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Parametreleri Göster
- Orijinal Prompt
- 花海咲季 全身 着合わせ 組み合わせ 靴 色んなスタイル 色んな色 夏物 冬物 秋物 春物 斬新な 帽子 キャップ パリコレ ドヤ顔 切ない顔 笑顔 色んな表情 可愛さとカッコよさ
- Mod
- pro
- Kalite Etiketi
- İpuçları
- Boyut
- 768 x 1280
- Örnekleme Yöntemi
- Euler
- Negatif
- lowres, worst quality, low quality, bad anatomy, explicit
İstem Yardımcısı
Kullanılan Model ve LoRA
Benzer Görseller
Daha fazla göster
k
character: hanami_saki
variation sheet, multiple views, full body, same character repeated, four seasonal outfits, mix-and-match outfit combinations, summer outfit, winter outfit, autumn outfit, spring outfit, shoes, footwear visible in every figure, various styles, various colors, hat, cap, wide-brimmed sun hat, knit beanie, flat cap, baseball cap, long hair, brown hair, red hair, hair bun, blue eyes, skirt, jacket, long sleeves, shirt, earrings, ribbon, standing, weight on one leg, hand on hip, arms crossed, one hand adjusting hat brim, tiptoes, contrapposto, hair swaying, cel shading, clean lineart, flat color blocks, character design sheet, white sheet ground
A full-body variation sheet on a seamless pale warm-grey sheet ground, the same long-haired woman with blue eyes appearing five times in a loose staggered column so that every figure is seen head to toe with clear air between them and nothing overlapping, drawn in clean cel-shaded lineart with flat color blocks and simple one-tone drop shadows that anchor each pair of feet to the paper. Her hair is long and brown with a distinct red cast at the front locks, gathered into a loose bun at the back of her head with the tail of it falling free down her back; the read changes with each outfit but the face, the blue eyes and the bun stay identical across all five.
Top left: the spring figure, standing with her weight on her left leg, hip pushed to that side, one hand catching the skirt hem mid-lift, the other hand resting a straw-brimmed wide hat onto her head at a tilt. She wears a light cream blouse with long sleeves rolled to the elbow, a mint-green mid-thigh skirt, a small ribbon knotted at the collar and thin round earrings, a pair of tan leather oxfords with visible laces, all in fresh spring pastels against her brown-and-red hair.
Top right: the summer figure, caught mid-step with one sandal lifting off the ground, arms flung loosely out to the sides, chin tipped up, hair lifting off her shoulders. She wears a white sleeveless top and a pale yellow short skirt, a white baseball cap pulled low with the brim shadow across her brow, and flat strappy sandals whose soles are visible as her foot peels up. Summer palette is white, lemon yellow, and sky blue with the red hair as the accent.
Centre: the autumn figure, largest and most forward, seen slightly from below so she looms a little, one hand on her hip and the other holding a flat cap's brim between two fingers, elbow out, weight on her right leg with the left knee bent. She wears a rust-orange knit jacket with long sleeves over a cream shirt, a deep brown pleated skirt, thin gold hoop earrings, and ankle boots with a low stacked heel and a visible buckle strap. Autumn palette is burnt orange, cream and chocolate brown, her red-tinted hair blending into the rust.
Bottom left: the winter figure, standing on tiptoe with her heels lifted, arms hugged across her chest, shoulders raised against cold, breath implied by a puffed cheek. She wears a long charcoal coat, a chunky knit beanie pulled down to her eyebrows, and a scarf tucked in, fleece-lined boots with thick treads and laces visible at the ankle. Winter palette is charcoal, dove grey and a single cold teal, the only cool note on the sheet.
Bottom right: an extra combination figure mixing seasons -- the summer white top under the autumn rust jacket, the spring mint skirt above the winter boots, a low-pulled baseball cap and gold hoops, standing with one hand in her pocket, one knee locked, gaze dropped to the side, showing that any piece can be swapped with any other.
Every figure's eyes look away from the viewer -- into the middle of the sheet or down at their own outfit -- so the sheet reads as a designer's study, not five portraits. The light is an even, directionless studio wash from above with faint soft shadows only under the shoes and boots, no dramatic key; each garment's flat color block is separated from its neighbour by lineart alone, and the red in her hair repeats as the one color that ties all five outfits together. Quiet, catalogue-clean, effortlessly stylish.
