless, shiny dark blue latex skirt, tight pencil skirt, micromini, dark brown leggings, black heels, peeing, urine, liquid, standing, leaning forward, trembling, pigeon-toed, have to pee, holding crotch, holding own crotch, desperate, bulge, sweat on skin, blush, half-closed eyes, wince, tense thighs, squirming, leaking, puddle forming, wet spot spreading, legs pressed together, from above, from below, dutch angle, high floor, night view, glass wall, construction floor, city lights, actualize, wet floor sheen, foreshortened perspective, dramatic low camera, shimmering latex, dark skin contrast, seductive_smile, heavy_breathing, motion_lines, sweat, smirk, giggles, breathy exhale, Standing figure in high-rise, half-built glass-walled construction floor at night, seen from a low, slightly tilted angle that emphasizes both her trembling and the towering crowd. The girl — silver hair in a tight bun, long hair falling over her shoulders, bangs and stray strands across her blue eyes — stands pigeon-toed in the center, black heels clicking on the raw concrete. Her light-blue off-shoulder cardigan has slipped from one shoulder, a sleeveless white turtleneck beneath it hugging her huge breasts and dark brown leggings sheathing her legs. Her latex pencil skirt is skin-tight, glossy dark blue, and her trembling hand is pressed frantically against the crotch of it. Her thighs are clamped, knees knocked inward, a bright thin stream of liquid escaping between her fingers and down the inside of her leg as she stares down with a wince — flushed cheeks, half-lidded eyes, lips parted in a breathy whimper. Around her, a ring of towering dark-skinned men with gold chains and grey sweatpants close in, faceless and grinning. The nearest of them — muscular, broad-shouldered, gold chain glinting — has a grin that catches the city glow, a seductive smile and naughty sidelong glance fixed on her; his hands stay at his pockets and sides. The others crowd behind his shoulders, arms folded or loose, chins tilted down, laughing and watching the center. The high-rise at night is a cage of steel ribs and glass walls, city lights stacked behind them, a single harsh work lamp near the ceiling making the latex skirt shine and each droplet on the floor flash; steam rises faintly from the liquid. Trampled dust, pipes and scaffold poles frame the outer edge. The crowd is a semicircle on the floor, the girl's shadow the only one thrown inward, all the others pointing away from the lamp. Teasing, warm, humiliating.
Parametreleri Göster
Orijinal Prompt
Yukino Mifuyu, blue eyes, silver hair, hair between eyes, hair bun, huge breasts, light blue cardigan off shoulder, white turtleneck sweater, sleeveless, latex tight shiny dark blue short micromini pencil skirt, dark brown leggings,black heels、 BBC_TP, BBC, dark skin, dark skinned male, gold chain, grey sweatpants, m_crowd, multiple boys, faceless male, naughty eyes, seductive smile, (Faceless, muscular, dark-skinned man:1.0), grinning face, inside the curtain wall construction room, high floor, night view, peeing,urine,liquid,standing, leaning forward, trembling, pigeon-toed, have to pee, holding crotch、 女が部屋の真ん中でおしっこをもらす。 女の周りを沢山のBbcが囲んで女を見てニヤニヤしている。
Mod
pro
Kalite Etiketi
İpuçları
Boyut
1280 x 768
Örnekleme Yöntemi
Euler
Negatif
lowres, worst quality, low quality, bad anatomy, explicit
İstem Yardımcısı

