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洋館の静かな廊下・情景イラスト

レトロな雰囲気の洋館の廊下を描いてみました。暖炉の灯りや赤いカーペットの質感が、どこか懐かしくて落ち着く空間を作り出している気がします。気に入っていただけたら、いいねやフォローをしていただけると嬉しいです！

#manzara #İnsan yok #iç mekan #resim içinde resim #mum #kapı #Şamdan

Yayınlanma tarihi: Oct 29, 2026

に

にはちゃんのあそびば（NIHACHANG）

Görülecek Daha Fazla Şey

pixel art, 16-bit pixel art, Super Famicom style, limited palette, dithering, hard-edged pixels, no antialiasing, first-person view, straight-on view, symmetrical composition, frontal view, vanishing point at center of frame, low camera angle, no humans, nobody, scenery, empty corridor, western-style mansion, mansion hallway, corridor, wall, wainscoting, wallpaper, striped wallpaper, red carpet runner, wood floor, wooden floorboards, checkerboard floor, doors, arched doorway, doorframes, ceiling, pendant lamp, chandelier, brass wall sconces, candelabra on wall, oil portrait in gilt frame, framed painting, ornate moldings, crown molding, baseboard, cornice, marble columns, pilasters, staircase railing, grandfather clock, side table, vase with dried flowers, patterned rug, dust motes, no text, no lettering, no signage A first-person view standing dead center in a European-style mansion corridor, the far wall facing the camera square-on, and the whole scene rendered as Super Famicom pixel art: the frame is a strict grid of hard square pixels with no antialiasing anywhere, every edge stepped and countable, and every gradient built from visible dithering — checkerboard dither in the wallpaper's shadow, ordered dither across the ceiling and the floor's falloff, so the shading reads as woven pixels rather than smooth bloom. The view is low, close to the height of a bent knee, so the corridor floor sprawls forward in strong one-point perspective: the red carpet runner's edges converge as clean pixel staircases toward the center of the far wall, and the parallel seams of the wooden floorboards draw the same converging lines, each board a single flat color broken only by dither along its length. The far wall is the subject and it is a fully frontal plane: dense burgundy-and-cream striped wallpaper above, a dark carved wood wainscoting below at waist height with a molding line running perfectly horizontal across the image, a thin brass picture rail near the top, a cornice and crown molding stepping out at the ceiling. In the middle of that wall sits a single closed double door of dark polished wood with brass handles, flanked symmetrically by two small brass sconces; because the camera is low, the door's top and the cornice tilt slightly inward in the perspective, while the wainscoting molding still runs dead level. To the left the corridor wall recedes in deep foreshortening with evenly spaced arched doorways, a gilt-framed oil portrait of a landscape above a narrow console table, and a tall grandfather clock; to the right it recedes identically with pilasters, a second framed painting, and a small side table with a vase of dried flowers. The ceiling is flat and high, with a hanging lamp at the center of the corridor whose chain drops straight down toward the vanishing point, its brass shade lit warm. The lamp is the primary light source: warm amber light pools on the ceiling and the floor around it, falls brightest on the far wall's upper wallpaper, and the walls darken toward the corridor's near edges into dithered shadow bands of deep plum and navy; the two wall sconces add small warm scallops of light above the door, and every cast shadow is a stepped pixel shadow, hard-edged with dithered fringes. Palette is locked to the Super Famicom register — umber and dark walnut, burgundy and cream stripes, brass ochre, deep crimson runner, muted teal accents in the paintings, and a black-brown darkness that eats the corners. Small single-variable touch: dust motes drift in the lamp's cone, each mote a single lit pixel that dims only as it leaves the light. Quiet, still, faintly grand.

洋館の静かな廊下・情景イラスト

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