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k
character: hanami_saki
1girl, solo, full body, multiple views, outfit collage, fashion plates, seasonal wardrobe variations, four seasonal outfit blocks, summer outfit, winter outfit, autumn outfit, spring outfit, avant-garde high fashion, runway couture, paris collection, mixing prints, many colors, rainbow palette, numerous shoes, varied footwear, hat, cap, wide-brim hat, beret, baseball cap, bucket hat, smug face, doyagao, melancholy, sad expression, downcast eyes, smile, open-mouth grin, multiple expressions, long brown-red hair, hair bun, blue eyes, earrings, ribbon, jewelry, standing poses, weight on one leg, hand on hip, arms crossed, hands in pockets, from below, full-length figure, vertical composition, white studio runway backdrop,
one slender young woman rendered as a full-body designer's wardrobe sheet, a tall single figure whose body is divided into four stacked horizontal register panels that read top to bottom as spring, summer, autumn and winter, each panel showing her whole silhouette head to toe in a distinct seasonal look. In the top spring register she stands with weight on her right leg, left ankle crossed behind, wearing a light cropped pastel-pink trench over a pale mint blouse and a pleated cream skirt, both hands tucked into the coat pockets, and a wide-brim straw-look hat tilted low over one eye; her chin lifts slightly, a faint closed-lip smile, gaze angled down-left along the panel seam. In the summer register she has shifted her weight to her left hip with her right hand planted on it, in a bold avant-garde runway look: a sculpted asymmetric shell top in saturated cobalt with an exaggerated shoulder loop, high-waisted shorts in saturated tangerine, and chunky platform sandals; a structured bucket cap in acid green sits on her head and a wide leather belt cinches the waist; her face is turned three-quarters, one brow arched, a smug lopsided smirk (doyagao) as she looks sideways off frame, chin high. In the autumn register she stands square but with legs apart, wearing an oversized burnt-amber trench thrown open over a plum knit dress and heavy lace-up boots, a ribbed knit beanie and a soft wide-brim felt hat layered look replaced by a single crushed velvet cap in deep wine; her shoulders drop and her eyes lower, mouth downturned, brow pinched — a melancholy, sorrowful expression, gaze on the floor between her feet. In the winter register she turns slightly and lifts one knee in a playful stride, wrapped in an oversized ivory puffer with a faux-fur hood collar over a navy turtleneck and tailored charcoal trousers, tall shearling boots on her feet, one gloved hand raising the puffer's zipper at the throat, and a knit cap with a pom pulled low; her head tilts, and she breaks into a full open-mouthed grin with crescent eyes directed straight at the viewer. Each panel's background is a seamless flat color field to separate the looks — dusty rose for spring, bright aqua for summer, burnt orange for autumn, icy blue-grey for winter. The whole figure is lit by one soft frontal studio key from slightly above-left, casting a single faint shadow that falls only within each panel, so the panels read as one continuous figure broken by thin white gaps. Color is deliberately maximal yet organized: each register owns one dominant hue, the palettes never bleed across panel borders, and saturated accents of the neighboring season appear only as shoe laces or the hat bands. A single visible physics cue — the puffer's down ridges compress where her gloved hand grips the zipper, and the panel gaps show the same soft shadow repeated. Crisp high-fashion magazine energy, confident and bright.
kykykykykykykyky
k
character: hanami_saki
full body, multiple views, same character repeated, outfit grid, fashion plate layout, one girl shown several times, long brown hair with red undertones, hair bun, blue eyes, smug doya face, wistful sorrowful face, bright smile, various expressions, varied outfits, seasonal clothing, summer clothes, winter clothes, autumn clothes, spring clothes, avant-garde couture, haute couture, paris fashion week, hat, cap, shoes visible, full-body head-to-toe framing, fashion illustration, standing poses, three-quarter view, from side, cowboy shot height, looking at viewer, looking to the side, looking away, closed eyes, raised eyebrow, lopsided smirk, pout, hand on hip, arms crossed, mid-turn, weight on one leg, hand adjusting hat brim.