Kullanılan Model ve LoRA

Tsubaki.3 - AI Model cover image

PixAI DiT.3

Tsubaki.3
6.66k

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character: yukino_mifuyu_(puuzaki_puuna), yukino_(blue_archive) 1girl, solo focus, 5boys, multiple boys, m_crowd, crowd of boys around one girl, group of five men pressed tightly against her, grabbing her head, grabbing her neck, grabbing her arms, grabbing her back, grabbing her legs, clinging to her, tight press, two blue-haired women, long blue hair, bangs, hair between eyes, ponytail, blue eyes, white turtleneck, tight dark blue short skirt, dark brown leggings, black heels, silver hair, hair bun, huge breasts, dark-skinned male, dark skin, gold chain, grey sweatpants, floor-to-ceiling curtain wall windows, high floor, night city view, night, from side, cowboy shot, dutch angle, low-key lighting, blue night ambient light, warm interior lamp, cramped composition, bodies filling frame, hands on head, hands on neck, hands on arm, hands on back, hands on thigh, half-closed eyes, parted lips, overwhelmed, breath on skin, intimate menace, The shot is a slightly tilted cowboy shot from the side, inside a bare high-floor construction room whose whole far wall is a grid of floor-to-ceiling curtain wall glass, the night city spread beyond it as a dense field of tiny lit windows far below and a low horizon of aircraft warning lights, the room itself unfinished — exposed concrete floor, aluminium mullion frames, a coil of cable and a stack of panel crates pushed to the left edge. In the centre of the frame two women stand back to back, hemmed in by five men who press in so close their shoulders overlap and their bodies blot out most of the glass behind them; the two women are the only figures in sharp focus, the men rendered as a tight continuous mass of shoulders, arms and chests crowding the foreground and the edges of the frame. The woman facing camera-left stands in a white turtleneck whose collar sits high on her throat, a tight dark blue short skirt, dark brown leggings and black heels; her long blue hair is gathered in a ponytail with bangs and strands falling between her eyes, and her blue eyes are wide and fixed on nothing in the room, chin lifted as a man's hand cups the back of her head and tilts it. The woman facing camera-right is the taller, fuller figure, silver hair pinned up in a bun with loose strands between her eyes, huge breasts straining the front of a dark garment as she twists her torso; her blue eyes are half-lidded, lips parted on a held breath, one heel lifted off the concrete for balance. Five men surround them: nearest the lens at lower left, a dark-skinned man with a heavy gold chain over his bare chest and grey sweatpants, his forearm barred across the blue-haired woman's thighs and his other palm flat on her hip; behind him a second man's hand closes around her forearm and pulls it back; at the top of the frame a third man's fingers are spread over the crown of the silver-haired woman's head, her bun pressed against his palm; a fourth man's arm comes over her shoulder to grip the blue-haired woman's neck, thumb along the jaw; a fifth man is behind them both, chest against the silver-haired woman's spine, one hand splayed flat on her back, the fabric of her top creased under his fingers. Every contact point compresses something — the turtleneck's knit bunches at the collar, the skirt wrinkles where the hip is gripped, the leggings pull taut over the thigh under the barred forearm, a heel skids a centimetre on the concrete dust. Light comes from two places only: the cold blue spill of the city through the curtain wall, which rims every shoulder and the two women's hair in a thin bright edge and lays long faint window-mullion stripes across the concrete floor, and a single caged work lamp on the floor at frame right throwing warm amber up into the underside of the men's jaws and the two women's faces. Where the lamp does not reach, the corner of the room is genuinely dark. Palette is restricted to cold blue night, warm amber lamp, white knit, deep navy skirt, brown leggings and the gold link of the chain catching the lamp as the only saturated note; the glass reads as a mirror-black surface with the faint ghost of the room reflected in it, dimmer than the real thing. Tense, airless.
らり
AI artwork
Avatar image of らり
character: yukino_mifuyu_(puuzaki_puuna), yukino_(blue_archive) 1girl, solo focus, 5boys, multiple boys, m_crowd, crowd of boys around one girl, group of five men pressed tightly against her, grabbing her head, grabbing her neck, grabbing her arms, grabbing her back, grabbing her legs, clinging to her, tight press, two blue-haired women, long blue hair, bangs, hair between eyes, ponytail, blue eyes, white turtleneck, tight dark blue short skirt, dark brown leggings, black heels, silver hair, hair bun, huge breasts, dark-skinned male, dark skin, gold chain, grey sweatpants, floor-to-ceiling curtain wall windows, high floor, night city view, night, from side, cowboy shot, dutch angle, low-key lighting, blue night ambient light, warm interior lamp, cramped composition, bodies filling frame, hands on head, hands on neck, hands on arm, hands on back, hands on thigh, half-closed eyes, parted lips, overwhelmed, breath on skin, intimate menace, The shot is a slightly tilted cowboy shot from the side, inside a bare high-floor construction room whose whole far wall is a grid of floor-to-ceiling curtain wall glass, the night city spread beyond it as a dense field of tiny lit windows far below and a low horizon of aircraft warning lights, the room itself unfinished — exposed concrete floor, aluminium mullion frames, a coil of cable and a stack of panel crates pushed to the left edge. In the centre of the frame two women stand back to back, hemmed in by five men who press in so close their shoulders overlap and their bodies blot out most of the glass behind them; the two women are the only figures in sharp focus, the men rendered as a tight continuous mass of shoulders, arms and chests crowding the foreground and the edges of the frame. The woman facing camera-left stands in a white turtleneck whose collar sits high on her throat, a tight dark blue short skirt, dark brown leggings and black heels; her long blue hair is gathered in a ponytail with bangs and