A full-body fashion-plate composition on a seamless pale grey studio sweep, one girl drawn five times across the sheet in distinct outfits and moods, each figure standing head to toe with her shoes fully inside the frame. The same girl throughout: long brown hair warmed with red undertones, gathered into a high bun with loose strands framing her face, blue eyes, slim build. Top-left figure, autumn: she stands in a tailored long-sleeved shirt under a cropped jacket and a pleated skirt, dark brown and mustard tones, a wide-brim felt hat tilted low over one eye, both hands hooked at her waistband, chin lifted, one brow arched in a lopsided doya smirk aimed straight at the viewer, weight sunk into her right hip, brown leather ankle boots planted. Top-right figure, winter: a heavy wool coat with a scarf ribbed in deep burgundy and cream, a knit beanie cap pulled down to her brow, gloved hands shoved in her pockets, shoulders hunched against cold, gaze cut aside and down, mouth drawn into a small wistful line, lashes lowered, snow boots dark against the sweep. Centre figure, summer, the largest: a crisp white cotton sundress with a wide-brim straw hat, its brim curving the shadow across her cheeks, sandals strapped at the ankle, she is caught mid-turn with the skirt flaring, one arm flung up to hold the hat against a breeze, laughing open-mouthed, crescent eyes, hair strands lifting. Bottom-left, spring: an avant-garde layered ensemble in mint and shell pink, an asymmetric structured cap with a sculpted brim jutting over her brow, sculptural shoulders, skirt cut at an uneven diagonal, she stands with one hand splayed flat to her chest, gaze lifting to the upper left, a quiet wistful expression with a faint closed-lip almost-smile, pale heeled boots. Bottom-right, haute-couture showpiece: a floor-length architectural gown in near-black and silver, a towering sculpted hat balanced on her bun, exaggerated sleeves, one hand on hip and the other flicking the hem, chin high, eyes half-closed in a satisfied smug look. Each figure casts a soft grounded contact shadow directly beneath the feet, and the hems of the long gown crease where they meet the floor. Even high-key studio light from the upper left lights every figure identically, cool and clean, shadows pooling only underfoot and inside the folds of heavy wool. Palette disciplined per figure: mustard and brown, burgundy and cream, white and straw, mint and shell pink, black and silver, all on the grey ground. Detail budget on fabric cut, hat silhouette, hands, footwear and the faces' micro-expressions. Effortlessly stylish, high-fashion editorial.
kykykykykykykyky
k
character: hanami_saki
variant sheet, character sheet, multiple views, full body, 1girl, long brown hair with red undertone, hair bun, blue eyes, street fashion, mix-and-match outfit, avant-garde silhouette, oversized layering, cropped jacket over long shirt, cargo pants, platform sneakers, chunky boots, various styles, various colors, summer outfit, winter outfit, autumn outfit, spring outfit, hat, cap, beret, bucket hat, smug, doya-gao, sorrowful, sad expression, smile, various expressions, full body multiple poses, running shoes, high-top sneakers, palette of hot coral, cobalt, acid yellow, off-white, olive, charcoal, paris fashion week styling
A vertical character sheet laid out as a grid of full-body figures of one young woman with long brown hair that carries a warm red undertone, the length gathered in a loose bun at the back of her head and a few strands escaping at the temples; her eyes are clear blue. The sheet is arranged in four tall columns reading left to right as spring, summer, autumn and winter, each column a complete head-to-toe figure standing on the same seamless off-white studio sweep, all figures scaled identically with the soles of their shoes on one shared baseline, so the differences between the looks are legible at a glance. Each figure is turned three-quarters away from square-on, hips and shoulders off-axis, one leg bearing the weight while the other knee softens, and each wears a different avant-garde cap or hat at the top of the column: a boxy structured cap with a stiff brim in acid yellow, a slouchy oversized bucket hat in charcoal, a wide beret tilted over one brow in off-white, and a long-visored cap in hot coral with the crown built up in folded panels. Every outfit is streetwear assembled from mismatched pieces and mixed palettes rather than a matched set. The spring figure wears an oversized cropped bomber in olive over a long off-white shirt whose hem falls below it, wide cropped trousers and chunky high-top sneakers, hands pushed into the bomber pockets, chin lifted. The summer figure wears a boxy sleeveless overshirt in cobalt open over a bare midriff and a short pleated skirt, a small ribbon knotted at the collar, and platform sneakers in white and coral, one hand tugging the overshirt's edge, the other loose at her side. The autumn figure wears a long charcoal trench cut away at one side over layered ribbed knits in rust and cream, the earrings catching the key light, straight-leg cargo trousers and heavy lace-up boots, one boot lifted slightly onto its toe. The winter figure wears an enormous puffer in off-white with a high stand collar, a scarf wound twice, a long skirt over thermal leggings and thick-soled boots, shoulders hunched against an imagined cold. Faces vary column to column: the spring figure wears the smug doya-gao look, chin tipped up, one brow arched, a lopsided closed smirk; the summer figure laughs openly with an open-mouthed grin and crescent eyes; the autumn figure is caught in a sorrowful expression, brows drawn, lids lowered, mouth slightly parted on a held breath; the winter figure shows a faint closed-lip smile, looking off to the side. Three-quarter key light from a single large softbox high on the left builds a soft graded shadow down the right of each figure and lays a short even contact shadow under the shoes; nothing else lights the sheet. Colour is loud and deliberate and it lands in specific pieces: acid yellow on the first cap, cobalt on the summer overshirt, rust and cream in the autumn knits, coral on the winter cap and the summer platform soles, everything else kept in off-white, olive and charcoal so the accents read as accents. The heavy boots crease at the ankle where the toe has been lifted, the pleats of the summer skirt hang still, and the fabric of the puffer is compressed at the shoulders where the scarf sits on it. Crisp cel-shaded figure work on a flat paper-toned ground, confidently stylish.
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