strands falling between her eyes, and her blue eyes are wide and fixed on nothing in the room, chin lifted as a man's hand cups the back of her head and tilts it. The woman facing camera-right is the taller, fuller figure, silver hair pinned up in a bun with loose strands between her eyes, huge breasts straining the front of a dark garment as she twists her torso; her blue eyes are half-lidded, lips parted on a held breath, one heel lifted off the concrete for balance. Five men surround them: nearest the lens at lower left, a dark-skinned man with a heavy gold chain over his bare chest and grey sweatpants, his forearm barred across the blue-haired woman's thighs and his other palm flat on her hip; behind him a second man's hand closes around her forearm and pulls it back; at the top of the frame a third man's fingers are spread over the crown of the silver-haired woman's head, her bun pressed against his palm; a fourth man's arm comes over her shoulder to grip the blue-haired woman's neck, thumb along the jaw; a fifth man is behind them both, chest against the silver-haired woman's spine, one hand splayed flat on her back, the fabric of her top creased under his fingers. Every contact point compresses something — the turtleneck's knit bunches at the collar, the skirt wrinkles where the hip is gripped, the leggings pull taut over the thigh under the barred forearm, a heel skids a centimetre on the concrete dust. Light comes from two places only: the cold blue spill of the city through the curtain wall, which rims every shoulder and the two women's hair in a thin bright edge and lays long faint window-mullion stripes across the concrete floor, and a single caged work lamp on the floor at frame right throwing warm amber up into the underside of the men's jaws and the two women's faces. Where the lamp does not reach, the corner of the room is genuinely dark. Palette is restricted to cold blue night, warm amber lamp, white knit, deep navy skirt, brown leggings and the gold link of the chain catching the lamp as the only saturated note; the glass reads as a mirror-black surface with the faint ghost of the room reflected in it, dimmer than the real thing. Tense, airless.
らり
AI artwork
Avatar image of らり
character: yukino_mifuyu_(puuzaki_puuna) 1girl, 1boy, multiple boys, faceless male, dark skin, dark-skinned male, muscular, ((faceless, muscular, dark-skinned man:1.0)), gold chain, grey sweatpants, naughty eyes, seductive smile, grinning, grin, faceless, silver hair, blue eyes, hair between eyes, hair bun, long hair, sidelocks, ahoge, purple bow, huge breasts, light blue cardigan, off shoulder, white turtleneck sweater, sleeveless, latex skirt, tight skirt, shiny, dark blue skirt, micromini pencil skirt, dark brown leggings, black heels, kneeling, both knees on floor, seiza, butt out, hands on own stomach, distended stomach, swollen belly, belly bulge, crying, tears, trembling, holding it in, desperate, clenched teeth, furrowed brow, blush, sweat, half-closed eyes, from above, from below, from front, dutch angle, full body, curtain wall, unfinished construction interior, steel frame, concrete floor, floor-to-ceiling windows, night view, city lights, large glass syringe on floor, empty syringe, backlight, high contrast, Shot from a low front angle that tilts up and looks down at once on a steep diagonal, the camera braced near the concrete floor of an unfinished high-rise floor and angled so the near window mullions converge overhead. In the centre of the frame a young woman kneels on both knees, seiza, her shins flat on the dusty concrete, hips pressed forward and buttocks pushed out behind her so her lower back arches and the hem of her micromini pencil skirt rides tight across her thighs. Her hair is silver, long, with heavy sidelocks falling past her jaw, a small bun pinned at the back of her head, short strands between her eyes, a purple bow at the bun and a single ahoge springing from the crown; it hangs lank and shaken. Her eyes are blue, wide and brimming, lashes clumped wet, tears running unchecked down both cheeks, brows drawn up in the middle, mouth open and gritted in a desperate effort to hold on. She clutches her lower abdomen with both hands, fingers splayed and pressing, palms flat against a belly so massively swollen with enema fluid that it pushes the white turtleneck out into a hard taut dome, like a woman in imminent labor, the fabric stretched thin and glistening; her light blue cardigan has slipped off both shoulders and bunches at her upper arms, and her arms are bare. The shiny dark blue latex micromini skirt is stretched tight and glossy, dark brown leggings darkening her lower legs into the black heels, and her whole body trembles with fine shudders that shiver the loose cardigan and set her hair swaying. Around her a ring of four or five muscular dark-skinned men crowd in close, faceless — no facial features, only smooth blank heads turned down toward her — their thick bare torsos and shoulders filling the gaps between her and the windows, one gold chain hanging at the nearest man's collarbone, grey sweatpants slung low at their hips. The nearest two lean over her shoulders with the lofted, tilted bearing of men grinning down at what she is enduring; their heads aim at her swollen belly and hands, their postures loose and looming. She looks down at her own hands and nothing else. On the bare concrete floor a short step in front of her knee lies an extra-large, extra-thick glass enema syringe, completely empty, its heavy glass barrel lying on its side, light running along the curve of the glass and pooling bright in a thin bead at the nozzle. The floor is fresh grey concrete with steel studs and cable trays overhead; the whole far wall is curtain-wall glazing, and beyond it a night city drops away from the high floor — grids of lit windows, sodium-orange streets, cold blue glass — the only light source, so the men and the woman are rimmed with cold windowlight and their fronts fall into deep shadow, and their long shadows stream across the concrete toward the camera. Overall cast is cold blue-grey against the warm silver of her hair and the glossy blue of the skirt; clear glass, dark skin, and pale fabric separate cleanly. Bitter, gleaming tension.
らり

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